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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #552267 it is the complementary color #AADD98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #552267. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #552267 shade: #5A2262, #6B3475, #7C4688, #8D589B and #9E6AAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #552267. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #552267 shade: #552267, #441054, #330041, #22002E and #11001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #552267 shade: #552267, #672267, #672254, #672242 and #67222F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #552267 shade: #552267, #432267, #302267 and #222267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #552267 shade matches the following richer shades: #552267, #5B1772, #600C7E and #650189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #552267 shade: #552267, #502E5C, #4B3951, #454446 and #404F3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #552267 shade: #302267, #432267, #552267, #672267 and #672255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #552267 shade: #220E29, #3C1848, #552267, #6F2D86 and #8837A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #552267 shade: #552267, #672227 and #226739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #552267 shade: #552267, #675522 and #226755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #552267 shade: #552267, #672227, #356722 and #226763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #552267 shade: #552267, #673222, #356722 and #225767

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

Complementary color

CMYK 23 / 0 / 31 / 13

HEX #AADD98

RGB 170 221 152

HSL 104.35, 0.5%, 0.73%

LAB 83.19, -29.1, 28.7

 

CMYK 8 / 65 / 0 / 62

HEX #5A2262

RGB 90 34 98

HSL 292.5, 0.48%, 0.26%

LAB 24.32, 35.72, -26.36

 

CMYK 9 / 56 / 0 / 54

HEX #6B3475

RGB 107 52 117

HSL 290.77, 0.38%, 0.33%

LAB 31.5, 35.19, -27.05

 

CMYK 9 / 49 / 0 / 47

HEX #7C4688

RGB 124 70 136

HSL 289.09, 0.32%, 0.4%

LAB 38.63, 34.42, -27.5

 

CMYK 9 / 43 / 0 / 39

HEX #8D589B

RGB 141 88 155

HSL 287.46, 0.28%, 0.48%

LAB 45.65, 33.6, -27.83

 

CMYK 9 / 39 / 0 / 32

HEX #9E6AAE

RGB 158 106 174

HSL 285.88, 0.3%, 0.55%

LAB 52.55, 32.8, -28.11

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 19 / 81 / 0 / 67

HEX #441054

RGB 68 16 84

HSL 285.88, 0.68%, 0.2%

LAB 16.7, 35.4, -29.44

 

CMYK 22 / 100 / 0 / 75

HEX #330041

RGB 51 0 65

HSL 287.08, 1%, 0.13%

LAB 9.68, 34.32, -27.76

 

CMYK 26 / 100 / 0 / 82

HEX #22002E

RGB 34 0 46

HSL 284.35, 1%, 0.09%

LAB 4.85, 24.99, -21.84

 

CMYK 37 / 100 / 0 / 89

HEX #11001B

RGB 17 0 27

HSL 277.78, 1%, 0.05%

LAB 1.79, 9.85, -11.93

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 67 / 0 / 60

HEX #672267

RGB 103 34 103

HSL 300, 0.5%, 0.27%

LAB 26.75, 40.3, -25.63

 

CMYK 0 / 67 / 18 / 60

HEX #672254

RGB 103 34 84

HSL 316.52, 0.5%, 0.27%

LAB 25.77, 36.94, -14.72

 

CMYK 0 / 67 / 36 / 60

HEX #672242

RGB 103 34 66

HSL 332.17, 0.5%, 0.27%

LAB 25.02, 34.26, -3.79

 

CMYK 0 / 67 / 54 / 60

HEX #67222F

RGB 103 34 47

HSL 348.7, 0.5%, 0.27%

LAB 24.43, 32.07, 8.28

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 35 / 67 / 0 / 60

HEX #432267

RGB 67 34 103

HSL 268.7, 0.5%, 0.27%

LAB 21.27, 30.8, -34.7

 

CMYK 53 / 67 / 0 / 60

HEX #302267

RGB 48 34 103

HSL 252.17, 0.5%, 0.27%

LAB 19.02, 26.37, -38.45

 

CMYK 67 / 67 / 0 / 60

HEX #222267

RGB 34 34 103

HSL 240, 0.5%, 0.27%

LAB 17.75, 23.66, -40.57

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 20 / 80 / 0 / 55

HEX #5B1772

RGB 91 23 114

HSL 284.84, 0.66%, 0.27%

LAB 23.84, 44.22, -37.5

 

CMYK 24 / 90 / 0 / 51

HEX #600C7E

RGB 96 12 126

HSL 284.21, 0.83%, 0.27%

LAB 24.5, 50.95, -44.05

 

CMYK 26 / 99 / 0 / 46

HEX #650189

RGB 101 1 137

HSL 284.12, 0.99%, 0.27%

LAB 25.55, 56.12, -49.23

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 13 / 50 / 0 / 64

HEX #502E5C

RGB 80 46 92

HSL 284.35, 0.33%, 0.27%

LAB 25.05, 24.51, -21.38

 

CMYK 7 / 30 / 0 / 68

HEX #4B3951

RGB 75 57 81

HSL 285, 0.17%, 0.27%

LAB 26.78, 13.01, -11.53

 

CMYK 1 / 3 / 0 / 73

HEX #454446

RGB 69 68 70

HSL 270, 0.01%, 0.27%

LAB 29.01, 0.86, -1.06

 

CMYK 19 / 0 / 25 / 69

HEX #404F3B

RGB 64 79 59

HSL 105, 0.14%, 0.27%

LAB 31.8, -10.33, 9.91

 

CMYK 53 / 67 / 0 / 60

HEX #302267

RGB 48 34 103

HSL 252.17, 0.5%, 0.27%

LAB 19.02, 26.37, -38.45

 

CMYK 35 / 67 / 0 / 60

HEX #432267

RGB 67 34 103

HSL 268.7, 0.5%, 0.27%

LAB 21.27, 30.8, -34.7

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 67 / 0 / 60

HEX #672267

RGB 103 34 103

HSL 300, 0.5%, 0.27%

LAB 26.75, 40.3, -25.63

 

CMYK 0 / 67 / 17 / 60

HEX #672255

RGB 103 34 85

HSL 315.65, 0.5%, 0.27%

LAB 25.81, 37.1, -15.31

 

CMYK 17 / 66 / 0 / 84

HEX #220E29

RGB 34 14 41

HSL 284.44, 0.49%, 0.11%

LAB 7.36, 16.3, -14.13

 

CMYK 17 / 67 / 0 / 72

HEX #3C1848

RGB 60 24 72

HSL 285, 0.5%, 0.19%

LAB 15.91, 26.55, -22.56

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 17 / 66 / 0 / 47

HEX #6F2D86

RGB 111 45 134

HSL 284.49, 0.5%, 0.35%

LAB 31.76, 43.57, -37.25

 

CMYK 18 / 67 / 0 / 35

HEX #8837A5

RGB 136 55 165

HSL 284.18, 0.5%, 0.43%

LAB 39.04, 51.53, -44.28

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 67 / 62 / 60

HEX #672227

RGB 103 34 39

HSL 355.65, 0.5%, 0.27%

LAB 24.24, 31.36, 13.45

 

CMYK 67 / 0 / 45 / 60

HEX #226739

RGB 34 103 57

HSL 140, 0.5%, 0.27%

LAB 38.44, -32.85, 19.76

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 17 / 67 / 60

HEX #675522

RGB 103 85 34

HSL 44.35, 0.5%, 0.27%

LAB 36.92, 0.88, 31.76

 

CMYK 67 / 0 / 17 / 60

HEX #226755

RGB 34 103 85

HSL 164.35, 0.5%, 0.27%

LAB 39.06, -26.28, 3.86

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 67 / 62 / 60

HEX #672227

RGB 103 34 39

HSL 355.65, 0.5%, 0.27%

LAB 24.24, 31.36, 13.45

 

CMYK 49 / 0 / 67 / 60

HEX #356722

RGB 53 103 34

HSL 103.48, 0.5%, 0.27%

LAB 38.85, -30.84, 32.81

 

CMYK 67 / 0 / 4 / 60

HEX #226763

RGB 34 103 99

HSL 176.52, 0.5%, 0.27%

LAB 39.48, -22.22, -4.09

 

CMYK 17 / 67 / 0 / 60

HEX #552267

RGB 85 34 103

HSL 284.35, 0.5%, 0.27%

LAB 23.85, 35.45, -30.42

 

CMYK 0 / 51 / 67 / 60

HEX #673222

RGB 103 50 34

HSL 13.91, 0.5%, 0.27%

LAB 27.52, 22.23, 20.87

 

CMYK 49 / 0 / 67 / 60

HEX #356722

RGB 53 103 34

HSL 103.48, 0.5%, 0.27%

LAB 38.85, -30.84, 32.81

 

CMYK 67 / 16 / 0 / 60

HEX #225767

RGB 34 87 103

HSL 193.91, 0.5%, 0.27%

LAB 34.26, -12.02, -14.42

 

Description

Color code: HEX #552267 | qconv.com Color code: HEX #552267 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 34 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 34 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 67 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 67% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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