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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 190 175 it is the complementary color RGB 203 65 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 190 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 52 190 175: RGB 57 190 170, RGB 74 208 189, RGB 91 226 208, RGB 108 244 227 and RGB 125 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 190 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 52 190 175: RGB 52 190 175, RGB 35 172 156, RGB 18 154 137, RGB 1 136 118 and RGB 0 118 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

Complementary color

CMYK 0 / 68 / 61 / 20

HEX #CB4150

RGB 203 65 80

HSL 353.48, 0.57%, 0.53%

LAB 48.33, 55.27, 22.5

 

CMYK 70 / 0 / 11 / 25

HEX #39BEAA

RGB 57 190 170

HSL 170.98, 0.54%, 0.48%

LAB 69.89, -40.11, -0.24

 

CMYK 64 / 0 / 9 / 18

HEX #4AD0BD

RGB 74 208 189

HSL 171.49, 0.59%, 0.55%

LAB 76.22, -40.6, -1.26

 

CMYK 60 / 0 / 8 / 11

HEX #5BE2D0

RGB 91 226 208

HSL 172, 0.7%, 0.62%

LAB 82.47, -40.92, -2.19

 

CMYK 56 / 0 / 7 / 4

HEX #6CF4E3

RGB 108 244 227

HSL 172.5, 0.86%, 0.69%

LAB 88.66, -41.11, -3.05

 

CMYK 51 / 0 / 4 / 0

HEX #7DFFF6

RGB 125 255 246

HSL 175.85, 1%, 0.75%

LAB 92.81, -38.07, -6.75

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 80 / 0 / 9 / 33

HEX #23AC9C

RGB 35 172 156

HSL 172.99, 0.66%, 0.41%

LAB 63.56, -38.53, -1.83

 

CMYK 88 / 0 / 11 / 40

HEX #129A89

RGB 18 154 137

HSL 172.5, 0.79%, 0.34%

LAB 57.12, -37.27, -0.57

 

CMYK 99 / 0 / 13 / 47

HEX #018876

RGB 1 136 118

HSL 172, 0.99%, 0.27%

LAB 50.6, -35.62, 0.84

 

CMYK 100 / 0 / 16 / 54

HEX #007663

RGB 0 118 99

HSL 170.34, 1%, 0.23%

LAB 44.03, -33.14, 2.51

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 73 / 4 / 0 / 26

HEX #33B5BC

RGB 51 181 188

HSL 183.07, 0.57%, 0.47%

LAB 67.56, -31.64, -13.62

 

CMYK 73 / 16 / 0 / 26

HEX #339EBC

RGB 51 158 188

HSL 193.14, 0.57%, 0.47%

LAB 60.59, -20.07, -24.21

 

CMYK 73 / 28 / 0 / 26

HEX #3387BC

RGB 51 135 188

HSL 203.21, 0.57%, 0.47%

LAB 53.67, -7.39, -34.95

 

CMYK 73 / 40 / 0 / 26

HEX #3371BC

RGB 51 113 188

HSL 212.85, 0.57%, 0.47%

LAB 47.16, 5.8, -45.22

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 73 / 0 / 8 / 5

HEX #42F1DE

RGB 66 241 222

HSL 173.49, 0.86%, 0.6%

LAB 86.67, -47.49, -3.46

 

CMYK 73 / 0 / 8 / 85

HEX #0A2522

RGB 10 37 34

HSL 173.33, 0.57%, 0.09%

LAB 12.63, -11.15, -1.08

 

CMYK 73 / 0 / 8 / 65

HEX #185851

RGB 24 88 81

HSL 173.44, 0.57%, 0.22%

LAB 33.49, -21.7, -1.79

 

CMYK 73 / 0 / 8 / 45

HEX #268B80

RGB 38 139 128

HSL 173.47, 0.57%, 0.35%

LAB 52.33, -30.9, -2.39

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 67 / 73 / 0 / 26

HEX #3E33BC

RGB 62 51 188

HSL 244.82, 0.57%, 0.47%

LAB 31.86, 46.26, -70

 

CMYK 0 / 38 / 73 / 26

HEX #BC7533

RGB 188 117 51

HSL 28.91, 0.57%, 0.47%

LAB 55.74, 22.27, 46.59

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 9 / 73 / 0 / 26

HEX #AC33BC

RGB 172 51 188

HSL 292.99, 0.57%, 0.47%

LAB 45.32, 65.5, -47.54

 

CMYK 0 / 9 / 73 / 26

HEX #BCAC33

RGB 188 172 51

HSL 52.99, 0.57%, 0.47%

LAB 69.78, -7.67, 60.66

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 67 / 73 / 0 / 26

HEX #3E33BC

RGB 62 51 188

HSL 244.82, 0.57%, 0.47%

LAB 31.86, 46.26, -70

 

CMYK 0 / 73 / 64 / 26

HEX #BC3343

RGB 188 51 67

HSL 352.99, 0.57%, 0.47%

LAB 43.45, 55.02, 23.55

 

CMYK 6 / 0 / 73 / 26

HEX #B0BC33

RGB 176 188 51

HSL 65.26, 0.57%, 0.47%

LAB 73.18, -21.01, 63.58

 

CMYK 73 / 0 / 8 / 25

HEX #34BEAF

RGB 52 190 175

HSL 173.48, 0.57%, 0.47%

LAB 69.93, -39.42, -2.94

 

CMYK 45 / 73 / 0 / 26

HEX #6733BC

RGB 103 51 188

HSL 262.77, 0.57%, 0.47%

LAB 35.76, 52.15, -63.46

 

CMYK 0 / 73 / 64 / 26

HEX #BC3343

RGB 188 51 67

HSL 352.99, 0.57%, 0.47%

LAB 43.45, 55.02, 23.55

 

CMYK 28 / 0 / 73 / 26

HEX #87BC33

RGB 135 188 51

HSL 83.21, 0.57%, 0.47%

LAB 70.42, -37.58, 59.97

 

Description

Color code: RGB 52 190 175 | qconv.com Color code: RGB 52 190 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 190 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 190 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 8 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 8% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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