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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 176 198 it is the complementary color RGB 205 79 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 176 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 50 176 198: RGB 55 176 193, RGB 72 194 212, RGB 89 212 231, RGB 106 230 250 and RGB 123 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 176 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 50 176 198: RGB 50 176 198, RGB 33 158 179, RGB 16 140 160, RGB 0 122 141 and RGB 0 104 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

Complementary color

CMYK 0 / 61 / 72 / 20

HEX #CD4F39

RGB 205 79 57

HSL 8.92, 0.6%, 0.51%

LAB 50.53, 48.72, 38.6

 

CMYK 72 / 9 / 0 / 24

HEX #37B0C1

RGB 55 176 193

HSL 187.39, 0.56%, 0.49%

LAB 66.3, -27.17, -18.28

 

CMYK 66 / 8 / 0 / 17

HEX #48C2D4

RGB 72 194 212

HSL 187.71, 0.62%, 0.56%

LAB 72.7, -27.94, -18.96

 

CMYK 61 / 8 / 0 / 9

HEX #59D4E7

RGB 89 212 231

HSL 188.03, 0.75%, 0.63%

LAB 79.03, -28.51, -19.58

 

CMYK 58 / 8 / 0 / 2

HEX #6AE6FA

RGB 106 230 250

HSL 188.33, 0.94%, 0.7%

LAB 85.28, -28.94, -20.16

 

CMYK 52 / 3 / 0 / 0

HEX #7BF8FF

RGB 123 248 255

HSL 183.18, 1%, 0.74%

LAB 91.04, -32.96, -14.06

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 82 / 12 / 0 / 30

HEX #219EB3

RGB 33 158 179

HSL 188.63, 0.69%, 0.42%

LAB 59.92, -25, -20.21

 

CMYK 90 / 13 / 0 / 37

HEX #108CA0

RGB 16 140 160

HSL 188.33, 0.82%, 0.35%

LAB 53.39, -23.38, -19.36

 

CMYK 100 / 13 / 0 / 45

HEX #007A8D

RGB 0 122 141

HSL 188.09, 1%, 0.28%

LAB 46.77, -21.35, -18.41

 

CMYK 100 / 15 / 0 / 52

HEX #00687A

RGB 0 104 122

HSL 188.85, 1%, 0.24%

LAB 40.09, -18.5, -17.26

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 75 / 23 / 0 / 22

HEX #319AC7

RGB 49 154 199

HSL 198, 0.6%, 0.49%

LAB 59.79, -14.5, -31.64

 

CMYK 75 / 35 / 0 / 22

HEX #3181C7

RGB 49 129 199

HSL 208, 0.6%, 0.49%

LAB 52.37, -0.19, -43.27

 

CMYK 75 / 48 / 0 / 22

HEX #3168C7

RGB 49 104 199

HSL 218, 0.6%, 0.49%

LAB 45.19, 15.32, -54.74

 

CMYK 75 / 60 / 0 / 22

HEX #314FC7

RGB 49 79 199

HSL 228, 0.6%, 0.49%

LAB 38.5, 31.48, -65.59

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 75 / 11 / 0 / 2

HEX #3FDDF9

RGB 63 221 249

HSL 189.03, 0.94%, 0.61%

LAB 81.63, -31.09, -25.28

 

CMYK 76 / 11 / 0 / 82

HEX #0B282D

RGB 11 40 45

HSL 188.82, 0.61%, 0.11%

LAB 14.28, -8.81, -6.5

 

CMYK 75 / 11 / 0 / 62

HEX #185560

RGB 24 85 96

HSL 189.17, 0.6%, 0.24%

LAB 33, -15.06, -11.99

 

CMYK 75 / 11 / 0 / 42

HEX #258393

RGB 37 131 147

HSL 188.73, 0.6%, 0.36%

LAB 50.37, -21.12, -16.39

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 50 / 75 / 0 / 22

HEX #6331C7

RGB 99 49 199

HSL 260, 0.6%, 0.49%

LAB 35.93, 55.38, -69.64

 

CMYK 0 / 20 / 75 / 22

HEX #C79F31

RGB 199 159 49

HSL 44, 0.6%, 0.49%

LAB 67.4, 3.98, 59.49

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 0 / 75 / 10 / 22

HEX #C731B3

RGB 199 49 179

HSL 308, 0.6%, 0.49%

LAB 49, 70.5, -36.15

 

CMYK 10 / 0 / 75 / 22

HEX #B3C731

RGB 179 199 49

HSL 68, 0.6%, 0.49%

LAB 76.47, -25.23, 67.43

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 50 / 75 / 0 / 22

HEX #6331C7

RGB 99 49 199

HSL 260, 0.6%, 0.49%

LAB 35.93, 55.38, -69.64

 

CMYK 0 / 65 / 75 / 22

HEX #C74531

RGB 199 69 49

HSL 8, 0.6%, 0.49%

LAB 47.78, 50.65, 39.65

 

CMYK 25 / 0 / 75 / 22

HEX #95C731

RGB 149 199 49

HSL 80, 0.6%, 0.49%

LAB 74.48, -37.27, 64.85

 

CMYK 75 / 11 / 0 / 22

HEX #32B0C6

RGB 50 176 198

HSL 188.92, 0.6%, 0.49%

LAB 66.37, -26.23, -20.95

 

CMYK 28 / 75 / 0 / 22

HEX #9031C7

RGB 144 49 199

HSL 278, 0.6%, 0.49%

LAB 41.61, 62.85, -60.14

 

CMYK 0 / 65 / 75 / 22

HEX #C74531

RGB 199 69 49

HSL 8, 0.6%, 0.49%

LAB 47.78, 50.65, 39.65

 

CMYK 48 / 0 / 75 / 22

HEX #68C731

RGB 104 199 49

HSL 98, 0.6%, 0.49%

LAB 72.24, -52.92, 61.91

 

Description

Color code: RGB 50 176 198 | qconv.com Color code: RGB 50 176 198 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 176 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 176 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 11 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 11% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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