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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52.1 54.8 204 it is the complementary color RGB 202.9 200.2 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52.1 54.8 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52.1 54.8 204 shade: RGB 57.1 54.8 199, RGB 74.1 72.8 218, RGB 91.1 90.8 237, RGB 108.1 108.8 255 and RGB 125.1 126.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52.1 54.8 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52.1 54.8 204 shade: RGB 52.1 54.8 204, RGB 35.1 36.8 185, RGB 18.1 18.8 166, RGB 1.1 0.8 147 and RGB 0 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52.1 54.8 204 shade: RGB 51 54 204, RGB 90 51 204, RGB 131 51 204, RGB 172 51 204 and RGB 204 51 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52.1 54.8 204 shade: RGB 51 54 204 and RGB 51 51 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52.1 54.8 204 shade matches the following richer shades: RGB 51 54 204, RGB 30 34 225 and RGB 10 14 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52.1 54.8 204 shade: RGB 51 54 204, RGB 72 74 183, RGB 92 94 163, RGB 113 113 142 and RGB 134 133 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52.1 54.8 204 shade: RGB 51 138 204, RGB 51 97 204, RGB 51 56 204, RGB 87 51 204 and RGB 128 51 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52.1 54.8 204 shade: RGB 34 36 138, RGB 43 45 171, RGB 51 54 204, RGB 84 86 212 and RGB 117 119 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52.1 54.8 204 shade: RGB 52.1 54.8 204, RGB 204 51 179 and RGB 117 204 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52.1 54.8 204 shade: RGB 52.1 54.8 204, RGB 204 51 56 and RGB 56 204 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52.1 54.8 204 shade: RGB 52.1 54.8 204, RGB 204 51 179, RGB 204 199 51 and RGB 51 204 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52.1 54.8 204 shade: RGB 52.1 54.8 204, RGB 204 51 133, RGB 204 199 51 and RGB 51 204 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 73 / 0 / 20

HEX #3436CC

RGB 52.1 54.8 204

HSL 238.93, 0.6%, 0.5%

LAB 33.58, 48.33, -76.57

 

Complementary color

CMYK 0 / 1 / 75 / 20

HEX #CAC833

RGB 202.9 200.2 51

HSL 58.93, 0.6%, 0.5%

LAB 78.65, -15.69, 69.48

 

CMYK 71 / 72 / 0 / 22

HEX #3936C7

RGB 57.1 54.8 199

HSL 240.96, 0.57%, 0.5%

LAB 33.37, 47.16, -73.98

 

CMYK 66 / 67 / 0 / 15

HEX #4A48DA

RGB 74.1 72.8 218

HSL 240.54, 0.66%, 0.57%

LAB 40.02, 44.92, -74.01

 

CMYK 62 / 62 / 0 / 7

HEX #5B5AED

RGB 91.1 90.8 237

HSL 240.12, 0.8%, 0.64%

LAB 46.7, 42.82, -73.81

 

CMYK 58 / 57 / 0 / 0

HEX #6C6CFF

RGB 108.1 108.8 255

HSL 239.71, 1%, 0.71%

LAB 53.29, 40.62, -73.09

 

CMYK 51 / 50 / 0 / 0

HEX #7D7EFF

RGB 125.1 126.8 255

HSL 239.21, 1%, 0.75%

LAB 58.71, 33.21, -64.27

 

CMYK 74 / 73 / 0 / 20

HEX #3436CC

RGB 52.1 54.8 204

HSL 238.93, 0.6%, 0.5%

LAB 33.58, 48.33, -76.57

 

CMYK 81 / 80 / 0 / 27

HEX #2324B9

RGB 35.1 36.8 185

HSL 239.32, 0.68%, 0.43%

LAB 27.22, 50.6, -75.95

 

CMYK 89 / 89 / 0 / 35

HEX #1212A6

RGB 18.1 18.8 166

HSL 239.72, 0.8%, 0.36%

LAB 21.36, 52.1, -74.3

 

CMYK 99 / 99 / 0 / 42

HEX #010093

RGB 1.1 0.8 147

HSL 240.12, 0.99%, 0.29%

LAB 16.16, 52.27, -71.33

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 75 / 74 / 0 / 20

HEX #3336CC

RGB 51 54 204

HSL 238.82, 0.6%, 0.5%

LAB 33.35, 48.68, -76.94

 

CMYK 56 / 75 / 0 / 20

HEX #5A33CC

RGB 90 51 204

HSL 255.29, 0.6%, 0.5%

LAB 35.79, 54.54, -72.81

 

CMYK 36 / 75 / 0 / 20

HEX #8333CC

RGB 131 51 204

HSL 271.37, 0.6%, 0.5%

LAB 40.5, 60.86, -64.93

 

CMYK 16 / 75 / 0 / 20

HEX #AC33CC

RGB 172 51 204

HSL 287.45, 0.6%, 0.5%

LAB 46.31, 68.41, -55.24

 

CMYK 0 / 75 / 4 / 20

HEX #CC33C3

RGB 204 51 195

HSL 303.53, 0.6%, 0.5%

LAB 50.86, 73.37, -42.48

 

CMYK 75 / 74 / 0 / 20

HEX #3336CC

RGB 51 54 204

HSL 238.82, 0.6%, 0.5%

LAB 33.35, 48.68, -76.94

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 75 / 74 / 0 / 20

HEX #3336CC

RGB 51 54 204

HSL 238.82, 0.6%, 0.5%

LAB 33.35, 48.68, -76.94

 

CMYK 87 / 85 / 0 / 12

HEX #1E22E1

RGB 30 34 225

HSL 238.77, 0.76%, 0.5%

LAB 31.48, 63.73, -92.21

 

CMYK 96 / 94 / 0 / 4

HEX #0A0EF5

RGB 10 14 245

HSL 238.98, 0.92%, 0.5%

LAB 31.74, 74.62, -103.17

 

CMYK 75 / 74 / 0 / 20

HEX #3336CC

RGB 51 54 204

HSL 238.82, 0.6%, 0.5%

LAB 33.35, 48.68, -76.94

 

CMYK 61 / 60 / 0 / 28

HEX #484AB7

RGB 72 74 183

HSL 238.92, 0.44%, 0.5%

LAB 37.29, 32.27, -58.14

 

CMYK 44 / 42 / 0 / 36

HEX #5C5EA3

RGB 92 94 163

HSL 238.31, 0.28%, 0.5%

LAB 42.65, 17.56, -37.63

 

CMYK 20 / 20 / 0 / 44

HEX #71718E

RGB 113 113 142

HSL 240, 0.11%, 0.5%

LAB 48.6, 6.51, -15.79

 

CMYK 0 / 1 / 10 / 47

HEX #868579

RGB 134 133 121

HSL 55.38, 0.05%, 0.5%

LAB 55.3, -1.88, 6.6

 

CMYK 75 / 32 / 0 / 20

HEX #338ACC

RGB 51 138 204

HSL 205.88, 0.6%, 0.5%

LAB 55.32, -3.46, -41.45

 

CMYK 75 / 52 / 0 / 20

HEX #3361CC

RGB 51 97 204

HSL 221.96, 0.6%, 0.5%

LAB 43.67, 21.93, -60.06

 

CMYK 75 / 73 / 0 / 20

HEX #3338CC

RGB 51 56 204

HSL 238.04, 0.6%, 0.5%

LAB 33.76, 47.55, -76.27

 

CMYK 57 / 75 / 0 / 20

HEX #5733CC

RGB 87 51 204

HSL 254.12, 0.6%, 0.5%

LAB 35.51, 54.15, -73.3

 

CMYK 37 / 75 / 0 / 20

HEX #8033CC

RGB 128 51 204

HSL 270.2, 0.6%, 0.5%

LAB 40.11, 60.35, -65.58

 

CMYK 75 / 74 / 0 / 46

HEX #22248A

RGB 34 36 138

HSL 238.85, 0.6%, 0.34%

LAB 21.71, 35.16, -56.45

 

CMYK 75 / 74 / 0 / 33

HEX #2B2DAB

RGB 43 45 171

HSL 239.06, 0.6%, 0.42%

LAB 27.66, 42.1, -66.85

 

CMYK 75 / 74 / 0 / 20

HEX #3336CC

RGB 51 54 204

HSL 238.82, 0.6%, 0.5%

LAB 33.35, 48.68, -76.94

 

CMYK 60 / 59 / 0 / 17

HEX #5456D4

RGB 84 86 212

HSL 239.06, 0.6%, 0.58%

LAB 43.2, 36.49, -65.34

 

CMYK 47 / 46 / 0 / 13

HEX #7577DD

RGB 117 119 221

HSL 238.85, 0.6%, 0.66%

LAB 54.23, 25.88, -52.56

 

CMYK 74 / 73 / 0 / 20

HEX #3436CC

RGB 52.1 54.8 204

HSL 238.93, 0.6%, 0.5%

LAB 33.58, 48.33, -76.57

 

CMYK 0 / 75 / 12 / 20

HEX #CC33B3

RGB 204 51 179

HSL 309.8, 0.6%, 0.5%

LAB 50.05, 71.01, -34.44

 

CMYK 43 / 0 / 75 / 20

HEX #75CC33

RGB 117 204 51

HSL 94.12, 0.6%, 0.5%

LAB 74.32, -50.69, 63.47

 

CMYK 74 / 73 / 0 / 20

HEX #3436CC

RGB 52.1 54.8 204

HSL 238.93, 0.6%, 0.5%

LAB 33.58, 48.33, -76.57

 

CMYK 0 / 75 / 73 / 20

HEX #CC3338

RGB 204 51 56

HSL 358.04, 0.6%, 0.5%

LAB 46.3, 59.34, 34.3

 

CMYK 73 / 0 / 75 / 20

HEX #38CC33

RGB 56 204 51

HSL 118.04, 0.6%, 0.5%

LAB 72.41, -65.82, 60.94

 

CMYK 74 / 73 / 0 / 20

HEX #3436CC

RGB 52.1 54.8 204

HSL 238.93, 0.6%, 0.5%

LAB 33.58, 48.33, -76.57

 

CMYK 0 / 75 / 12 / 20

HEX #CC33B3

RGB 204 51 179

HSL 309.8, 0.6%, 0.5%

LAB 50.05, 71.01, -34.44

 

CMYK 0 / 2 / 75 / 20

HEX #CCC733

RGB 204 199 51

HSL 58.04, 0.6%, 0.5%

LAB 78.42, -14.63, 69.3

 

CMYK 75 / 0 / 62 / 20

HEX #33CC4D

RGB 51 204 77

HSL 130.2, 0.6%, 0.5%

LAB 72.51, -64.19, 50.91

 

CMYK 74 / 73 / 0 / 20

HEX #3436CC

RGB 52.1 54.8 204

HSL 238.93, 0.6%, 0.5%

LAB 33.58, 48.33, -76.57

 

CMYK 0 / 75 / 35 / 20

HEX #CC3385

RGB 204 51 133

HSL 327.84, 0.6%, 0.5%

LAB 48.13, 65.21, -10

 

CMYK 0 / 2 / 75 / 20

HEX #CCC733

RGB 204 199 51

HSL 58.04, 0.6%, 0.5%

LAB 78.42, -14.63, 69.3

 

CMYK 75 / 0 / 40 / 20

HEX #33CC7A

RGB 51 204 122

HSL 147.84, 0.6%, 0.5%

LAB 73.09, -57.47, 29.9

 

Description

Color code: RGB 52.1 54.8 204 | qconv.com Color code: RGB 52.1 54.8 204 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52.1 red, 54.8 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52.1 54.8 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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