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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 126 205 it is the complementary color RGB 202 129 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 126 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 126 205 shade: RGB 58 126 200, RGB 75 144 219, RGB 92 162 238, RGB 109 180 255 and RGB 126 198 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 126 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 126 205 shade: RGB 53 126 205, RGB 36 108 186, RGB 19 90 167, RGB 2 72 148 and RGB 0 54 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 126 205 shade: RGB 55 127 205, RGB 55 87 205, RGB 64 55 205, RGB 104 55 205 and RGB 145 55 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 126 205 shade: RGB 55 127 205, RGB 55 87 205 and RGB 55 55 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 126 205 shade matches the following richer shades: RGB 55 127 205, RGB 35 126 225 and RGB 15 126 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 126 205 shade: RGB 55 127 205, RGB 75 128 185, RGB 96 129 165, RGB 116 129 144 and RGB 136 130 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 126 205 shade: RGB 55 205 203, RGB 55 168 205, RGB 55 128 205, RGB 55 88 205 and RGB 63 55 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 126 205 shade: RGB 36 87 142, RGB 44 107 175, RGB 55 127 205, RGB 88 148 213 and RGB 121 169 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 126 205 shade: RGB 53 126 205, RGB 163 55 205 and RGB 188 205 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 126 205 shade: RGB 53 126 205, RGB 205 55 128 and RGB 128 205 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 126 205 shade: RGB 53 126 205, RGB 163 55 205, RGB 205 133 55 and RGB 98 205 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 126 205 shade: RGB 53 126 205, RGB 205 55 203, RGB 205 133 55 and RGB 55 205 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 39 / 0 / 20

HEX #357ECD

RGB 53 126 205

HSL 211.18, 0.6%, 0.51%

LAB 51.93, 4.32, -47.37

 

Complementary color

CMYK 0 / 36 / 75 / 21

HEX #CA8132

RGB 202 129 50

HSL 31.18, 0.6%, 0.49%

LAB 60.33, 21.66, 52.29

 

CMYK 71 / 37 / 0 / 22

HEX #3A7EC8

RGB 58 126 200

HSL 211.27, 0.56%, 0.51%

LAB 51.83, 3.2, -44.68

 

CMYK 66 / 34 / 0 / 14

HEX #4B90DB

RGB 75 144 219

HSL 211.25, 0.67%, 0.58%

LAB 58.56, 1.77, -44.71

 

CMYK 61 / 32 / 0 / 7

HEX #5CA2EE

RGB 92 162 238

HSL 211.23, 0.81%, 0.65%

LAB 65.19, 0.63, -44.73

 

CMYK 57 / 29 / 0 / 0

HEX #6DB4FF

RGB 109 180 255

HSL 210.82, 1%, 0.71%

LAB 71.63, -0.93, -43.82

 

CMYK 51 / 22 / 0 / 0

HEX #7EC6FF

RGB 126 198 255

HSL 206.51, 1%, 0.75%

LAB 77.31, -7.22, -34.94

 

CMYK 74 / 39 / 0 / 20

HEX #357ECD

RGB 53 126 205

HSL 211.18, 0.6%, 0.51%

LAB 51.93, 4.32, -47.37

 

CMYK 81 / 42 / 0 / 27

HEX #246CBA

RGB 36 108 186

HSL 211.2, 0.68%, 0.44%

LAB 45.14, 6.36, -47.31

 

CMYK 89 / 46 / 0 / 35

HEX #135AA7

RGB 19 90 167

HSL 211.22, 0.8%, 0.36%

LAB 38.27, 8.99, -47.19

 

CMYK 99 / 51 / 0 / 42

HEX #024894

RGB 2 72 148

HSL 211.23, 0.97%, 0.29%

LAB 31.31, 12.29, -46.99

 

CMYK 100 / 58 / 0 / 49

HEX #003681

RGB 0 54 129

HSL 214.88, 1%, 0.25%

LAB 24.4, 16.68, -46.46

 

CMYK 73 / 38 / 0 / 20

HEX #377FCD

RGB 55 127 205

HSL 211.2, 0.6%, 0.51%

LAB 52.29, 3.97, -46.81

 

CMYK 73 / 58 / 0 / 20

HEX #3757CD

RGB 55 87 205

HSL 227.2, 0.6%, 0.51%

LAB 41.27, 29.23, -64.52

 

CMYK 69 / 73 / 0 / 20

HEX #4037CD

RGB 64 55 205

HSL 243.6, 0.6%, 0.51%

LAB 34.46, 49.68, -75.67

 

CMYK 49 / 73 / 0 / 20

HEX #6837CD

RGB 104 55 205

HSL 259.6, 0.6%, 0.51%

LAB 37.99, 54.91, -69.73

 

CMYK 29 / 73 / 0 / 20

HEX #9137CD

RGB 145 55 205

HSL 276, 0.6%, 0.51%

LAB 43, 61.98, -61.35

 

CMYK 73 / 38 / 0 / 20

HEX #377FCD

RGB 55 127 205

HSL 211.2, 0.6%, 0.51%

LAB 52.29, 3.97, -46.81

 

CMYK 73 / 58 / 0 / 20

HEX #3757CD

RGB 55 87 205

HSL 227.2, 0.6%, 0.51%

LAB 41.27, 29.23, -64.52

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 73 / 38 / 0 / 20

HEX #377FCD

RGB 55 127 205

HSL 211.2, 0.6%, 0.51%

LAB 52.29, 3.97, -46.81

 

CMYK 84 / 44 / 0 / 12

HEX #237EE1

RGB 35 126 225

HSL 211.26, 0.76%, 0.51%

LAB 52.64, 9.96, -57.57

 

CMYK 94 / 49 / 0 / 4

HEX #0F7EF5

RGB 15 126 245

HSL 211.04, 0.92%, 0.51%

LAB 53.62, 16.57, -67.17

 

CMYK 73 / 38 / 0 / 20

HEX #377FCD

RGB 55 127 205

HSL 211.2, 0.6%, 0.51%

LAB 52.29, 3.97, -46.81

 

CMYK 59 / 31 / 0 / 27

HEX #4B80B9

RGB 75 128 185

HSL 211.09, 0.44%, 0.51%

LAB 52.33, -0.24, -35.27

 

CMYK 42 / 22 / 0 / 35

HEX #6081A5

RGB 96 129 165

HSL 211.3, 0.28%, 0.51%

LAB 52.84, -2.02, -22.86

 

CMYK 19 / 10 / 0 / 44

HEX #748190

RGB 116 129 144

HSL 212.14, 0.11%, 0.51%

LAB 53.41, -1.37, -9.68

 

CMYK 0 / 4 / 9 / 47

HEX #88827C

RGB 136 130 124

HSL 30, 0.05%, 0.51%

LAB 54.71, 1.13, 4.04

 

CMYK 73 / 0 / 1 / 20

HEX #37CDCB

RGB 55 205 203

HSL 179.2, 0.6%, 0.51%

LAB 75.32, -38.03, -10.19

 

CMYK 73 / 18 / 0 / 20

HEX #37A8CD

RGB 55 168 205

HSL 194.8, 0.6%, 0.51%

LAB 64.34, -19.26, -27.93

 

CMYK 73 / 38 / 0 / 20

HEX #3780CD

RGB 55 128 205

HSL 210.8, 0.6%, 0.51%

LAB 52.57, 3.37, -46.35

 

CMYK 73 / 57 / 0 / 20

HEX #3758CD

RGB 55 88 205

HSL 226.8, 0.6%, 0.51%

LAB 41.53, 28.58, -64.1

 

CMYK 69 / 73 / 0 / 20

HEX #3F37CD

RGB 63 55 205

HSL 243.2, 0.6%, 0.51%

LAB 34.39, 49.57, -75.78

 

CMYK 75 / 39 / 0 / 44

HEX #24578E

RGB 36 87 142

HSL 211.13, 0.6%, 0.35%

LAB 36.26, 2.79, -35.36

 

CMYK 75 / 39 / 0 / 31

HEX #2C6BAF

RGB 44 107 175

HSL 211.15, 0.6%, 0.43%

LAB 44.44, 3.75, -42.01

 

CMYK 73 / 38 / 0 / 20

HEX #377FCD

RGB 55 127 205

HSL 211.2, 0.6%, 0.51%

LAB 52.29, 3.97, -46.81

 

CMYK 59 / 31 / 0 / 16

HEX #5894D5

RGB 88 148 213

HSL 211.2, 0.6%, 0.59%

LAB 59.94, -0.18, -39.15

 

CMYK 45 / 24 / 0 / 13

HEX #79A9DE

RGB 121 169 222

HSL 211.49, 0.6%, 0.67%

LAB 67.81, -1.99, -31.76

 

CMYK 74 / 39 / 0 / 20

HEX #357ECD

RGB 53 126 205

HSL 211.18, 0.6%, 0.51%

LAB 51.93, 4.32, -47.37

 

CMYK 20 / 73 / 0 / 20

HEX #A337CD

RGB 163 55 205

HSL 283.2, 0.6%, 0.51%

LAB 45.53, 65.43, -57.13

 

CMYK 8 / 0 / 73 / 20

HEX #BCCD37

RGB 188 205 55

HSL 66.8, 0.6%, 0.51%

LAB 78.83, -24.13, 67.93

 

CMYK 74 / 39 / 0 / 20

HEX #357ECD

RGB 53 126 205

HSL 211.18, 0.6%, 0.51%

LAB 51.93, 4.32, -47.37

 

CMYK 0 / 73 / 38 / 20

HEX #CD3780

RGB 205 55 128

HSL 330.8, 0.6%, 0.51%

LAB 48.6, 63.64, -6.25

 

CMYK 38 / 0 / 73 / 20

HEX #80CD37

RGB 128 205 55

HSL 90.8, 0.6%, 0.51%

LAB 75.16, -47.18, 63.11

 

CMYK 74 / 39 / 0 / 20

HEX #357ECD

RGB 53 126 205

HSL 211.18, 0.6%, 0.51%

LAB 51.93, 4.32, -47.37

 

CMYK 20 / 73 / 0 / 20

HEX #A337CD

RGB 163 55 205

HSL 283.2, 0.6%, 0.51%

LAB 45.53, 65.43, -57.13

 

CMYK 0 / 35 / 73 / 20

HEX #CD8537

RGB 205 133 55

HSL 31.2, 0.6%, 0.51%

LAB 61.68, 20.99, 51.56

 

CMYK 52 / 0 / 73 / 20

HEX #62CD37

RGB 98 205 55

HSL 102.8, 0.6%, 0.51%

LAB 73.89, -56.53, 61.43

 

CMYK 74 / 39 / 0 / 20

HEX #357ECD

RGB 53 126 205

HSL 211.18, 0.6%, 0.51%

LAB 51.93, 4.32, -47.37

 

CMYK 0 / 73 / 1 / 20

HEX #CD37CB

RGB 205 55 203

HSL 300.8, 0.6%, 0.51%

LAB 51.86, 73.62, -45.49

 

CMYK 0 / 35 / 73 / 20

HEX #CD8537

RGB 205 133 55

HSL 31.2, 0.6%, 0.51%

LAB 61.68, 20.99, 51.56

 

CMYK 73 / 0 / 72 / 20

HEX #37CD3A

RGB 55 205 58

HSL 121.2, 0.6%, 0.51%

LAB 72.75, -65.75, 58.82

 

Description

Color code: RGB 53 126 205 | qconv.com Color code: RGB 53 126 205 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 126 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 126 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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