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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 76 / 0 / 12 it is the complementary color CMYK 78 / 0 / 85 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 76 / 0 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 6 / 76 / 0 / 12: CMYK 1 / 75 / 0 / 14, CMYK 2 / 70 / 0 / 7, CMYK 2 / 65 / 0 / 0, CMYK 0 / 58 / 0 / 0 and CMYK 0 / 51 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 76 / 0 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 6 / 76 / 0 / 12: CMYK 6 / 76 / 0 / 12, CMYK 5 / 82 / 0 / 20, CMYK 5 / 90 / 0 / 27, CMYK 4 / 100 / 0 / 35 and CMYK 3 / 100 / 0 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

Complementary color

CMYK 78 / 0 / 85 / 21

HEX #2CC91F

RGB 44 201 31

HSL 115.41, 0.73%, 0.45%

LAB 71.15, -67.86, 65.41

 

CMYK 1 / 75 / 0 / 14

HEX #D836DB

RGB 216 54 219

HSL 298.91, 0.7%, 0.54%

LAB 54.4, 78.68, -50.49

 

CMYK 2 / 70 / 0 / 7

HEX #E948EE

RGB 233 72 238

HSL 298.19, 0.83%, 0.61%

LAB 60.01, 79.62, -52.1

 

CMYK 2 / 65 / 0 / 0

HEX #FA5AFF

RGB 250 90 255

HSL 298.18, 1%, 0.68%

LAB 65.64, 79.71, -52.42

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 5 / 82 / 0 / 20

HEX #C224CD

RGB 194 36 205

HSL 296.09, 0.7%, 0.47%

LAB 48.43, 76.85, -52.22

 

CMYK 5 / 90 / 0 / 27

HEX #B112BA

RGB 177 18 186

HSL 296.79, 0.82%, 0.4%

LAB 43.25, 74.15, -49.63

 

CMYK 4 / 100 / 0 / 35

HEX #A000A7

RGB 160 0 167

HSL 297.49, 1%, 0.33%

LAB 38.31, 70.42, -46.44

 

CMYK 3 / 100 / 0 / 42

HEX #8F0094

RGB 143 0 148

HSL 297.97, 1%, 0.29%

LAB 33.94, 64.65, -42.1

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 0 / 75 / 6 / 12

HEX #E038D2

RGB 224 56 210

HSL 305, 0.73%, 0.55%

LAB 55.41, 78.37, -43.69

 

CMYK 0 / 75 / 19 / 12

HEX #E038B6

RGB 224 56 182

HSL 315, 0.73%, 0.55%

LAB 54.08, 74.47, -29.64

 

CMYK 0 / 75 / 31 / 12

HEX #E0389A

RGB 224 56 154

HSL 325, 0.73%, 0.55%

LAB 52.96, 71.06, -14.94

 

CMYK 0 / 75 / 44 / 12

HEX #E0387E

RGB 224 56 126

HSL 335, 0.73%, 0.55%

LAB 52.04, 68.21, 0.42

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 5 / 75 / 0 / 92

HEX #130514

RGB 19 5 20

HSL 296, 0.6%, 0.05%

LAB 2.69, 6.81, -5.32

 

CMYK 6 / 76 / 0 / 72

HEX #431147

RGB 67 17 71

HSL 295.56, 0.61%, 0.17%

LAB 15.74, 31.91, -22.07

 

CMYK 6 / 76 / 0 / 52

HEX #731D7A

RGB 115 29 122

HSL 295.48, 0.62%, 0.3%

LAB 29.23, 48.86, -33.73

 

CMYK 6 / 76 / 0 / 32

HEX #A32AAD

RGB 163 42 173

HSL 295.42, 0.61%, 0.42%

LAB 41.94, 63.98, -44.18

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 0 / 66 / 75 / 12

HEX #E04C38

RGB 224 76 56

HSL 7.14, 0.73%, 0.55%

LAB 53.28, 56.46, 43.09

 

CMYK 75 / 0 / 36 / 12

HEX #38E08F

RGB 56 224 143

HSL 151.07, 0.73%, 0.55%

LAB 79.69, -60.17, 27.89

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 0 / 6 / 75 / 12

HEX #E0D238

RGB 224 210 56

HSL 55, 0.73%, 0.55%

LAB 83.03, -11.48, 72.57

 

CMYK 75 / 0 / 6 / 12

HEX #38E0D2

RGB 56 224 210

HSL 175, 0.73%, 0.55%

LAB 81.18, -44.46, -5.23

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 0 / 66 / 75 / 12

HEX #E04C38

RGB 224 76 56

HSL 7.14, 0.73%, 0.55%

LAB 53.28, 56.46, 43.09

 

CMYK 69 / 0 / 75 / 12

HEX #46E038

RGB 70 224 56

HSL 115, 0.73%, 0.55%

LAB 78.98, -69.37, 65.89

 

CMYK 75 / 9 / 0 / 12

HEX #38CCE0

RGB 56 204 224

HSL 187.14, 0.73%, 0.55%

LAB 75.7, -31.26, -20.94

 

CMYK 6 / 76 / 0 / 12

HEX #D336E0

RGB 211 54 224

HSL 295.41, 0.73%, 0.55%

LAB 53.89, 78.5, -54.19

 

CMYK 0 / 44 / 75 / 12

HEX #E07E38

RGB 224 126 56

HSL 25, 0.73%, 0.55%

LAB 62.55, 32.68, 52.79

 

CMYK 69 / 0 / 75 / 12

HEX #46E038

RGB 70 224 56

HSL 115, 0.73%, 0.55%

LAB 78.98, -69.37, 65.89

 

CMYK 75 / 31 / 0 / 12

HEX #389AE0

RGB 56 154 224

HSL 205, 0.73%, 0.55%

LAB 61.08, -5, -43.57

 

Description

Color code: CMYK 6 / 76 / 0 / 12 | qconv.com Color code: CMYK 6 / 76 / 0 / 12 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 54 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 54 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 76 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 76% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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