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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 88 / 0 / 23 / 38 it is the complementary color CMYK 0 / 59 / 44 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 88 / 0 / 23 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 88 / 0 / 23 / 38: CMYK 85 / 0 / 26 / 38, CMYK 77 / 0 / 23 / 31, CMYK 70 / 0 / 20 / 24, CMYK 65 / 0 / 18 / 17 and CMYK 60 / 0 / 16 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 88 / 0 / 23 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 88 / 0 / 23 / 38: CMYK 88 / 0 / 23 / 38, CMYK 99 / 0 / 26 / 45, CMYK 100 / 0 / 31 / 52, CMYK 100 / 0 / 38 / 59 and CMYK 100 / 0 / 47 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

Complementary color

CMYK 0 / 59 / 44 / 7

HEX #EC6185

RGB 236 97 133

HSL 344.46, 0.79%, 0.65%

LAB 59.96, 56.73, 7.94

 

CMYK 85 / 0 / 26 / 38

HEX #189E75

RGB 24 158 117

HSL 161.64, 0.74%, 0.36%

LAB 57.97, -43.84, 11.98

 

CMYK 77 / 0 / 23 / 31

HEX #29B088

RGB 41 176 136

HSL 162.22, 0.62%, 0.43%

LAB 64.4, -44.85, 10.51

 

CMYK 70 / 0 / 20 / 24

HEX #3AC29B

RGB 58 194 155

HSL 162.79, 0.54%, 0.49%

LAB 70.77, -45.5, 9.2

 

CMYK 65 / 0 / 18 / 17

HEX #4BD4AE

RGB 75 212 174

HSL 163.36, 0.61%, 0.56%

LAB 77.06, -45.91, 8.01

 

CMYK 60 / 0 / 16 / 10

HEX #5CE6C1

RGB 92 230 193

HSL 163.91, 0.73%, 0.63%

LAB 83.29, -46.14, 6.93

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 99 / 0 / 26 / 45

HEX #028C67

RGB 2 140 103

HSL 163.91, 0.97%, 0.28%

LAB 51.55, -41.38, 10.89

 

CMYK 100 / 0 / 31 / 52

HEX #007A54

RGB 0 122 84

HSL 161.31, 1%, 0.24%

LAB 45.02, -38.92, 12.79

 

CMYK 100 / 0 / 38 / 59

HEX #006841

RGB 0 104 65

HSL 157.5, 1%, 0.2%

LAB 38.34, -36.22, 14.84

 

CMYK 100 / 0 / 47 / 66

HEX #00562E

RGB 0 86 46

HSL 152.09, 1%, 0.17%

LAB 31.47, -33.33, 17.03

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 89 / 0 / 9 / 38

HEX #129F91

RGB 18 159 145

HSL 174.04, 0.8%, 0.35%

LAB 58.95, -37.2, -2.44

 

CMYK 89 / 6 / 0 / 38

HEX #12969F

RGB 18 150 159

HSL 183.83, 0.8%, 0.35%

LAB 56.53, -28.65, -14.01

 

CMYK 89 / 21 / 0 / 38

HEX #127E9F

RGB 18 126 159

HSL 194.04, 0.8%, 0.35%

LAB 48.95, -16.1, -25.61

 

CMYK 89 / 35 / 0 / 38

HEX #12679F

RGB 18 103 159

HSL 203.83, 0.8%, 0.35%

LAB 41.74, -2.6, -36.91

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 88 / 0 / 23 / 18

HEX #19D1A1

RGB 25 209 161

HSL 164.35, 0.79%, 0.46%

LAB 75.06, -53.48, 12.01

 

CMYK 80 / 0 / 20 / 98

HEX #010504

RGB 1 5 4

HSL 165, 0.67%, 0.01%

LAB 1.12, -1.18, 0.01

 

CMYK 88 / 0 / 23 / 78

HEX #07382B

RGB 7 56 43

HSL 164.08, 0.78%, 0.12%

LAB 20.23, -19.59, 3.64

 

CMYK 88 / 0 / 22 / 58

HEX #0D6B53

RGB 13 107 83

HSL 164.68, 0.78%, 0.24%

LAB 39.96, -31.76, 6.3

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 89 / 82 / 0 / 38

HEX #121C9F

RGB 18 28 159

HSL 235.74, 0.8%, 0.35%

LAB 21.81, 45.84, -69.3

 

CMYK 0 / 59 / 89 / 38

HEX #9F4112

RGB 159 65 18

HSL 20, 0.8%, 0.35%

LAB 39.91, 36.8, 44.75

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 23 / 89 / 0 / 38

HEX #7A129F

RGB 122 18 159

HSL 284.26, 0.8%, 0.35%

LAB 31.97, 60.39, -52.17

 

CMYK 0 / 23 / 89 / 38

HEX #9F7A12

RGB 159 122 18

HSL 44.26, 0.8%, 0.35%

LAB 53.31, 5.26, 55.53

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 89 / 82 / 0 / 38

HEX #121C9F

RGB 18 28 159

HSL 235.74, 0.8%, 0.35%

LAB 21.81, 45.84, -69.3

 

CMYK 0 / 89 / 65 / 38

HEX #9F1238

RGB 159 18 56

HSL 343.83, 0.8%, 0.35%

LAB 34.17, 55.32, 17.35

 

CMYK 0 / 6 / 89 / 38

HEX #9F9612

RGB 159 150 18

HSL 56.17, 0.8%, 0.35%

LAB 60.98, -10.12, 61.69

 

CMYK 88 / 0 / 23 / 38

HEX #139E7A

RGB 19 158 122

HSL 164.46, 0.79%, 0.35%

LAB 58.03, -42.99, 9.25

 

CMYK 68 / 89 / 0 / 38

HEX #33129F

RGB 51 18 159

HSL 254.04, 0.8%, 0.35%

LAB 22.44, 51.95, -68.19

 

CMYK 0 / 89 / 65 / 38

HEX #9F1238

RGB 159 18 56

HSL 343.83, 0.8%, 0.35%

LAB 34.17, 55.32, 17.35

 

CMYK 21 / 0 / 89 / 38

HEX #7E9F12

RGB 126 159 18

HSL 74.04, 0.8%, 0.35%

LAB 61.02, -29.19, 60.66

 

Description

Color code: CMYK 88 / 0 / 23 / 38 | qconv.com Color code: CMYK 88 / 0 / 23 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 158 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 158 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 23 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 23% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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