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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 104 35 it is the complementary color RGB 202 151 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 104 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 104 35 shade: RGB 58 104 30, RGB 75 122 49, RGB 92 140 68, RGB 109 158 87 and RGB 126 176 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 104 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 104 35 shade: RGB 53 104 35, RGB 36 86 16, RGB 19 68 0, RGB 2 50 0 and RGB 0 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 104 35 shade: RGB 52 103 34, RGB 71 103 34, RGB 90 103 34, RGB 103 98 34 and RGB 103 80 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 104 35 shade: RGB 52 103 34, RGB 34 103 35, RGB 34 103 54, RGB 34 103 72 and RGB 34 103 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 104 35 shade matches the following richer shades: RGB 52 103 34, RGB 47 114 23, RGB 42 126 12 and RGB 36 137 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 104 35 shade: RGB 52 103 34, RGB 58 92 46, RGB 63 81 57, RGB 68 70 68 and RGB 74 59 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 104 35 shade: RGB 90 103 34, RGB 71 103 34, RGB 53 103 34, RGB 34 103 34 and RGB 34 103 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 104 35 shade: RGB 21 41 14, RGB 37 72 24, RGB 52 103 34, RGB 68 134 45 and RGB 84 165 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 104 35 shade: RGB 53 104 35, RGB 34 103 99 and RGB 103 34 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 104 35 shade: RGB 53 104 35, RGB 34 53 103 and RGB 103 34 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 104 35 shade: RGB 53 104 35, RGB 34 103 99, RGB 85 34 103 and RGB 103 34 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 104 35 shade: RGB 53 104 35, RGB 34 87 103, RGB 85 34 103 and RGB 103 50 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 66 / 59

HEX #356823

RGB 53 104 35

HSL 104.35, 0.5%, 0.27%

LAB 39.21, -31.18, 32.72

 

Complementary color

CMYK 8 / 31 / 0 / 14

HEX #CA97DC

RGB 202 151 220

HSL 284.35, 0.5%, 0.73%

LAB 69.37, 31.15, -27.74

 

CMYK 44 / 0 / 71 / 59

HEX #3A681E

RGB 58 104 30

HSL 97.3, 0.55%, 0.26%

LAB 39.4, -29.92, 35.34

 

CMYK 39 / 0 / 60 / 52

HEX #4B7A31

RGB 75 122 49

HSL 98.63, 0.43%, 0.34%

LAB 46.49, -30.1, 34.38

 

CMYK 34 / 0 / 51 / 45

HEX #5C8C44

RGB 92 140 68

HSL 100, 0.35%, 0.41%

LAB 53.44, -30.09, 33.16

 

CMYK 31 / 0 / 45 / 38

HEX #6D9E57

RGB 109 158 87

HSL 101.41, 0.29%, 0.48%

LAB 60.24, -29.98, 31.9

 

CMYK 28 / 0 / 40 / 31

HEX #7EB06A

RGB 126 176 106

HSL 102.86, 0.31%, 0.55%

LAB 66.92, -29.83, 30.66

 

CMYK 49 / 0 / 66 / 59

HEX #356823

RGB 53 104 35

HSL 104.35, 0.5%, 0.27%

LAB 39.21, -31.18, 32.72

 

CMYK 58 / 0 / 81 / 66

HEX #245610

RGB 36 86 16

HSL 102.86, 0.69%, 0.2%

LAB 31.96, -30.68, 33.34

 

CMYK 72 / 0 / 100 / 73

HEX #134400

RGB 19 68 0

HSL 103.24, 1%, 0.13%

LAB 24.55, -29.43, 32.3

 

CMYK 96 / 0 / 100 / 80

HEX #023200

RGB 2 50 0

HSL 117.6, 1%, 0.1%

LAB 16.96, -26.77, 23.79

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 50 / 0 / 67 / 60

HEX #346722

RGB 52 103 34

HSL 104.35, 0.5%, 0.27%

LAB 38.81, -31.18, 32.75

 

CMYK 31 / 0 / 67 / 60

HEX #476722

RGB 71 103 34

HSL 87.83, 0.5%, 0.27%

LAB 39.84, -24, 34.18

 

CMYK 13 / 0 / 67 / 60

HEX #5A6722

RGB 90 103 34

HSL 71.3, 0.5%, 0.27%

LAB 41.2, -15.69, 36.05

 

CMYK 0 / 5 / 67 / 60

HEX #676222

RGB 103 98 34

HSL 55.65, 0.5%, 0.27%

LAB 40.79, -6.8, 35.95

 

CMYK 0 / 22 / 67 / 60

HEX #675022

RGB 103 80 34

HSL 40, 0.5%, 0.27%

LAB 35.47, 3.91, 30.15

 

CMYK 50 / 0 / 67 / 60

HEX #346722

RGB 52 103 34

HSL 104.35, 0.5%, 0.27%

LAB 38.81, -31.18, 32.75

 

CMYK 67 / 0 / 66 / 60

HEX #226723

RGB 34 103 35

HSL 120.87, 0.5%, 0.27%

LAB 38.13, -36.33, 31.32

 

CMYK 67 / 0 / 48 / 60

HEX #226736

RGB 34 103 54

HSL 137.39, 0.5%, 0.27%

LAB 38.39, -33.42, 21.42

 

CMYK 67 / 0 / 30 / 60

HEX #226748

RGB 34 103 72

HSL 153.04, 0.5%, 0.27%

LAB 38.74, -29.61, 11.29

 

CMYK 67 / 0 / 12 / 60

HEX #22675B

RGB 34 103 91

HSL 169.57, 0.5%, 0.27%

LAB 39.23, -24.6, 0.44

 

CMYK 50 / 0 / 67 / 60

HEX #346722

RGB 52 103 34

HSL 104.35, 0.5%, 0.27%

LAB 38.81, -31.18, 32.75

 

CMYK 59 / 0 / 80 / 55

HEX #2F7217

RGB 47 114 23

HSL 104.18, 0.66%, 0.27%

LAB 42.31, -38.37, 40.98

 

CMYK 67 / 0 / 90 / 51

HEX #2A7E0C

RGB 42 126 12

HSL 104.21, 0.83%, 0.27%

LAB 46.23, -44.8, 47.7

 

CMYK 74 / 0 / 99 / 46

HEX #248901

RGB 36 137 1

HSL 104.56, 0.99%, 0.27%

LAB 49.82, -50.22, 52.78

 

CMYK 50 / 0 / 67 / 60

HEX #346722

RGB 52 103 34

HSL 104.35, 0.5%, 0.27%

LAB 38.81, -31.18, 32.75

 

CMYK 37 / 0 / 50 / 64

HEX #3A5C2E

RGB 58 92 46

HSL 104.35, 0.33%, 0.27%

LAB 35.5, -22.18, 22.56

 

CMYK 22 / 0 / 30 / 68

HEX #3F5139

RGB 63 81 57

HSL 105, 0.17%, 0.27%

LAB 32.34, -12.3, 11.89

 

CMYK 3 / 0 / 3 / 73

HEX #444644

RGB 68 70 68

HSL 120, 0.01%, 0.27%

LAB 29.48, -1.27, 0.91

 

CMYK 6 / 25 / 0 / 69

HEX #4A3B4F

RGB 74 59 79

HSL 285, 0.14%, 0.27%

LAB 27.15, 10.84, -9.66

 

CMYK 13 / 0 / 67 / 60

HEX #5A6722

RGB 90 103 34

HSL 71.3, 0.5%, 0.27%

LAB 41.2, -15.69, 36.05

 

CMYK 31 / 0 / 67 / 60

HEX #476722

RGB 71 103 34

HSL 87.83, 0.5%, 0.27%

LAB 39.84, -24, 34.18

 

CMYK 49 / 0 / 67 / 60

HEX #356722

RGB 53 103 34

HSL 103.48, 0.5%, 0.27%

LAB 38.85, -30.84, 32.81

 

CMYK 67 / 0 / 67 / 60

HEX #226722

RGB 34 103 34

HSL 120, 0.5%, 0.27%

LAB 38.12, -36.45, 31.8

 

CMYK 67 / 0 / 49 / 60

HEX #226735

RGB 34 103 53

HSL 136.52, 0.5%, 0.27%

LAB 38.37, -33.6, 21.97

 

CMYK 49 / 0 / 66 / 84

HEX #15290E

RGB 21 41 14

HSL 104.44, 0.49%, 0.11%

LAB 14.27, -14.65, 14.65

 

CMYK 49 / 0 / 67 / 72

HEX #254818

RGB 37 72 24

HSL 103.75, 0.5%, 0.19%

LAB 27, -23.14, 24.39

 

CMYK 50 / 0 / 67 / 60

HEX #346722

RGB 52 103 34

HSL 104.35, 0.5%, 0.27%

LAB 38.81, -31.18, 32.75

 

CMYK 49 / 0 / 66 / 47

HEX #44862D

RGB 68 134 45

HSL 104.49, 0.5%, 0.35%

LAB 50.06, -38.28, 40.2

 

CMYK 49 / 0 / 67 / 35

HEX #54A537

RGB 84 165 55

HSL 104.18, 0.5%, 0.43%

LAB 60.84, -45.16, 47.73

 

CMYK 49 / 0 / 66 / 59

HEX #356823

RGB 53 104 35

HSL 104.35, 0.5%, 0.27%

LAB 39.21, -31.18, 32.72

 

CMYK 67 / 0 / 4 / 60

HEX #226763

RGB 34 103 99

HSL 176.52, 0.5%, 0.27%

LAB 39.48, -22.22, -4.09

 

CMYK 0 / 67 / 22 / 60

HEX #672250

RGB 103 34 80

HSL 320, 0.5%, 0.27%

LAB 25.58, 36.29, -12.34

 

CMYK 49 / 0 / 66 / 59

HEX #356823

RGB 53 104 35

HSL 104.35, 0.5%, 0.27%

LAB 39.21, -31.18, 32.72

 

CMYK 67 / 49 / 0 / 60

HEX #223567

RGB 34 53 103

HSL 223.48, 0.5%, 0.27%

LAB 23.22, 10.21, -31.73

 

CMYK 0 / 67 / 49 / 60

HEX #672235

RGB 103 34 53

HSL 343.48, 0.5%, 0.27%

LAB 24.59, 32.69, 4.42

 

CMYK 49 / 0 / 66 / 59

HEX #356823

RGB 53 104 35

HSL 104.35, 0.5%, 0.27%

LAB 39.21, -31.18, 32.72

 

CMYK 67 / 0 / 4 / 60

HEX #226763

RGB 34 103 99

HSL 176.52, 0.5%, 0.27%

LAB 39.48, -22.22, -4.09

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 67 / 62 / 60

HEX #672227

RGB 103 34 39

HSL 355.65, 0.5%, 0.27%

LAB 24.24, 31.36, 13.45

 

CMYK 49 / 0 / 66 / 59

HEX #356823

RGB 53 104 35

HSL 104.35, 0.5%, 0.27%

LAB 39.21, -31.18, 32.72

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 51 / 67 / 60

HEX #673222

RGB 103 50 34

HSL 13.91, 0.5%, 0.27%

LAB 27.52, 22.23, 20.87

 

Description

Color code: RGB 53 104 35 | qconv.com Color code: RGB 53 104 35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 104 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 104 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 66 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 66% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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