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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 112 134 it is the complementary color RGB 202 143 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 112 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 112 134 shade: RGB 58 112 129, RGB 75 130 148, RGB 92 148 167, RGB 109 166 186 and RGB 126 184 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 112 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 112 134 shade: RGB 53 112 134, RGB 36 94 115, RGB 19 76 96, RGB 2 58 77 and RGB 0 40 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 112 134 shade: RGB 54 113 135, RGB 54 91 135, RGB 54 69 135, RGB 60 54 135 and RGB 82 54 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 112 134 shade: RGB 54 113 135, RGB 54 91 135, RGB 54 69 135 and RGB 54 54 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 112 134 shade matches the following richer shades: RGB 54 113 135, RGB 39 120 150, RGB 23 127 165 and RGB 8 134 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 112 134 shade: RGB 54 113 135, RGB 69 106 120, RGB 84 99 104, RGB 100 92 89 and RGB 115 85 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 112 134 shade: RGB 54 135 113, RGB 54 135 135, RGB 54 113 135, RGB 54 92 135 and RGB 54 70 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 112 134 shade: RGB 30 64 76, RGB 42 88 105, RGB 54 113 135, RGB 66 138 164 and RGB 84 159 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 112 134 shade: RGB 53 112 134, RGB 92 54 135 and RGB 135 124 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 112 134 shade: RGB 53 112 134, RGB 135 54 113 and RGB 113 135 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 112 134 shade: RGB 53 112 134, RGB 92 54 135, RGB 135 75 54 and RGB 97 135 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 112 134 shade: RGB 53 112 134, RGB 116 54 135, RGB 135 75 54 and RGB 73 135 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 16 / 0 / 47

HEX #357086

RGB 53 112 134

HSL 196.3, 0.43%, 0.37%

LAB 44.33, -12.27, -17.9

 

Complementary color

CMYK 0 / 29 / 40 / 21

HEX #CA8F79

RGB 202 143 121

HSL 16.3, 0.43%, 0.63%

LAB 64.63, 19.61, 20.62

 

CMYK 55 / 13 / 0 / 49

HEX #3A7081

RGB 58 112 129

HSL 194.37, 0.38%, 0.37%

LAB 44.34, -12.76, -14.87

 

CMYK 49 / 12 / 0 / 42

HEX #4B8294

RGB 75 130 148

HSL 194.79, 0.33%, 0.44%

LAB 51.38, -13.04, -15.32

 

CMYK 45 / 11 / 0 / 35

HEX #5C94A7

RGB 92 148 167

HSL 195.2, 0.3%, 0.51%

LAB 58.27, -13.23, -15.74

 

CMYK 41 / 11 / 0 / 27

HEX #6DA6BA

RGB 109 166 186

HSL 195.58, 0.36%, 0.58%

LAB 65.02, -13.36, -16.16

 

CMYK 39 / 10 / 0 / 20

HEX #7EB8CD

RGB 126 184 205

HSL 195.95, 0.44%, 0.65%

LAB 71.64, -13.45, -16.56

 

CMYK 60 / 16 / 0 / 47

HEX #357086

RGB 53 112 134

HSL 196.3, 0.43%, 0.37%

LAB 44.33, -12.27, -17.9

 

CMYK 69 / 18 / 0 / 55

HEX #245E73

RGB 36 94 115

HSL 195.95, 0.52%, 0.3%

LAB 37.15, -11.58, -17.44

 

CMYK 80 / 21 / 0 / 62

HEX #134C60

RGB 19 76 96

HSL 195.58, 0.67%, 0.23%

LAB 29.79, -10.48, -16.92

 

CMYK 97 / 25 / 0 / 70

HEX #023A4D

RGB 2 58 77

HSL 195.2, 0.95%, 0.15%

LAB 22.21, -8.87, -16.32

 

CMYK 100 / 31 / 0 / 77

HEX #00283A

RGB 0 40 58

HSL 198.62, 1%, 0.11%

LAB 14.53, -5.55, -15.34

 

CMYK 60 / 16 / 0 / 47

HEX #367187

RGB 54 113 135

HSL 196.3, 0.43%, 0.37%

LAB 44.72, -12.3, -17.89

 

CMYK 60 / 33 / 0 / 47

HEX #365B87

RGB 54 91 135

HSL 212.59, 0.43%, 0.37%

LAB 37.87, 0.94, -28.51

 

CMYK 60 / 49 / 0 / 47

HEX #364587

RGB 54 69 135

HSL 228.89, 0.43%, 0.37%

LAB 31.32, 15.35, -38.9

 

CMYK 56 / 60 / 0 / 47

HEX #3C3687

RGB 60 54 135

HSL 244.44, 0.43%, 0.37%

LAB 27.7, 26.61, -44.71

 

CMYK 39 / 60 / 0 / 47

HEX #523687

RGB 82 54 135

HSL 260.74, 0.43%, 0.37%

LAB 29.87, 31.64, -41.11

 

CMYK 60 / 16 / 0 / 47

HEX #367187

RGB 54 113 135

HSL 196.3, 0.43%, 0.37%

LAB 44.72, -12.3, -17.89

 

CMYK 60 / 33 / 0 / 47

HEX #365B87

RGB 54 91 135

HSL 212.59, 0.43%, 0.37%

LAB 37.87, 0.94, -28.51

 

CMYK 60 / 49 / 0 / 47

HEX #364587

RGB 54 69 135

HSL 228.89, 0.43%, 0.37%

LAB 31.32, 15.35, -38.9

 

CMYK 60 / 60 / 0 / 47

HEX #363687

RGB 54 54 135

HSL 240, 0.43%, 0.37%

LAB 27.22, 25.41, -45.52

 

CMYK 60 / 16 / 0 / 47

HEX #367187

RGB 54 113 135

HSL 196.3, 0.43%, 0.37%

LAB 44.72, -12.3, -17.89

 

CMYK 74 / 20 / 0 / 41

HEX #277896

RGB 39 120 150

HSL 196.22, 0.59%, 0.37%

LAB 47.06, -13.82, -23.22

 

CMYK 86 / 23 / 0 / 35

HEX #177FA5

RGB 23 127 165

HSL 196.06, 0.76%, 0.37%

LAB 49.59, -14.12, -28.11

 

CMYK 96 / 26 / 0 / 29

HEX #0886B5

RGB 8 134 181

HSL 196.3, 0.92%, 0.37%

LAB 52.33, -13, -33.09

 

CMYK 60 / 16 / 0 / 47

HEX #367187

RGB 54 113 135

HSL 196.3, 0.43%, 0.37%

LAB 44.72, -12.3, -17.89

 

CMYK 43 / 12 / 0 / 53

HEX #456A78

RGB 69 106 120

HSL 196.47, 0.27%, 0.37%

LAB 42.66, -9.18, -11.96

 

CMYK 19 / 5 / 0 / 59

HEX #546368

RGB 84 99 104

HSL 195, 0.11%, 0.37%

LAB 40.91, -4.5, -4.75

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 0 / 26 / 36 / 55

HEX #73554A

RGB 115 85 74

HSL 16.1, 0.22%, 0.37%

LAB 38.96, 10.79, 11.26

 

CMYK 60 / 0 / 16 / 47

HEX #368771

RGB 54 135 113

HSL 163.7, 0.43%, 0.37%

LAB 51.04, -30.27, 4.51

 

CMYK 60 / 0 / 0 / 47

HEX #368787

RGB 54 135 135

HSL 180, 0.43%, 0.37%

LAB 51.68, -24.2, -7.37

 

CMYK 60 / 16 / 0 / 47

HEX #367187

RGB 54 113 135

HSL 196.3, 0.43%, 0.37%

LAB 44.72, -12.3, -17.89

 

CMYK 60 / 32 / 0 / 47

HEX #365C87

RGB 54 92 135

HSL 211.85, 0.43%, 0.37%

LAB 38.18, 0.31, -28.03

 

CMYK 60 / 48 / 0 / 47

HEX #364687

RGB 54 70 135

HSL 228.15, 0.43%, 0.37%

LAB 31.61, 14.68, -38.44

 

CMYK 61 / 16 / 0 / 70

HEX #1E404C

RGB 30 64 76

HSL 195.65, 0.43%, 0.21%

LAB 25.15, -8.33, -11.05

 

CMYK 60 / 16 / 0 / 59

HEX #2A5869

RGB 42 88 105

HSL 196.19, 0.43%, 0.29%

LAB 34.99, -10.24, -14.54

 

CMYK 60 / 16 / 0 / 47

HEX #367187

RGB 54 113 135

HSL 196.3, 0.43%, 0.37%

LAB 44.72, -12.3, -17.89

 

CMYK 60 / 16 / 0 / 36

HEX #428AA4

RGB 66 138 164

HSL 195.92, 0.43%, 0.45%

LAB 54.04, -14.59, -20.56

 

CMYK 55 / 15 / 0 / 27

HEX #549FBB

RGB 84 159 187

HSL 196.31, 0.43%, 0.53%

LAB 61.89, -15.25, -21.58

 

CMYK 60 / 16 / 0 / 47

HEX #357086

RGB 53 112 134

HSL 196.3, 0.43%, 0.37%

LAB 44.33, -12.27, -17.9

 

CMYK 32 / 60 / 0 / 47

HEX #5C3687

RGB 92 54 135

HSL 268.15, 0.43%, 0.37%

LAB 31.03, 34.17, -39.18

 

CMYK 0 / 8 / 60 / 47

HEX #877C36

RGB 135 124 54

HSL 51.85, 0.43%, 0.37%

LAB 51.65, -5.17, 38.97

 

CMYK 60 / 16 / 0 / 47

HEX #357086

RGB 53 112 134

HSL 196.3, 0.43%, 0.37%

LAB 44.33, -12.27, -17.9

 

CMYK 0 / 60 / 16 / 47

HEX #873671

RGB 135 54 113

HSL 316.3, 0.43%, 0.37%

LAB 35.95, 41.96, -17.28

 

CMYK 16 / 0 / 60 / 47

HEX #718736

RGB 113 135 54

HSL 76.3, 0.43%, 0.37%

LAB 53.06, -20.81, 40.07

 

CMYK 60 / 16 / 0 / 47

HEX #357086

RGB 53 112 134

HSL 196.3, 0.43%, 0.37%

LAB 44.33, -12.27, -17.9

 

CMYK 32 / 60 / 0 / 47

HEX #5C3687

RGB 92 54 135

HSL 268.15, 0.43%, 0.37%

LAB 31.03, 34.17, -39.18

 

CMYK 0 / 44 / 60 / 47

HEX #874B36

RGB 135 75 54

HSL 15.56, 0.43%, 0.37%

LAB 38.64, 23.25, 23.49

 

CMYK 28 / 0 / 60 / 47

HEX #618736

RGB 97 135 54

HSL 88.15, 0.43%, 0.37%

LAB 51.99, -27.38, 38.56

 

CMYK 60 / 16 / 0 / 47

HEX #357086

RGB 53 112 134

HSL 196.3, 0.43%, 0.37%

LAB 44.33, -12.27, -17.9

 

CMYK 14 / 60 / 0 / 47

HEX #743687

RGB 116 54 135

HSL 285.93, 0.43%, 0.37%

LAB 34.19, 40.58, -33.95

 

CMYK 0 / 44 / 60 / 47

HEX #874B36

RGB 135 75 54

HSL 15.56, 0.43%, 0.37%

LAB 38.64, 23.25, 23.49

 

CMYK 46 / 0 / 60 / 47

HEX #498736

RGB 73 135 54

HSL 105.93, 0.43%, 0.37%

LAB 50.7, -36.13, 36.74

 

Description

Color code: RGB 53 112 134 | qconv.com Color code: RGB 53 112 134 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 112 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 112 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 16 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 16% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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