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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 73 / 0 / 20 it is the complementary color CMYK 25 / 0 / 75 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 73 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 49 / 73 / 0 / 20: CMYK 45 / 72 / 0 / 22, CMYK 42 / 67 / 0 / 15, CMYK 40 / 62 / 0 / 7, CMYK 37 / 57 / 0 / 0 and CMYK 31 / 50 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 73 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 49 / 73 / 0 / 20: CMYK 49 / 73 / 0 / 20, CMYK 53 / 80 / 0 / 27, CMYK 58 / 89 / 0 / 35, CMYK 64 / 99 / 0 / 42 and CMYK 72 / 100 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

Complementary color

CMYK 25 / 0 / 75 / 22

HEX #97C833

RGB 151 200 51

HSL 79.73, 0.59%, 0.49%

LAB 74.9, -36.85, 64.64

 

CMYK 45 / 72 / 0 / 22

HEX #6D37C7

RGB 109 55 199

HSL 262.5, 0.57%, 0.5%

LAB 38.03, 54.13, -66.15

 

CMYK 42 / 67 / 0 / 15

HEX #7E49DA

RGB 126 73 218

HSL 261.93, 0.66%, 0.57%

LAB 44.61, 53.21, -66.32

 

CMYK 40 / 62 / 0 / 7

HEX #8F5BED

RGB 143 91 237

HSL 261.37, 0.8%, 0.64%

LAB 51.19, 52.14, -66.31

 

CMYK 37 / 57 / 0 / 0

HEX #A06DFF

RGB 160 109 255

HSL 260.96, 1%, 0.71%

LAB 57.68, 50.79, -65.76

 

CMYK 31 / 50 / 0 / 0

HEX #B17FFF

RGB 177 127 255

HSL 263.44, 1%, 0.75%

LAB 63.13, 45.03, -56.95

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 53 / 80 / 0 / 27

HEX #5725B9

RGB 87 37 185

HSL 260.27, 0.67%, 0.44%

LAB 31.47, 55.3, -68.79

 

CMYK 58 / 89 / 0 / 35

HEX #4613A6

RGB 70 19 166

HSL 260.82, 0.79%, 0.36%

LAB 25.32, 55.07, -67.61

 

CMYK 64 / 99 / 0 / 42

HEX #350193

RGB 53 1 147

HSL 261.37, 0.99%, 0.29%

LAB 19.58, 53.66, -65.55

 

CMYK 72 / 100 / 0 / 50

HEX #240080

RGB 36 0 128

HSL 256.88, 1%, 0.25%

LAB 15.13, 48.32, -61.04

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 37 / 72 / 0 / 20

HEX #7F38CB

RGB 127 56 203

HSL 268.98, 0.59%, 0.51%

LAB 40.66, 57.8, -64.11

 

CMYK 25 / 72 / 0 / 20

HEX #9838CB

RGB 152 56 203

HSL 279.18, 0.59%, 0.51%

LAB 43.97, 62.49, -58.59

 

CMYK 13 / 72 / 0 / 20

HEX #B038CB

RGB 176 56 203

HSL 288.98, 0.59%, 0.51%

LAB 47.46, 67.28, -52.79

 

CMYK 1 / 72 / 0 / 20

HEX #C938CB

RGB 201 56 203

HSL 299.18, 0.59%, 0.51%

LAB 51.33, 72.47, -46.37

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 49 / 73 / 0 / 80

HEX #1A0E33

RGB 26 14 51

HSL 259.46, 0.57%, 0.13%

LAB 6.98, 16.74, -22.22

 

CMYK 49 / 73 / 0 / 60

HEX #341C66

RGB 52 28 102

HSL 259.46, 0.57%, 0.25%

LAB 18.01, 30.6, -39.43

 

CMYK 49 / 73 / 0 / 40

HEX #4E2999

RGB 78 41 153

HSL 259.82, 0.58%, 0.38%

LAB 28.13, 43.32, -55.05

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 0 / 72 / 37 / 20

HEX #CB387F

RGB 203 56 127

HSL 331.02, 0.59%, 0.51%

LAB 48.33, 62.66, -6.08

 

CMYK 67 / 0 / 72 / 20

HEX #44CB38

RGB 68 203 56

HSL 115.1, 0.59%, 0.51%

LAB 72.38, -62.94, 59.26

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 0 / 49 / 72 / 20

HEX #CB6738

RGB 203 103 56

HSL 19.18, 0.59%, 0.51%

LAB 54.74, 36.23, 43.69

 

CMYK 72 / 0 / 49 / 20

HEX #38CB67

RGB 56 203 103

HSL 139.18, 0.59%, 0.51%

LAB 72.58, -59.61, 38.87

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 0 / 72 / 37 / 20

HEX #CB387F

RGB 203 56 127

HSL 331.02, 0.59%, 0.51%

LAB 48.33, 62.66, -6.08

 

CMYK 23 / 0 / 72 / 20

HEX #9DCB38

RGB 157 203 56

HSL 78.78, 0.59%, 0.51%

LAB 76.17, -35.61, 64.3

 

CMYK 72 / 0 / 35 / 20

HEX #38CB84

RGB 56 203 132

HSL 151.02, 0.59%, 0.51%

LAB 73.04, -54.48, 24.64

 

CMYK 49 / 73 / 0 / 20

HEX #6837CC

RGB 104 55 204

HSL 259.73, 0.59%, 0.51%

LAB 37.91, 54.64, -69.29

 

CMYK 0 / 72 / 59 / 20

HEX #CB3853

RGB 203 56 83

HSL 348.98, 0.59%, 0.51%

LAB 47.17, 58.83, 19.14

 

CMYK 23 / 0 / 72 / 20

HEX #9DCB38

RGB 157 203 56

HSL 78.78, 0.59%, 0.51%

LAB 76.17, -35.61, 64.3

 

CMYK 72 / 0 / 13 / 20

HEX #38CBB0

RGB 56 203 176

HSL 168.98, 0.59%, 0.51%

LAB 73.99, -44.37, 2.45

 

Description

Color code: CMYK 49 / 73 / 0 / 20 | qconv.com Color code: CMYK 49 / 73 / 0 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 55 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 55 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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