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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 176 204 it is the complementary color RGB 202 79 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 176 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 176 204 shade: RGB 58 176 199, RGB 75 194 218, RGB 92 212 237, RGB 109 230 255 and RGB 126 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 176 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 176 204 shade: RGB 53 176 204, RGB 36 158 185, RGB 19 140 166, RGB 2 122 147 and RGB 0 104 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 176 204 shade: RGB 51 176 204, RGB 51 134 204, RGB 51 93 204, RGB 51 52 204 and RGB 91 51 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 176 204 shade: RGB 51 176 204, RGB 51 134 204, RGB 51 93 204, RGB 51 52 204 and RGB 51 51 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 176 204 shade matches the following richer shades: RGB 51 176 204, RGB 30 189 225 and RGB 10 202 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 176 204 shade: RGB 51 176 204, RGB 72 163 183, RGB 92 150 163, RGB 113 137 142 and RGB 134 124 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 176 204 shade: RGB 51 204 150, RGB 51 204 191, RGB 51 176 204, RGB 51 135 204 and RGB 51 94 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 176 204 shade: RGB 34 119 138, RGB 43 147 171, RGB 51 176 204, RGB 84 188 212 and RGB 117 201 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 176 204 shade: RGB 53 176 204, RGB 110 51 204 and RGB 204 171 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 176 204 shade: RGB 53 176 204, RGB 204 51 176 and RGB 176 204 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 176 204 shade: RGB 53 176 204, RGB 110 51 204, RGB 204 79 51 and RGB 145 204 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 176 204 shade: RGB 53 176 204, RGB 156 51 204, RGB 204 79 51 and RGB 99 204 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 14 / 0 / 20

HEX #35B0CC

RGB 53 176 204

HSL 191.13, 0.6%, 0.5%

LAB 66.65, -23.97, -23.84

 

Complementary color

CMYK 0 / 61 / 75 / 21

HEX #CA4F33

RGB 202 79 51

HSL 11.13, 0.6%, 0.5%

LAB 49.96, 47.38, 41.08

 

CMYK 71 / 12 / 0 / 22

HEX #3AB0C7

RGB 58 176 199

HSL 189.79, 0.56%, 0.5%

LAB 66.58, -24.91, -21.18

 

CMYK 66 / 11 / 0 / 15

HEX #4BC2DA

RGB 75 194 218

HSL 190.07, 0.66%, 0.57%

LAB 72.98, -25.69, -21.79

 

CMYK 61 / 11 / 0 / 7

HEX #5CD4ED

RGB 92 212 237

HSL 190.34, 0.8%, 0.65%

LAB 79.32, -26.28, -22.35

 

CMYK 57 / 10 / 0 / 0

HEX #6DE6FF

RGB 109 230 255

HSL 190.27, 1%, 0.71%

LAB 85.54, -27.01, -22.39

 

CMYK 51 / 3 / 0 / 0

HEX #7EF8FF

RGB 126 248 255

HSL 183.26, 1%, 0.75%

LAB 91.14, -32.36, -13.9

 

CMYK 74 / 14 / 0 / 20

HEX #35B0CC

RGB 53 176 204

HSL 191.13, 0.6%, 0.5%

LAB 66.65, -23.97, -23.84

 

CMYK 81 / 15 / 0 / 27

HEX #249EB9

RGB 36 158 185

HSL 190.87, 0.67%, 0.43%

LAB 60.19, -22.75, -23.17

 

CMYK 89 / 16 / 0 / 35

HEX #138CA6

RGB 19 140 166

HSL 190.61, 0.79%, 0.36%

LAB 53.65, -21.13, -22.41

 

CMYK 99 / 17 / 0 / 42

HEX #027A93

RGB 2 122 147

HSL 190.34, 0.97%, 0.29%

LAB 47.03, -19.09, -21.56

 

CMYK 100 / 19 / 0 / 50

HEX #006880

RGB 0 104 128

HSL 191.25, 1%, 0.25%

LAB 40.34, -16.26, -20.51

 

CMYK 75 / 14 / 0 / 20

HEX #33B0CC

RGB 51 176 204

HSL 190.98, 0.6%, 0.5%

LAB 66.61, -24.21, -23.91

 

CMYK 75 / 34 / 0 / 20

HEX #3386CC

RGB 51 134 204

HSL 207.45, 0.6%, 0.5%

LAB 54.15, -1.1, -43.3

 

CMYK 75 / 54 / 0 / 20

HEX #335DCC

RGB 51 93 204

HSL 223.53, 0.6%, 0.5%

LAB 42.6, 24.51, -61.8

 

CMYK 75 / 75 / 0 / 20

HEX #3334CC

RGB 51 52 204

HSL 239.61, 0.6%, 0.5%

LAB 32.96, 49.79, -77.59

 

CMYK 55 / 75 / 0 / 20

HEX #5B33CC

RGB 91 51 204

HSL 255.69, 0.6%, 0.5%

LAB 35.89, 54.68, -72.65

 

CMYK 75 / 14 / 0 / 20

HEX #33B0CC

RGB 51 176 204

HSL 190.98, 0.6%, 0.5%

LAB 66.61, -24.21, -23.91

 

CMYK 75 / 34 / 0 / 20

HEX #3386CC

RGB 51 134 204

HSL 207.45, 0.6%, 0.5%

LAB 54.15, -1.1, -43.3

 

CMYK 75 / 54 / 0 / 20

HEX #335DCC

RGB 51 93 204

HSL 223.53, 0.6%, 0.5%

LAB 42.6, 24.51, -61.8

 

CMYK 75 / 75 / 0 / 20

HEX #3334CC

RGB 51 52 204

HSL 239.61, 0.6%, 0.5%

LAB 32.96, 49.79, -77.59

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 75 / 14 / 0 / 20

HEX #33B0CC

RGB 51 176 204

HSL 190.98, 0.6%, 0.5%

LAB 66.61, -24.21, -23.91

 

CMYK 87 / 16 / 0 / 12

HEX #1EBDE1

RGB 30 189 225

HSL 191.08, 0.76%, 0.5%

LAB 70.94, -25.76, -28.79

 

CMYK 96 / 18 / 0 / 4

HEX #0ACAF5

RGB 10 202 245

HSL 190.98, 0.92%, 0.5%

LAB 75.39, -26.45, -32.76

 

CMYK 75 / 14 / 0 / 20

HEX #33B0CC

RGB 51 176 204

HSL 190.98, 0.6%, 0.5%

LAB 66.61, -24.21, -23.91

 

CMYK 61 / 11 / 0 / 28

HEX #48A3B7

RGB 72 163 183

HSL 190.81, 0.44%, 0.5%

LAB 62.5, -20.95, -18.44

 

CMYK 44 / 8 / 0 / 36

HEX #5C96A3

RGB 92 150 163

HSL 190.99, 0.28%, 0.5%

LAB 58.73, -15.42, -12.78

 

CMYK 20 / 4 / 0 / 44

HEX #71898E

RGB 113 137 142

HSL 190.34, 0.11%, 0.5%

LAB 55.44, -7.39, -5.53

 

CMYK 0 / 7 / 10 / 47

HEX #867C79

RGB 134 124 121

HSL 13.85, 0.05%, 0.5%

LAB 52.8, 3.25, 3

 

CMYK 75 / 0 / 26 / 20

HEX #33CC96

RGB 51 204 150

HSL 158.82, 0.6%, 0.5%

LAB 73.6, -51.71, 15.87

 

CMYK 75 / 0 / 6 / 20

HEX #33CCBF

RGB 51 204 191

HSL 174.9, 0.6%, 0.5%

LAB 74.6, -41.39, -4.77

 

CMYK 75 / 14 / 0 / 20

HEX #33B0CC

RGB 51 176 204

HSL 190.98, 0.6%, 0.5%

LAB 66.61, -24.21, -23.91

 

CMYK 75 / 34 / 0 / 20

HEX #3387CC

RGB 51 135 204

HSL 207.06, 0.6%, 0.5%

LAB 54.44, -1.69, -42.83

 

CMYK 75 / 54 / 0 / 20

HEX #335ECC

RGB 51 94 204

HSL 223.14, 0.6%, 0.5%

LAB 42.87, 23.87, -61.37

 

CMYK 75 / 14 / 0 / 46

HEX #22778A

RGB 34 119 138

HSL 190.96, 0.6%, 0.34%

LAB 46.14, -18.08, -17.56

 

CMYK 75 / 14 / 0 / 33

HEX #2B93AB

RGB 43 147 171

HSL 191.25, 0.6%, 0.42%

LAB 56.41, -20.88, -21.02

 

CMYK 75 / 14 / 0 / 20

HEX #33B0CC

RGB 51 176 204

HSL 190.98, 0.6%, 0.5%

LAB 66.61, -24.21, -23.91

 

CMYK 60 / 11 / 0 / 17

HEX #54BCD4

RGB 84 188 212

HSL 191.25, 0.6%, 0.58%

LAB 71.29, -22.96, -21.08

 

CMYK 47 / 9 / 0 / 13

HEX #75C9DD

RGB 117 201 221

HSL 191.54, 0.6%, 0.66%

LAB 76.54, -20.26, -17.88

 

CMYK 74 / 14 / 0 / 20

HEX #35B0CC

RGB 53 176 204

HSL 191.13, 0.6%, 0.5%

LAB 66.65, -23.97, -23.84

 

CMYK 46 / 75 / 0 / 20

HEX #6E33CC

RGB 110 51 204

HSL 263.14, 0.6%, 0.5%

LAB 37.92, 57.43, -69.25

 

CMYK 0 / 16 / 75 / 20

HEX #CCAB33

RGB 204 171 51

HSL 47.06, 0.6%, 0.5%

LAB 71.01, -0.15, 62.36

 

CMYK 74 / 14 / 0 / 20

HEX #35B0CC

RGB 53 176 204

HSL 191.13, 0.6%, 0.5%

LAB 66.65, -23.97, -23.84

 

CMYK 0 / 75 / 14 / 20

HEX #CC33B0

RGB 204 51 176

HSL 310.98, 0.6%, 0.5%

LAB 49.91, 70.59, -32.91

 

CMYK 14 / 0 / 75 / 20

HEX #B0CC33

RGB 176 204 51

HSL 70.98, 0.6%, 0.5%

LAB 77.67, -28.76, 67.84

 

CMYK 74 / 14 / 0 / 20

HEX #35B0CC

RGB 53 176 204

HSL 191.13, 0.6%, 0.5%

LAB 66.65, -23.97, -23.84

 

CMYK 46 / 75 / 0 / 20

HEX #6E33CC

RGB 110 51 204

HSL 263.14, 0.6%, 0.5%

LAB 37.92, 57.43, -69.25

 

CMYK 0 / 61 / 75 / 20

HEX #CC4F33

RGB 204 79 51

HSL 10.98, 0.6%, 0.5%

LAB 50.3, 48.1, 41.54

 

CMYK 29 / 0 / 75 / 20

HEX #91CC33

RGB 145 204 51

HSL 83.14, 0.6%, 0.5%

LAB 75.73, -40.9, 65.31

 

CMYK 74 / 14 / 0 / 20

HEX #35B0CC

RGB 53 176 204

HSL 191.13, 0.6%, 0.5%

LAB 66.65, -23.97, -23.84

 

CMYK 24 / 75 / 0 / 20

HEX #9C33CC

RGB 156 51 204

HSL 281.18, 0.6%, 0.5%

LAB 43.94, 65.36, -59.18

 

CMYK 0 / 61 / 75 / 20

HEX #CC4F33

RGB 204 79 51

HSL 10.98, 0.6%, 0.5%

LAB 50.3, 48.1, 41.54

 

CMYK 51 / 0 / 75 / 20

HEX #63CC33

RGB 99 204 51

HSL 101.18, 0.6%, 0.5%

LAB 73.6, -56.15, 62.51

 

Description

Color code: RGB 53 176 204 | qconv.com Color code: RGB 53 176 204 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 176 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 176 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 14 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 14% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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