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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 175 200 it is the complementary color RGB 202 80 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 175 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 53 175 200: RGB 58 175 195, RGB 75 193 214, RGB 92 211 233, RGB 109 229 252 and RGB 126 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 175 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 53 175 200: RGB 53 175 200, RGB 36 157 181, RGB 19 139 162, RGB 2 121 143 and RGB 0 103 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

Complementary color

CMYK 0 / 60 / 73 / 21

HEX #CA5037

RGB 202 80 55

HSL 10.2, 0.58%, 0.5%

LAB 50.18, 47.1, 39.17

 

CMYK 70 / 10 / 0 / 24

HEX #3AAFC3

RGB 58 175 195

HSL 188.76, 0.54%, 0.5%

LAB 66.14, -25.65, -19.63

 

CMYK 65 / 10 / 0 / 16

HEX #4BC1D6

RGB 75 193 214

HSL 189.06, 0.63%, 0.57%

LAB 72.56, -26.39, -20.27

 

CMYK 61 / 9 / 0 / 9

HEX #5CD3E9

RGB 92 211 233

HSL 189.36, 0.76%, 0.64%

LAB 78.9, -26.94, -20.85

 

CMYK 57 / 9 / 0 / 1

HEX #6DE5FC

RGB 109 229 252

HSL 189.65, 0.96%, 0.71%

LAB 85.16, -27.36, -21.39

 

CMYK 51 / 3 / 0 / 0

HEX #7EF7FF

RGB 126 247 255

HSL 183.72, 1%, 0.75%

LAB 90.86, -31.89, -14.31

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 80 / 13 / 0 / 29

HEX #249DB5

RGB 36 157 181

HSL 189.93, 0.67%, 0.43%

LAB 59.73, -23.55, -21.62

 

CMYK 88 / 14 / 0 / 36

HEX #138BA2

RGB 19 139 162

HSL 189.65, 0.79%, 0.35%

LAB 53.18, -21.99, -20.83

 

CMYK 99 / 15 / 0 / 44

HEX #02798F

RGB 2 121 143

HSL 189.36, 0.97%, 0.28%

LAB 46.54, -19.99, -19.94

 

CMYK 100 / 17 / 0 / 51

HEX #00677C

RGB 0 103 124

HSL 190.16, 1%, 0.24%

LAB 39.84, -17.2, -18.86

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 74 / 24 / 0 / 21

HEX #3598C9

RGB 53 152 201

HSL 199.86, 0.58%, 0.5%

LAB 59.37, -12.22, -33.4

 

CMYK 74 / 37 / 0 / 21

HEX #357FC9

RGB 53 127 201

HSL 210, 0.58%, 0.5%

LAB 52.01, 2.26, -44.98

 

CMYK 74 / 49 / 0 / 21

HEX #3566C9

RGB 53 102 201

HSL 220.14, 0.58%, 0.5%

LAB 44.91, 17.85, -56.33

 

CMYK 74 / 61 / 0 / 21

HEX #354EC9

RGB 53 78 201

HSL 229.86, 0.58%, 0.5%

LAB 38.59, 33.3, -66.59

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 73 / 12 / 0 / 2

HEX #43DCFB

RGB 67 220 251

HSL 190.11, 0.96%, 0.62%

LAB 81.48, -29.55, -26.55

 

CMYK 74 / 13 / 0 / 82

HEX #0C292F

RGB 12 41 47

HSL 190.29, 0.59%, 0.12%

LAB 14.79, -8.47, -7.15

 

CMYK 73 / 12 / 0 / 62

HEX #1A5662

RGB 26 86 98

HSL 190, 0.58%, 0.24%

LAB 33.47, -14.62, -12.52

 

CMYK 74 / 13 / 0 / 42

HEX #278295

RGB 39 130 149

HSL 190.36, 0.59%, 0.37%

LAB 50.18, -19.66, -17.85

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 47 / 74 / 0 / 21

HEX #6B35C9

RGB 107 53 201

HSL 261.89, 0.58%, 0.5%

LAB 37.64, 55.27, -67.97

 

CMYK 0 / 17 / 74 / 21

HEX #C9A635

RGB 201 166 53

HSL 45.81, 0.58%, 0.5%

LAB 69.43, 1.28, 59.99

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 0 / 74 / 12 / 21

HEX #C935B0

RGB 201 53 176

HSL 310.14, 0.58%, 0.5%

LAB 49.62, 69.3, -33.4

 

CMYK 12 / 0 / 74 / 21

HEX #B0C935

RGB 176 201 53

HSL 70.14, 0.58%, 0.5%

LAB 76.84, -27.24, 66.4

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 47 / 74 / 0 / 21

HEX #6B35C9

RGB 107 53 201

HSL 261.89, 0.58%, 0.5%

LAB 37.64, 55.27, -67.97

 

CMYK 0 / 61 / 74 / 21

HEX #C94E35

RGB 201 78 53

HSL 10.14, 0.58%, 0.5%

LAB 49.65, 47.56, 39.61

 

CMYK 27 / 0 / 74 / 21

HEX #93C935

RGB 147 201 53

HSL 81.89, 0.58%, 0.5%

LAB 74.97, -38.72, 63.96

 

CMYK 74 / 13 / 0 / 22

HEX #35AFC8

RGB 53 175 200

HSL 190.2, 0.58%, 0.5%

LAB 66.2, -24.74, -22.31

 

CMYK 24 / 74 / 0 / 21

HEX #9835C9

RGB 152 53 201

HSL 280.14, 0.58%, 0.5%

LAB 43.42, 63.24, -58.32

 

CMYK 0 / 61 / 74 / 21

HEX #C94E35

RGB 201 78 53

HSL 10.14, 0.58%, 0.5%

LAB 49.65, 47.56, 39.61

 

CMYK 49 / 0 / 74 / 21

HEX #66C935

RGB 102 201 53

HSL 100.14, 0.58%, 0.5%

LAB 72.8, -54.02, 61.08

 

Description

Color code: RGB 53 175 200 | qconv.com Color code: RGB 53 175 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 175 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 175 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 13 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 13% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to CMYK

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

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NCS® to Sherwin Williams®

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