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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 77 121 it is the complementary color RGB 203 178 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 77 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 52 77 121: RGB 57 77 116, RGB 74 95 135, RGB 91 113 154, RGB 108 131 173 and RGB 125 149 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 77 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 52 77 121: RGB 52 77 121, RGB 35 59 102, RGB 18 41 83, RGB 1 23 64 and RGB 0 5 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

Complementary color

CMYK 0 / 12 / 34 / 20

HEX #CBB286

RGB 203 178 134

HSL 38.26, 0.4%, 0.66%

LAB 73.71, 2.58, 25.82

 

CMYK 51 / 34 / 0 / 55

HEX #394D74

RGB 57 77 116

HSL 219.66, 0.34%, 0.34%

LAB 32.79, 4.12, -24.76

 

CMYK 45 / 30 / 0 / 47

HEX #4A5F87

RGB 74 95 135

HSL 219.34, 0.29%, 0.41%

LAB 40.23, 3.41, -24.74

 

CMYK 41 / 27 / 0 / 40

HEX #5B719A

RGB 91 113 154

HSL 219.05, 0.26%, 0.48%

LAB 47.45, 2.87, -24.78

 

CMYK 38 / 24 / 0 / 32

HEX #6C83AD

RGB 108 131 173

HSL 218.77, 0.28%, 0.55%

LAB 54.49, 2.44, -24.88

 

CMYK 35 / 22 / 0 / 25

HEX #7D95C0

RGB 125 149 192

HSL 218.51, 0.35%, 0.62%

LAB 61.36, 2.07, -25.01

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 66 / 42 / 0 / 60

HEX #233B66

RGB 35 59 102

HSL 218.51, 0.49%, 0.27%

LAB 25.09, 5.83, -28.1

 

CMYK 78 / 51 / 0 / 67

HEX #122953

RGB 18 41 83

HSL 218.77, 0.64%, 0.2%

LAB 17.17, 7.73, -28.27

 

CMYK 98 / 64 / 0 / 75

HEX #011740

RGB 1 23 64

HSL 219.05, 0.97%, 0.13%

LAB 8.9, 10.5, -28.57

 

CMYK 100 / 89 / 0 / 82

HEX #00052D

RGB 0 5 45

HSL 233.33, 1%, 0.09%

LAB 2.69, 10.02, -24.71

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 57 / 46 / 0 / 53

HEX #344179

RGB 52 65 121

HSL 228.7, 0.4%, 0.34%

LAB 29.14, 12.58, -33.69

 

CMYK 57 / 55 / 0 / 53

HEX #343679

RGB 52 54 121

HSL 238.26, 0.4%, 0.34%

LAB 26.01, 20.06, -38.7

 

CMYK 50 / 57 / 0 / 53

HEX #3D3479

RGB 61 52 121

HSL 247.83, 0.4%, 0.34%

LAB 26.24, 23.48, -38.29

 

CMYK 40 / 57 / 0 / 53

HEX #483479

RGB 72 52 121

HSL 257.39, 0.4%, 0.34%

LAB 27.34, 26.24, -36.47

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 57 / 37 / 0 / 33

HEX #4A6DAC

RGB 74 109 172

HSL 218.57, 0.4%, 0.48%

LAB 46.14, 6.73, -37.48

 

CMYK 57 / 36 / 0 / 13

HEX #608EDF

RGB 96 142 223

HSL 218.27, 0.66%, 0.63%

LAB 59.12, 8.16, -45.99

 

CMYK 58 / 37 / 0 / 93

HEX #080C13

RGB 8 12 19

HSL 218.18, 0.41%, 0.05%

LAB 3.27, 0.22, -3.92

 

CMYK 57 / 36 / 0 / 73

HEX #1E2D46

RGB 30 45 70

HSL 217.5, 0.4%, 0.2%

LAB 18.34, 2.22, -17.56

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 10 / 57 / 0 / 53

HEX #6D3479

RGB 109 52 121

HSL 289.57, 0.4%, 0.34%

LAB 32.01, 36.64, -28.75

 

CMYK 13 / 0 / 57 / 53

HEX #697934

RGB 105 121 52

HSL 73.91, 0.4%, 0.34%

LAB 48.17, -17.11, 35.31

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 0 / 57 / 36 / 53

HEX #79344D

RGB 121 52 77

HSL 338.26, 0.4%, 0.34%

LAB 31.94, 32.93, -0.53

 

CMYK 36 / 0 / 57 / 53

HEX #4D7934

RGB 77 121 52

HSL 98.26, 0.4%, 0.34%

LAB 46.31, -28.54, 32.68

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 10 / 57 / 0 / 53

HEX #6D3479

RGB 109 52 121

HSL 289.57, 0.4%, 0.34%

LAB 32.01, 36.64, -28.75

 

CMYK 0 / 21 / 57 / 53

HEX #795F34

RGB 121 95 52

HSL 37.39, 0.4%, 0.34%

LAB 42, 4.94, 28.39

 

CMYK 48 / 0 / 57 / 53

HEX #3F7934

RGB 63 121 52

HSL 110.43, 0.4%, 0.34%

LAB 45.61, -33.44, 31.67

 

CMYK 57 / 36 / 0 / 53

HEX #344D79

RGB 52 77 121

HSL 218.26, 0.4%, 0.34%

LAB 32.74, 4.57, -27.97

 

CMYK 0 / 57 / 7 / 53

HEX #793470

RGB 121 52 112

HSL 307.83, 0.4%, 0.34%

LAB 33.33, 38.46, -20.88

 

CMYK 0 / 21 / 57 / 53

HEX #795F34

RGB 121 95 52

HSL 37.39, 0.4%, 0.34%

LAB 42, 4.94, 28.39

 

CMYK 57 / 0 / 50 / 53

HEX #34793D

RGB 52 121 61

HSL 127.83, 0.4%, 0.34%

LAB 45.28, -35.43, 26.38

 

Description

Color code: RGB 52 77 121 | qconv.com Color code: RGB 52 77 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 77 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 77 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 36 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 36% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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