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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 220 251 it is the complementary color RGB 204 35 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 220 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 51 220 251: RGB 56 220 246, RGB 73 238 255, RGB 90 255 255, RGB 107 255 255 and RGB 124 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 220 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 51 220 251: RGB 51 220 251, RGB 34 202 232, RGB 17 184 213, RGB 0 166 194 and RGB 0 148 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

Complementary color

CMYK 0 / 83 / 98 / 20

HEX #CC2304

RGB 204 35 4

HSL 9.3, 0.96%, 0.41%

LAB 44.3, 62.66, 56.23

 

CMYK 77 / 11 / 0 / 4

HEX #38DCF6

RGB 56 220 246

HSL 188.21, 0.91%, 0.59%

LAB 81.12, -32.23, -24.47

 

CMYK 71 / 7 / 0 / 0

HEX #49EEFF

RGB 73 238 255

HSL 185.6, 1%, 0.64%

LAB 86.89, -36.21, -20.43

 

CMYK 65 / 0 / 0 / 0

HEX #5AFFFF

RGB 90 255 255

HSL 180, 1%, 0.68%

LAB 92.09, -41.76, -12.58

 

CMYK 58 / 0 / 0 / 0

HEX #6BFFFF

RGB 107 255 255

HSL 180, 1%, 0.71%

LAB 92.52, -39.12, -11.9

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 85 / 13 / 0 / 9

HEX #22CAE8

RGB 34 202 232

HSL 189.09, 0.81%, 0.52%

LAB 75.08, -29.67, -26.23

 

CMYK 92 / 14 / 0 / 16

HEX #11B8D5

RGB 17 184 213

HSL 188.88, 0.85%, 0.45%

LAB 68.9, -27.87, -25.39

 

CMYK 100 / 14 / 0 / 24

HEX #00A6C2

RGB 0 166 194

HSL 188.66, 1%, 0.38%

LAB 62.65, -25.75, -24.47

 

CMYK 100 / 15 / 0 / 31

HEX #0094AF

RGB 0 148 175

HSL 189.26, 1%, 0.34%

LAB 56.36, -23.04, -23.41

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 80 / 25 / 0 / 2

HEX #32BBFA

RGB 50 187 250

HSL 198.9, 0.95%, 0.59%

LAB 71.64, -14.84, -41.25

 

CMYK 80 / 39 / 0 / 2

HEX #3299FA

RGB 50 153 250

HSL 209.1, 0.95%, 0.59%

LAB 61.97, 4.23, -56.5

 

CMYK 80 / 52 / 0 / 2

HEX #3278FA

RGB 50 120 250

HSL 219, 0.95%, 0.59%

LAB 52.96, 24.32, -70.97

 

CMYK 80 / 66 / 0 / 2

HEX #3256FA

RGB 50 86 250

HSL 229.2, 0.95%, 0.59%

LAB 44.57, 45.45, -84.67

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 79 / 13 / 0 / 82

HEX #0A292F

RGB 10 41 47

HSL 189.73, 0.65%, 0.11%

LAB 14.71, -8.9, -7.27

 

CMYK 80 / 12 / 0 / 62

HEX #145662

RGB 20 86 98

HSL 189.23, 0.66%, 0.23%

LAB 33.32, -15.5, -12.77

 

CMYK 80 / 12 / 0 / 42

HEX #1E8395

RGB 30 131 149

HSL 189.08, 0.66%, 0.35%

LAB 50.31, -21.28, -17.67

 

CMYK 80 / 13 / 0 / 22

HEX #29AFC8

RGB 41 175 200

HSL 189.43, 0.66%, 0.47%

LAB 65.98, -26.04, -22.67

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 52 / 80 / 0 / 2

HEX #7832FA

RGB 120 50 250

HSL 261, 0.95%, 0.59%

LAB 43.03, 70.73, -87.04

 

CMYK 0 / 20 / 80 / 2

HEX #FAC832

RGB 250 200 50

HSL 45, 0.95%, 0.59%

LAB 82.84, 4.44, 75.16

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 0 / 80 / 12 / 2

HEX #FA32DC

RGB 250 50 220

HSL 309, 0.95%, 0.59%

LAB 59.68, 86.57, -42.33

 

CMYK 12 / 0 / 80 / 2

HEX #DCFA32

RGB 220 250 50

HSL 69, 0.95%, 0.59%

LAB 93.37, -32.55, 83.45

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 52 / 80 / 0 / 2

HEX #7832FA

RGB 120 50 250

HSL 261, 0.95%, 0.59%

LAB 43.03, 70.73, -87.04

 

CMYK 0 / 68 / 80 / 2

HEX #FA5032

RGB 250 80 50

HSL 9, 0.95%, 0.59%

LAB 58.31, 63.13, 52.73

 

CMYK 28 / 0 / 80 / 2

HEX #B4FA32

RGB 180 250 50

HSL 81, 0.95%, 0.59%

LAB 90.92, -47.81, 80.35

 

CMYK 80 / 12 / 0 / 2

HEX #33DCFB

RGB 51 220 251

HSL 189.3, 0.96%, 0.59%

LAB 81.21, -31.14, -26.99

 

CMYK 28 / 80 / 0 / 2

HEX #B432FA

RGB 180 50 250

HSL 279, 0.95%, 0.59%

LAB 50.55, 78.93, -74.41

 

CMYK 0 / 68 / 80 / 2

HEX #FA5032

RGB 250 80 50

HSL 9, 0.95%, 0.59%

LAB 58.31, 63.13, 52.73

 

CMYK 52 / 0 / 80 / 2

HEX #78FA32

RGB 120 250 50

HSL 99, 0.95%, 0.59%

LAB 88.25, -67.01, 76.94

 

Description

Color code: RGB 51 220 251 | qconv.com Color code: RGB 51 220 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 220 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 220 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGB

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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