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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 80 119 it is the complementary color RGB 206 175 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 80 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 49 80 119: RGB 54 80 114, RGB 71 98 133, RGB 88 116 152, RGB 105 134 171 and RGB 122 152 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 80 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 49 80 119: RGB 49 80 119, RGB 32 62 100, RGB 15 44 81, RGB 0 26 62 and RGB 0 8 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

Complementary color

CMYK 0 / 15 / 34 / 19

HEX #CEAF88

RGB 206 175 136

HSL 33.43, 0.42%, 0.67%

LAB 73.26, 5.62, 24.18

 

CMYK 53 / 30 / 0 / 55

HEX #365072

RGB 54 80 114

HSL 214, 0.36%, 0.33%

LAB 33.43, 0.71, -22.52

 

CMYK 47 / 26 / 0 / 48

HEX #476285

RGB 71 98 133

HSL 213.87, 0.3%, 0.4%

LAB 40.85, 0.1, -22.59

 

CMYK 42 / 24 / 0 / 40

HEX #587498

RGB 88 116 152

HSL 213.75, 0.27%, 0.47%

LAB 48.05, -0.35, -22.7

 

CMYK 39 / 22 / 0 / 33

HEX #6986AB

RGB 105 134 171

HSL 213.64, 0.28%, 0.54%

LAB 55.07, -0.72, -22.86

 

CMYK 36 / 20 / 0 / 25

HEX #7A98BE

RGB 122 152 190

HSL 213.53, 0.34%, 0.61%

LAB 61.92, -1.02, -23.04

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 68 / 38 / 0 / 61

HEX #203E64

RGB 32 62 100

HSL 213.53, 0.52%, 0.26%

LAB 25.78, 2.37, -25.72

 

CMYK 81 / 46 / 0 / 68

HEX #0F2C51

RGB 15 44 81

HSL 213.64, 0.69%, 0.19%

LAB 17.91, 4.18, -25.76

 

CMYK 100 / 58 / 0 / 76

HEX #001A3E

RGB 0 26 62

HSL 214.84, 1%, 0.12%

LAB 9.69, 6.93, -25.87

 

CMYK 100 / 81 / 0 / 83

HEX #00082B

RGB 0 8 43

HSL 228.84, 1%, 0.08%

LAB 3.14, 7.87, -22.48

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 60 / 43 / 0 / 53

HEX #304477

RGB 48 68 119

HSL 223.1, 0.43%, 0.33%

LAB 29.65, 8.91, -31.63

 

CMYK 60 / 52 / 0 / 53

HEX #303977

RGB 48 57 119

HSL 232.39, 0.43%, 0.33%

LAB 26.41, 16.42, -36.81

 

CMYK 56 / 60 / 0 / 53

HEX #343077

RGB 52 48 119

HSL 243.38, 0.43%, 0.33%

LAB 24.24, 23.41, -40.28

 

CMYK 46 / 60 / 0 / 53

HEX #403077

RGB 64 48 119

HSL 253.52, 0.43%, 0.33%

LAB 25.37, 26.17, -38.41

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 59 / 33 / 0 / 33

HEX #4672AA

RGB 70 114 170

HSL 213.6, 0.42%, 0.47%

LAB 47.29, 2.13, -34.52

 

CMYK 59 / 33 / 0 / 13

HEX #5B95DD

RGB 91 149 221

HSL 213.23, 0.66%, 0.61%

LAB 60.73, 2.41, -42.36

 

CMYK 59 / 35 / 0 / 93

HEX #070B11

RGB 7 11 17

HSL 216, 0.42%, 0.05%

LAB 2.94, -0.02, -3.19

 

CMYK 59 / 32 / 0 / 73

HEX #1C2E44

RGB 28 46 68

HSL 213, 0.42%, 0.19%

LAB 18.45, 0.21, -16.05

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 15 / 60 / 0 / 53

HEX #653077

RGB 101 48 119

HSL 284.79, 0.43%, 0.33%

LAB 29.94, 36.06, -30.83

 

CMYK 9 / 0 / 60 / 53

HEX #6C7730

RGB 108 119 48

HSL 69.3, 0.43%, 0.33%

LAB 47.75, -15.09, 36.89

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 0 / 60 / 33 / 53

HEX #773050

RGB 119 48 80

HSL 332.96, 0.43%, 0.33%

LAB 30.91, 34.71, -4.03

 

CMYK 33 / 0 / 60 / 53

HEX #507730

RGB 80 119 48

HSL 92.96, 0.43%, 0.33%

LAB 45.79, -26.88, 34.14

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 15 / 60 / 0 / 53

HEX #653077

RGB 101 48 119

HSL 284.79, 0.43%, 0.33%

LAB 29.94, 36.06, -30.83

 

CMYK 0 / 27 / 60 / 53

HEX #775730

RGB 119 87 48

HSL 32.96, 0.43%, 0.33%

LAB 39.5, 8.43, 27.57

 

CMYK 45 / 0 / 60 / 53

HEX #427730

RGB 66 119 48

HSL 104.79, 0.43%, 0.33%

LAB 45.03, -32.04, 33.07

 

CMYK 59 / 33 / 0 / 53

HEX #315077

RGB 49 80 119

HSL 213.43, 0.42%, 0.33%

LAB 33.4, 1.21, -25.7

 

CMYK 0 / 60 / 3 / 53

HEX #773073

RGB 119 48 115

HSL 303.38, 0.43%, 0.33%

LAB 32.42, 40.43, -24.22

 

CMYK 0 / 27 / 60 / 53

HEX #775730

RGB 119 87 48

HSL 32.96, 0.43%, 0.33%

LAB 39.5, 8.43, 27.57

 

CMYK 60 / 0 / 56 / 53

HEX #307734

RGB 48 119 52

HSL 123.38, 0.43%, 0.33%

LAB 44.33, -37.03, 30

 

Description

Color code: RGB 49 80 119 | qconv.com Color code: RGB 49 80 119 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 80 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 80 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 33 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 33% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - National Archives an...
Link: http://www.archives.gov

19% - Welcome
Link: http://lbcreno4christ.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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