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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 118 124 it is the complementary color RGB 203 137 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 118 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 52 118 124: RGB 57 118 119, RGB 74 136 138, RGB 91 154 157, RGB 108 172 176 and RGB 125 190 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 118 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 52 118 124: RGB 52 118 124, RGB 35 100 105, RGB 18 82 86, RGB 1 64 67 and RGB 0 46 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

Complementary color

CMYK 0 / 33 / 35 / 20

HEX #CB8983

RGB 203 137 131

HSL 5, 0.41%, 0.65%

LAB 63.53, 24.48, 13.51

 

CMYK 52 / 1 / 0 / 53

HEX #397677

RGB 57 118 119

HSL 180.97, 0.35%, 0.35%

LAB 45.85, -19.33, -6.62

 

CMYK 46 / 1 / 0 / 46

HEX #4A888A

RGB 74 136 138

HSL 181.88, 0.3%, 0.42%

LAB 52.84, -19.41, -7.31

 

CMYK 42 / 2 / 0 / 38

HEX #5B9A9D

RGB 91 154 157

HSL 182.73, 0.27%, 0.49%

LAB 59.68, -19.42, -7.94

 

CMYK 39 / 2 / 0 / 31

HEX #6CACB0

RGB 108 172 176

HSL 183.53, 0.3%, 0.56%

LAB 66.39, -19.39, -8.54

 

CMYK 36 / 3 / 0 / 24

HEX #7DBEC3

RGB 125 190 195

HSL 184.29, 0.37%, 0.63%

LAB 72.98, -19.35, -9.1

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 67 / 5 / 0 / 59

HEX #236469

RGB 35 100 105

HSL 184.29, 0.5%, 0.27%

LAB 38.71, -18.54, -8.92

 

CMYK 79 / 5 / 0 / 66

HEX #125256

RGB 18 82 86

HSL 183.53, 0.65%, 0.2%

LAB 31.43, -17.76, -8.05

 

CMYK 99 / 4 / 0 / 74

HEX #014043

RGB 1 64 67

HSL 182.73, 0.97%, 0.13%

LAB 23.93, -16.61, -7.04

 

CMYK 100 / 4 / 0 / 81

HEX #002E30

RGB 0 46 48

HSL 182.5, 1%, 0.09%

LAB 16.34, -13.7, -5.54

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 58 / 14 / 0 / 51

HEX #346B7D

RGB 52 107 125

HSL 194.79, 0.41%, 0.35%

LAB 42.35, -12.54, -15.52

 

CMYK 58 / 24 / 0 / 51

HEX #345F7D

RGB 52 95 125

HSL 204.66, 0.41%, 0.35%

LAB 38.54, -5.44, -21.37

 

CMYK 58 / 34 / 0 / 51

HEX #34537D

RGB 52 83 125

HSL 214.52, 0.41%, 0.35%

LAB 34.8, 2.08, -27.22

 

CMYK 58 / 44 / 0 / 51

HEX #34467D

RGB 52 70 125

HSL 225.21, 0.41%, 0.35%

LAB 30.86, 10.64, -33.45

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 58 / 5 / 0 / 31

HEX #49A7AF

RGB 73 167 175

HSL 184.71, 0.41%, 0.49%

LAB 63.47, -25.17, -12.49

 

CMYK 58 / 5 / 0 / 11

HEX #5FD7E2

RGB 95 215 226

HSL 185.04, 0.69%, 0.63%

LAB 79.91, -30.33, -15.56

 

CMYK 59 / 5 / 0 / 91

HEX #091516

RGB 9 21 22

HSL 184.62, 0.42%, 0.06%

LAB 5.89, -3.87, -2.1

 

CMYK 58 / 5 / 0 / 71

HEX #1F4549

RGB 31 69 73

HSL 185.71, 0.4%, 0.2%

LAB 26.82, -12.16, -6.56

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 42 / 58 / 0 / 51

HEX #49347D

RGB 73 52 125

HSL 257.26, 0.41%, 0.35%

LAB 27.72, 27.7, -38.37

 

CMYK 0 / 18 / 58 / 51

HEX #7D6634

RGB 125 102 52

HSL 41.1, 0.41%, 0.35%

LAB 44.39, 2.67, 31.36

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 0 / 58 / 5 / 51

HEX #7D3477

RGB 125 52 119

HSL 304.93, 0.41%, 0.35%

LAB 34.29, 40.95, -23.75

 

CMYK 5 / 0 / 58 / 51

HEX #777D34

RGB 119 125 52

HSL 64.93, 0.41%, 0.35%

LAB 50.5, -13.09, 38.27

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 42 / 58 / 0 / 51

HEX #49347D

RGB 73 52 125

HSL 257.26, 0.41%, 0.35%

LAB 27.72, 27.7, -38.37

 

CMYK 0 / 54 / 58 / 51

HEX #7D3A34

RGB 125 58 52

HSL 4.93, 0.41%, 0.35%

LAB 33.21, 28.49, 17.46

 

CMYK 16 / 0 / 58 / 51

HEX #697D34

RGB 105 125 52

HSL 76.44, 0.41%, 0.35%

LAB 49.4, -19.22, 36.73

 

CMYK 58 / 5 / 0 / 51

HEX #34767C

RGB 52 118 124

HSL 185, 0.41%, 0.35%

LAB 45.83, -18.97, -9.65

 

CMYK 24 / 58 / 0 / 51

HEX #5F347D

RGB 95 52 125

HSL 275.34, 0.41%, 0.35%

LAB 30.33, 33.57, -34.05

 

CMYK 0 / 54 / 58 / 51

HEX #7D3A34

RGB 125 58 52

HSL 4.93, 0.41%, 0.35%

LAB 33.21, 28.49, 17.46

 

CMYK 34 / 0 / 58 / 51

HEX #537D34

RGB 83 125 52

HSL 94.52, 0.41%, 0.35%

LAB 47.95, -28.19, 34.68

 

Description

Color code: RGB 52 118 124 | qconv.com Color code: RGB 52 118 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 118 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 118 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 5 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 5% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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