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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 101 225 it is the complementary color RGB 202 154 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 101 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 101 225 shade: RGB 58 101 220, RGB 75 119 239, RGB 92 137 255, RGB 109 155 255 and RGB 126 173 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 101 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 101 225 shade: RGB 53 101 225, RGB 36 83 206, RGB 19 65 187, RGB 2 47 168 and RGB 0 29 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 101 225 shade: RGB 55 103 225, RGB 55 57 225, RGB 100 55 225, RGB 145 55 225 and RGB 191 55 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 101 225 shade: RGB 55 103 225, RGB 55 57 225 and RGB 55 55 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 101 225 shade matches the following richer shades: RGB 55 103 225 and RGB 37 95 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 101 225 shade: RGB 55 103 225, RGB 74 111 207, RGB 92 119 188, RGB 111 127 169 and RGB 130 136 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 101 225 shade: RGB 55 194 225, RGB 55 149 225, RGB 55 103 225, RGB 55 58 225 and RGB 98 55 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 101 225 shade: RGB 26 67 172, RGB 31 80 208, RGB 55 103 225, RGB 91 130 231 and RGB 127 157 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 101 225 shade: RGB 53 101 225, RGB 211 55 225 and RGB 171 225 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 101 225 shade: RGB 53 101 225, RGB 225 55 103 and RGB 103 225 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 101 225 shade: RGB 53 101 225, RGB 211 55 225, RGB 225 177 55 and RGB 69 225 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 101 225 shade: RGB 53 101 225, RGB 225 55 188, RGB 225 177 55 and RGB 55 225 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 55 / 0 / 12

HEX #3565E1

RGB 53 101 225

HSL 223.26, 0.74%, 0.55%

LAB 46.31, 27.38, -67.76

 

Complementary color

CMYK 0 / 24 / 85 / 21

HEX #CA9A1E

RGB 202 154 30

HSL 43.26, 0.74%, 0.45%

LAB 66.34, 7.35, 64.91

 

CMYK 74 / 54 / 0 / 14

HEX #3A65DC

RGB 58 101 220

HSL 224.07, 0.7%, 0.55%

LAB 46.14, 26.11, -65.19

 

CMYK 69 / 50 / 0 / 6

HEX #4B77EF

RGB 75 119 239

HSL 223.9, 0.84%, 0.62%

LAB 52.86, 23.87, -64.97

 

CMYK 64 / 46 / 0 / 0

HEX #5C89FF

RGB 92 137 255

HSL 223.44, 1%, 0.68%

LAB 59.33, 20.98, -63.38

 

CMYK 57 / 39 / 0 / 0

HEX #6D9BFF

RGB 109 155 255

HSL 221.1, 1%, 0.71%

LAB 64.89, 13.34, -54.45

 

CMYK 51 / 32 / 0 / 0

HEX #7EADFF

RGB 126 173 255

HSL 218.14, 1%, 0.75%

LAB 70.55, 6.54, -45.45

 

CMYK 76 / 55 / 0 / 12

HEX #3565E1

RGB 53 101 225

HSL 223.26, 0.74%, 0.55%

LAB 46.31, 27.38, -67.76

 

CMYK 83 / 60 / 0 / 19

HEX #2453CE

RGB 36 83 206

HSL 223.41, 0.7%, 0.47%

LAB 39.61, 30.27, -67.84

 

CMYK 90 / 65 / 0 / 27

HEX #1341BB

RGB 19 65 187

HSL 223.57, 0.82%, 0.4%

LAB 32.93, 33.68, -67.71

 

CMYK 99 / 72 / 0 / 34

HEX #022FA8

RGB 2 47 168

HSL 223.73, 0.98%, 0.33%

LAB 26.37, 37.49, -67.21

 

CMYK 100 / 81 / 0 / 42

HEX #001D95

RGB 0 29 149

HSL 228.32, 1%, 0.29%

LAB 20.24, 41.38, -65.77

 

CMYK 76 / 54 / 0 / 12

HEX #3767E1

RGB 55 103 225

HSL 223.06, 0.74%, 0.55%

LAB 46.91, 26.32, -66.79

 

CMYK 76 / 75 / 0 / 12

HEX #3739E1

RGB 55 57 225

HSL 239.29, 0.74%, 0.55%

LAB 36.32, 54.14, -84.14

 

CMYK 56 / 76 / 0 / 12

HEX #6437E1

RGB 100 55 225

HSL 255.88, 0.74%, 0.55%

LAB 39.37, 59.76, -78.99

 

CMYK 36 / 76 / 0 / 12

HEX #9137E1

RGB 145 55 225

HSL 271.76, 0.74%, 0.55%

LAB 44.5, 66.41, -70.39

 

CMYK 15 / 76 / 0 / 12

HEX #BF37E1

RGB 191 55 225

HSL 288, 0.74%, 0.55%

LAB 50.97, 74.57, -59.6

 

CMYK 76 / 54 / 0 / 12

HEX #3767E1

RGB 55 103 225

HSL 223.06, 0.74%, 0.55%

LAB 46.91, 26.32, -66.79

 

CMYK 76 / 75 / 0 / 12

HEX #3739E1

RGB 55 57 225

HSL 239.29, 0.74%, 0.55%

LAB 36.32, 54.14, -84.14

 

CMYK 76 / 76 / 0 / 12

HEX #3737E1

RGB 55 55 225

HSL 240, 0.74%, 0.55%

LAB 35.95, 55.19, -84.76

 

CMYK 76 / 54 / 0 / 12

HEX #3767E1

RGB 55 103 225

HSL 223.06, 0.74%, 0.55%

LAB 46.91, 26.32, -66.79

 

CMYK 85 / 61 / 0 / 4

HEX #255FF4

RGB 37 95 244

HSL 223.19, 0.9%, 0.55%

LAB 45.78, 36.84, -79.34

 

CMYK 76 / 54 / 0 / 12

HEX #3767E1

RGB 55 103 225

HSL 223.06, 0.74%, 0.55%

LAB 46.91, 26.32, -66.79

 

CMYK 64 / 46 / 0 / 19

HEX #4A6FCF

RGB 74 111 207

HSL 223.31, 0.58%, 0.55%

LAB 48.67, 17.49, -53.67

 

CMYK 51 / 37 / 0 / 26

HEX #5C77BC

RGB 92 119 188

HSL 223.13, 0.42%, 0.55%

LAB 50.8, 9.88, -39.33

 

CMYK 34 / 25 / 0 / 34

HEX #6F7FA9

RGB 111 127 169

HSL 223.45, 0.25%, 0.55%

LAB 53.41, 4.56, -24.22

 

CMYK 14 / 10 / 0 / 41

HEX #828897

RGB 130 136 151

HSL 222.86, 0.09%, 0.55%

LAB 56.67, 1, -8.75

 

CMYK 76 / 14 / 0 / 12

HEX #37C2E1

RGB 55 194 225

HSL 190.94, 0.74%, 0.55%

LAB 72.78, -26.15, -25.94

 

CMYK 76 / 34 / 0 / 12

HEX #3795E1

RGB 55 149 225

HSL 206.82, 0.74%, 0.55%

LAB 59.66, -1.89, -46.36

 

CMYK 76 / 54 / 0 / 12

HEX #3767E1

RGB 55 103 225

HSL 223.06, 0.74%, 0.55%

LAB 46.91, 26.32, -66.79

 

CMYK 76 / 74 / 0 / 12

HEX #373AE1

RGB 55 58 225

HSL 238.94, 0.74%, 0.55%

LAB 36.51, 53.6, -83.83

 

CMYK 56 / 76 / 0 / 12

HEX #6237E1

RGB 98 55 225

HSL 255.18, 0.74%, 0.55%

LAB 39.18, 59.51, -79.31

 

CMYK 85 / 61 / 0 / 33

HEX #1A43AC

RGB 26 67 172

HSL 223.15, 0.74%, 0.39%

LAB 32.29, 26.96, -59.87

 

CMYK 85 / 62 / 0 / 18

HEX #1F50D0

RGB 31 80 208

HSL 223.39, 0.74%, 0.47%

LAB 38.87, 32.61, -70.22

 

CMYK 76 / 54 / 0 / 12

HEX #3767E1

RGB 55 103 225

HSL 223.06, 0.74%, 0.55%

LAB 46.91, 26.32, -66.79

 

CMYK 61 / 44 / 0 / 9

HEX #5B82E7

RGB 91 130 231

HSL 223.29, 0.74%, 0.63%

LAB 56.05, 17, -55.36

 

CMYK 46 / 33 / 0 / 7

HEX #7F9DEC

RGB 127 157 236

HSL 223.49, 0.74%, 0.71%

LAB 65.5, 10.3, -43.03

 

CMYK 76 / 55 / 0 / 12

HEX #3565E1

RGB 53 101 225

HSL 223.26, 0.74%, 0.55%

LAB 46.31, 27.38, -67.76

 

CMYK 6 / 76 / 0 / 12

HEX #D337E1

RGB 211 55 225

HSL 295.06, 0.74%, 0.55%

LAB 54.05, 78.37, -54.5

 

CMYK 24 / 0 / 76 / 12

HEX #ABE137

RGB 171 225 55

HSL 79.06, 0.74%, 0.55%

LAB 83.33, -40.16, 71.79

 

CMYK 76 / 55 / 0 / 12

HEX #3565E1

RGB 53 101 225

HSL 223.26, 0.74%, 0.55%

LAB 46.31, 27.38, -67.76

 

CMYK 0 / 76 / 54 / 12

HEX #E13767

RGB 225 55 103

HSL 343.06, 0.74%, 0.55%

LAB 51.52, 66.9, 13.58

 

CMYK 54 / 0 / 76 / 12

HEX #67E137

RGB 103 225 55

HSL 103.06, 0.74%, 0.55%

LAB 80.19, -62.43, 67.69

 

CMYK 76 / 55 / 0 / 12

HEX #3565E1

RGB 53 101 225

HSL 223.26, 0.74%, 0.55%

LAB 46.31, 27.38, -67.76

 

CMYK 6 / 76 / 0 / 12

HEX #D337E1

RGB 211 55 225

HSL 295.06, 0.74%, 0.55%

LAB 54.05, 78.37, -54.5

 

CMYK 0 / 21 / 76 / 12

HEX #E1B137

RGB 225 177 55

HSL 43.06, 0.74%, 0.55%

LAB 74.65, 5.94, 65.09

 

CMYK 69 / 0 / 76 / 12

HEX #45E137

RGB 69 225 55

HSL 115.06, 0.74%, 0.55%

LAB 79.27, -69.94, 66.48

 

CMYK 76 / 55 / 0 / 12

HEX #3565E1

RGB 53 101 225

HSL 223.26, 0.74%, 0.55%

LAB 46.31, 27.38, -67.76

 

CMYK 0 / 76 / 16 / 12

HEX #E137BC

RGB 225 55 188

HSL 313.06, 0.74%, 0.55%

LAB 54.42, 75.78, -32.59

 

CMYK 0 / 21 / 76 / 12

HEX #E1B137

RGB 225 177 55

HSL 43.06, 0.74%, 0.55%

LAB 74.65, 5.94, 65.09

 

CMYK 76 / 0 / 59 / 12

HEX #37E15C

RGB 55 225 92

HSL 133.06, 0.74%, 0.55%

LAB 79.29, -68.68, 52.1

 

Description

Color code: RGB 53 101 225 | qconv.com Color code: RGB 53 101 225 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 101 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 101 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 55 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 55% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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