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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 92 89 it is the complementary color RGB 155 163 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 92 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 100 92 89: RGB 105 92 84, RGB 122 110 103, RGB 139 128 122, RGB 156 146 141 and RGB 173 164 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 92 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 100 92 89: RGB 100 92 89, RGB 83 74 70, RGB 66 56 51, RGB 49 38 32 and RGB 32 20 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

Complementary color

CMYK 7 / 2 / 0 / 35

HEX #9BA3A6

RGB 155 163 166

HSL 196.36, 0.06%, 0.63%

LAB 66.46, -2.23, -2.54

 

CMYK 0 / 12 / 20 / 59

HEX #695C54

RGB 105 92 84

HSL 22.86, 0.11%, 0.37%

LAB 40.08, 3.8, 6.52

 

CMYK 0 / 10 / 16 / 52

HEX #7A6E67

RGB 122 110 103

HSL 22.11, 0.08%, 0.44%

LAB 47.33, 3.41, 5.6

 

CMYK 0 / 8 / 12 / 45

HEX #8B807A

RGB 139 128 122

HSL 21.18, 0.07%, 0.51%

LAB 54.38, 3.08, 4.75

 

CMYK 0 / 6 / 10 / 39

HEX #9C928D

RGB 156 146 141

HSL 20, 0.07%, 0.58%

LAB 61.26, 2.79, 3.97

 

CMYK 0 / 5 / 8 / 32

HEX #ADA4A0

RGB 173 164 160

HSL 18.46, 0.07%, 0.65%

LAB 68, 2.53, 3.23

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 0 / 11 / 16 / 67

HEX #534A46

RGB 83 74 70

HSL 18.46, 0.08%, 0.3%

LAB 32.21, 2.99, 3.75

 

CMYK 0 / 15 / 23 / 74

HEX #423833

RGB 66 56 51

HSL 20, 0.13%, 0.23%

LAB 24.4, 3.43, 4.75

 

CMYK 0 / 22 / 35 / 81

HEX #312620

RGB 49 38 32

HSL 21.18, 0.21%, 0.16%

LAB 16.22, 4.04, 5.93

 

CMYK 0 / 38 / 59 / 87

HEX #20140D

RGB 32 20 13

HSL 22.11, 0.42%, 0.09%

LAB 7.56, 4.97, 5.96

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 0 / 7 / 12 / 61

HEX #645D58

RGB 100 93 88

HSL 25, 0.06%, 0.37%

LAB 39.99, 1.83, 3.87

 

CMYK 0 / 5 / 12 / 61

HEX #645F58

RGB 100 95 88

HSL 35, 0.06%, 0.37%

LAB 40.57, 0.63, 4.71

 

CMYK 0 / 3 / 12 / 61

HEX #646158

RGB 100 97 88

HSL 45, 0.06%, 0.37%

LAB 41.16, -0.57, 5.55

 

CMYK 0 / 1 / 12 / 61

HEX #646358

RGB 100 99 88

HSL 55, 0.06%, 0.37%

LAB 41.75, -1.76, 6.39

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 0 / 8 / 11 / 41

HEX #978B86

RGB 151 139 134

HSL 17.65, 0.08%, 0.56%

LAB 58.76, 3.58, 4.28

 

CMYK 0 / 8 / 11 / 21

HEX #CABAB4

RGB 202 186 180

HSL 16.36, 0.17%, 0.75%

LAB 76.66, 4.64, 5.07

 

CMYK 0 / 8 / 11 / 1

HEX #FDE9E1

RGB 253 233 225

HSL 17.14, 0.88%, 0.94%

LAB 93.71, 5.49, 6.33

 

CMYK 0 / 8 / 10 / 81

HEX #312D2C

RGB 49 45 44

HSL 12, 0.05%, 0.18%

LAB 18.85, 1.58, 1.29

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 6 / 0 / 12 / 61

HEX #5E6458

RGB 94 100 88

HSL 90, 0.06%, 0.37%

LAB 41.53, -4.8, 6.01

 

CMYK 12 / 10 / 0 / 61

HEX #585A64

RGB 88 90 100

HSL 230, 0.06%, 0.37%

LAB 38.39, 1.46, -6.01

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 12 / 0 / 9 / 61

HEX #58645B

RGB 88 100 91

HSL 135, 0.06%, 0.37%

LAB 41.13, -6.56, 3.54

 

CMYK 9 / 12 / 0 / 61

HEX #5B5864

RGB 91 88 100

HSL 255, 0.06%, 0.37%

LAB 38.06, 3.83, -6.46

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 6 / 0 / 12 / 61

HEX #5E6458

RGB 94 100 88

HSL 90, 0.06%, 0.37%

LAB 41.53, -4.8, 6.01

 

CMYK 12 / 4 / 0 / 61

HEX #586064

RGB 88 96 100

HSL 200, 0.06%, 0.37%

LAB 40.18, -2.19, -3.34

 

CMYK 7 / 12 / 0 / 61

HEX #5D5864

RGB 93 88 100

HSL 265, 0.06%, 0.37%

LAB 38.25, 4.59, -6.17

 

CMYK 0 / 8 / 11 / 61

HEX #645C59

RGB 100 92 89

HSL 16.36, 0.06%, 0.37%

LAB 39.72, 2.63, 2.88

 

CMYK 9 / 0 / 12 / 61

HEX #5B6458

RGB 91 100 88

HSL 105, 0.06%, 0.37%

LAB 41.28, -5.99, 5.63

 

CMYK 12 / 4 / 0 / 61

HEX #586064

RGB 88 96 100

HSL 200, 0.06%, 0.37%

LAB 40.18, -2.19, -3.34

 

CMYK 3 / 12 / 0 / 61

HEX #615864

RGB 97 88 100

HSL 285, 0.06%, 0.37%

LAB 38.62, 6.13, -5.57

 

Description

Color code: RGB 100 92 89 | qconv.com Color code: RGB 100 92 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 92 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 92 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 11 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 11% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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