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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 10 143 it is the complementary color RGB 204 245 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 10 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 51 10 143: RGB 56 10 138, RGB 73 28 157, RGB 90 46 176, RGB 107 64 195 and RGB 124 82 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 10 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 51 10 143: RGB 51 10 143, RGB 34 0 124, RGB 17 0 105, RGB 0 0 86 and RGB 0 0 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

Complementary color

CMYK 17 / 0 / 54 / 4

HEX #CCF570

RGB 204 245 112

HSL 78.5, 0.87%, 0.7%

LAB 91.38, -32.77, 58.78

 

CMYK 59 / 93 / 0 / 46

HEX #380A8A

RGB 56 10 138

HSL 261.56, 0.86%, 0.29%

LAB 19.61, 49.15, -59.87

 

CMYK 54 / 82 / 0 / 38

HEX #491C9D

RGB 73 28 157

HSL 260.93, 0.7%, 0.36%

LAB 25.81, 49.78, -61.33

 

CMYK 49 / 74 / 0 / 31

HEX #5A2EB0

RGB 90 46 176

HSL 260.31, 0.59%, 0.44%

LAB 32.4, 49.21, -61.9

 

CMYK 45 / 67 / 0 / 24

HEX #6B40C3

RGB 107 64 195

HSL 259.69, 0.52%, 0.51%

LAB 39.13, 48.17, -62.05

 

CMYK 42 / 62 / 0 / 16

HEX #7C52D6

RGB 124 82 214

HSL 259.09, 0.62%, 0.58%

LAB 45.87, 46.98, -61.99

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 73 / 100 / 0 / 51

HEX #22007C

RGB 34 0 124

HSL 256.45, 1%, 0.24%

LAB 14.37, 47.21, -59.76

 

CMYK 84 / 100 / 0 / 59

HEX #110069

RGB 17 0 105

HSL 249.71, 1%, 0.21%

LAB 10.1, 41.57, -54.58

 

CMYK 100 / 100 / 0 / 66

HEX #000056

RGB 0 0 86

HSL 240, 1%, 0.17%

LAB 6.07, 35.11, -48.57

 

CMYK 100 / 100 / 0 / 74

HEX #000043

RGB 0 0 67

HSL 240, 1%, 0.13%

LAB 3.66, 25.29, -39.29

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 50 / 94 / 0 / 44

HEX #48098F

RGB 72 9 143

HSL 268.21, 0.88%, 0.3%

LAB 22.15, 52.19, -58.73

 

CMYK 34 / 94 / 0 / 44

HEX #5E098F

RGB 94 9 143

HSL 278.06, 0.88%, 0.3%

LAB 25.44, 54.82, -53.2

 

CMYK 19 / 94 / 0 / 44

HEX #74098F

RGB 116 9 143

HSL 287.91, 0.88%, 0.3%

LAB 29.14, 58.06, -47.01

 

CMYK 3 / 94 / 0 / 44

HEX #8A098F

RGB 138 9 143

HSL 297.76, 0.88%, 0.3%

LAB 33.1, 61.77, -40.43

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 64 / 93 / 0 / 24

HEX #450EC2

RGB 69 14 194

HSL 258.33, 0.87%, 0.41%

LAB 28.05, 63.39, -79.83

 

CMYK 64 / 93 / 0 / 4

HEX #5711F5

RGB 87 17 245

HSL 258.42, 0.92%, 0.51%

LAB 36.02, 76.17, -95.92

 

CMYK 63 / 93 / 0 / 84

HEX #0F0329

RGB 15 3 41

HSL 258.95, 0.86%, 0.09%

LAB 2.95, 13.08, -21.19

 

CMYK 64 / 93 / 0 / 64

HEX #21065C

RGB 33 6 92

HSL 258.84, 0.88%, 0.19%

LAB 10.75, 35.82, -44.78

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 0 / 94 / 47 / 44

HEX #8F094C

RGB 143 9 76

HSL 330, 0.88%, 0.3%

LAB 30.78, 54.2, -1.09

 

CMYK 84 / 0 / 94 / 44

HEX #178F09

RGB 23 143 9

HSL 113.73, 0.88%, 0.3%

LAB 51.66, -53.85, 52.77

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 0 / 66 / 94 / 44

HEX #8F3109

RGB 143 49 9

HSL 17.91, 0.88%, 0.3%

LAB 34.1, 38.16, 42.42

 

CMYK 94 / 0 / 66 / 44

HEX #098F31

RGB 9 143 49

HSL 137.91, 0.88%, 0.3%

LAB 51.75, -52.2, 39.88

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 0 / 94 / 47 / 44

HEX #8F094C

RGB 143 9 76

HSL 330, 0.88%, 0.3%

LAB 30.78, 54.2, -1.09

 

CMYK 28 / 0 / 94 / 44

HEX #678F09

RGB 103 143 9

HSL 77.91, 0.88%, 0.3%

LAB 54.6, -31.36, 56.4

 

CMYK 94 / 0 / 47 / 44

HEX #098F4C

RGB 9 143 76

HSL 150, 0.88%, 0.3%

LAB 52.09, -48.07, 26.72

 

CMYK 64 / 93 / 0 / 44

HEX #330A8F

RGB 51 10 143

HSL 258.5, 0.87%, 0.3%

LAB 19.66, 50.06, -62.94

 

CMYK 0 / 94 / 75 / 44

HEX #8F0924

RGB 143 9 36

HSL 347.91, 0.88%, 0.3%

LAB 29.82, 51.54, 24.2

 

CMYK 28 / 0 / 94 / 44

HEX #678F09

RGB 103 143 9

HSL 77.91, 0.88%, 0.3%

LAB 54.6, -31.36, 56.4

 

CMYK 94 / 0 / 19 / 44

HEX #098F74

RGB 9 143 116

HSL 167.91, 0.88%, 0.3%

LAB 52.91, -38.83, 5.35

 

Description

Color code: RGB 51 10 143 | qconv.com Color code: RGB 51 10 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 10 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 10 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 93 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 93% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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