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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 229 68 it is the complementary color RGB 203 26 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 229 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 52 229 68: RGB 57 229 63, RGB 74 247 82, RGB 91 255 101, RGB 108 255 120 and RGB 125 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 229 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 52 229 68: RGB 52 229 68, RGB 35 211 49, RGB 18 193 30, RGB 1 175 11 and RGB 0 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

Complementary color

CMYK 0 / 87 / 8 / 20

HEX #CB1ABB

RGB 203 26 187

HSL 305.42, 0.77%, 0.45%

LAB 48.29, 77.71, -41.91

 

CMYK 75 / 0 / 72 / 10

HEX #39E53F

RGB 57 229 63

HSL 122.09, 0.77%, 0.56%

LAB 80.33, -72.51, 64.8

 

CMYK 70 / 0 / 67 / 3

HEX #4AF752

RGB 74 247 82

HSL 122.77, 0.92%, 0.63%

LAB 86.3, -73.87, 64.15

 

CMYK 64 / 0 / 60 / 0

HEX #5BFF65

RGB 91 255 101

HSL 123.66, 1%, 0.68%

LAB 89.24, -71.53, 59.82

 

CMYK 58 / 0 / 53 / 0

HEX #6CFF78

RGB 108 255 120

HSL 124.9, 1%, 0.71%

LAB 89.89, -65.76, 52.34

 

CMYK 51 / 0 / 45 / 0

HEX #7DFF8B

RGB 125 255 139

HSL 126.46, 1%, 0.75%

LAB 90.66, -59.17, 44.52

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 83 / 0 / 77 / 17

HEX #23D331

RGB 35 211 49

HSL 124.77, 0.72%, 0.48%

LAB 74.3, -70.82, 63.34

 

CMYK 91 / 0 / 84 / 24

HEX #12C11E

RGB 18 193 30

HSL 124.11, 0.83%, 0.41%

LAB 68.29, -68.14, 62.97

 

CMYK 99 / 0 / 94 / 31

HEX #01AF0B

RGB 1 175 11

HSL 123.45, 0.99%, 0.35%

LAB 62.25, -64.67, 61.3

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 78 / 0 / 58 / 11

HEX #33E460

RGB 51 228 96

HSL 135.25, 0.77%, 0.55%

LAB 80.2, -69.67, 51.36

 

CMYK 78 / 0 / 45 / 11

HEX #33E47D

RGB 51 228 125

HSL 145.08, 0.77%, 0.55%

LAB 80.56, -65.44, 38.09

 

CMYK 78 / 0 / 32 / 11

HEX #33E49A

RGB 51 228 154

HSL 154.92, 0.77%, 0.55%

LAB 81.03, -60.05, 24.02

 

CMYK 78 / 0 / 19 / 11

HEX #33E4B8

RGB 51 228 184

HSL 165.08, 0.77%, 0.55%

LAB 81.65, -53.33, 9.2

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 76 / 0 / 72 / 90

HEX #061907

RGB 6 25 7

HSL 123.16, 0.61%, 0.06%

LAB 6.77, -10.29, 7.07

 

CMYK 78 / 0 / 70 / 70

HEX #114C17

RGB 17 76 23

HSL 126.1, 0.63%, 0.18%

LAB 27.71, -30.91, 25.5

 

CMYK 77 / 0 / 70 / 50

HEX #1D7F26

RGB 29 127 38

HSL 125.51, 0.63%, 0.31%

LAB 46.42, -45.92, 39.01

 

CMYK 78 / 0 / 70 / 30

HEX #28B235

RGB 40 178 53

HSL 125.65, 0.63%, 0.43%

LAB 63.79, -59.83, 51.33

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 78 / 22 / 0 / 11

HEX #33B2E4

RGB 51 178 228

HSL 196.95, 0.77%, 0.55%

LAB 68.13, -17.38, -34.75

 

CMYK 0 / 78 / 53 / 11

HEX #E4336B

RGB 228 51 107

HSL 341.02, 0.77%, 0.55%

LAB 51.75, 69.17, 11.56

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 71 / 78 / 0 / 11

HEX #4233E4

RGB 66 51 228

HSL 245.08, 0.77%, 0.55%

LAB 36.23, 58.97, -85.98

 

CMYK 0 / 71 / 78 / 11

HEX #E44233

RGB 228 66 51

HSL 5.08, 0.77%, 0.55%

LAB 52.54, 61.37, 45.18

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 78 / 22 / 0 / 11

HEX #33B2E4

RGB 51 178 228

HSL 196.95, 0.77%, 0.55%

LAB 68.13, -17.38, -34.75

 

CMYK 0 / 78 / 7 / 11

HEX #E433D5

RGB 228 51 213

HSL 305.08, 0.77%, 0.55%

LAB 55.75, 80.97, -44.81

 

CMYK 0 / 56 / 78 / 11

HEX #E46533

RGB 228 101 51

HSL 16.95, 0.77%, 0.55%

LAB 58.08, 46.6, 50.79

 

CMYK 77 / 0 / 70 / 10

HEX #34E544

RGB 52 229 68

HSL 125.42, 0.77%, 0.55%

LAB 80.28, -72.78, 62.94

 

CMYK 78 / 45 / 0 / 11

HEX #337DE4

RGB 51 125 228

HSL 214.92, 0.77%, 0.55%

LAB 52.92, 13.16, -58.78

 

CMYK 0 / 78 / 7 / 11

HEX #E433D5

RGB 228 51 213

HSL 305.08, 0.77%, 0.55%

LAB 55.75, 80.97, -44.81

 

CMYK 0 / 32 / 78 / 11

HEX #E49A33

RGB 228 154 51

HSL 34.92, 0.77%, 0.55%

LAB 69.36, 19.3, 61.71

 

Description

Color code: RGB 52 229 68 | qconv.com Color code: RGB 52 229 68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 229 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 229 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 70% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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