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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 77 161 it is the complementary color RGB 206 178 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 77 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 49 77 161: RGB 54 77 156, RGB 71 95 175, RGB 88 113 194, RGB 105 131 213 and RGB 122 149 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 77 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 49 77 161: RGB 49 77 161, RGB 32 59 142, RGB 15 41 123, RGB 0 23 104 and RGB 0 5 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

Complementary color

CMYK 0 / 14 / 54 / 19

HEX #CEB25E

RGB 206 178 94

HSL 45, 0.53%, 0.59%

LAB 73.4, -0.32, 46.15

 

CMYK 65 / 51 / 0 / 39

HEX #364D9C

RGB 54 77 156

HSL 226.47, 0.49%, 0.41%

LAB 34.99, 17.64, -45.83

 

CMYK 59 / 46 / 0 / 31

HEX #475FAF

RGB 71 95 175

HSL 226.15, 0.42%, 0.48%

LAB 42.18, 15.93, -45.54

 

CMYK 55 / 42 / 0 / 24

HEX #5871C2

RGB 88 113 194

HSL 225.85, 0.46%, 0.55%

LAB 49.23, 14.58, -45.29

 

CMYK 51 / 38 / 0 / 16

HEX #6983D5

RGB 105 131 213

HSL 225.56, 0.56%, 0.62%

LAB 56.13, 13.48, -45.09

 

CMYK 47 / 36 / 0 / 9

HEX #7A95E8

RGB 122 149 232

HSL 225.27, 0.71%, 0.69%

LAB 62.89, 12.57, -44.94

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 77 / 58 / 0 / 44

HEX #203B8E

RGB 32 59 142

HSL 225.27, 0.63%, 0.34%

LAB 27.81, 21.15, -48.95

 

CMYK 88 / 67 / 0 / 52

HEX #0F297B

RGB 15 41 123

HSL 225.56, 0.78%, 0.27%

LAB 20.51, 24.39, -49.01

 

CMYK 100 / 78 / 0 / 59

HEX #001768

RGB 0 23 104

HSL 226.73, 1%, 0.2%

LAB 13.3, 28.2, -48.61

 

CMYK 100 / 94 / 0 / 67

HEX #000555

RGB 0 5 85

HSL 236.47, 1%, 0.17%

LAB 6.9, 31.88, -46.49

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 69 / 64 / 0 / 38

HEX #313A9F

RGB 49 58 159

HSL 235.09, 0.53%, 0.41%

LAB 29.87, 30.51, -55.96

 

CMYK 64 / 69 / 0 / 38

HEX #3A319F

RGB 58 49 159

HSL 244.91, 0.53%, 0.41%

LAB 28.38, 37.46, -58.37

 

CMYK 52 / 69 / 0 / 38

HEX #4C319F

RGB 76 49 159

HSL 254.73, 0.53%, 0.41%

LAB 30, 40.38, -55.65

 

CMYK 40 / 69 / 0 / 38

HEX #5F319F

RGB 95 49 159

HSL 265.09, 0.53%, 0.41%

LAB 32.11, 44, -52.13

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 69 / 52 / 0 / 17

HEX #4165D4

RGB 65 101 212

HSL 225.31, 0.63%, 0.54%

LAB 45.89, 24.15, -61.04

 

CMYK 75 / 50 / 0 / 97

HEX #020408

RGB 2 4 8

HSL 220, 0.6%, 0.02%

LAB 1.06, 0.03, -1.7

 

CMYK 69 / 53 / 0 / 77

HEX #121C3B

RGB 18 28 59

HSL 225.37, 0.53%, 0.15%

LAB 11.1, 7.32, -21.42

 

CMYK 70 / 52 / 0 / 57

HEX #21356E

RGB 33 53 110

HSL 224.42, 0.54%, 0.28%

LAB 23.66, 12.78, -35.55

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 3 / 69 / 0 / 38

HEX #9A319F

RGB 154 49 159

HSL 297.27, 0.53%, 0.41%

LAB 40.52, 57.1, -38.16

 

CMYK 24 / 0 / 69 / 38

HEX #799F31

RGB 121 159 49

HSL 80.73, 0.53%, 0.41%

LAB 60.85, -29.78, 50.81

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 0 / 69 / 52 / 38

HEX #9F314C

RGB 159 49 76

HSL 345.27, 0.53%, 0.41%

LAB 38, 47.28, 9.67

 

CMYK 52 / 0 / 69 / 38

HEX #4C9F31

RGB 76 159 49

HSL 105.27, 0.53%, 0.41%

LAB 58.56, -45.69, 47.71

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 3 / 69 / 0 / 38

HEX #9A319F

RGB 154 49 159

HSL 297.27, 0.53%, 0.41%

LAB 40.52, 57.1, -38.16

 

CMYK 0 / 17 / 69 / 38

HEX #9F8431

RGB 159 132 49

HSL 45.27, 0.53%, 0.41%

LAB 56.18, 0.91, 46.94

 

CMYK 66 / 0 / 69 / 38

HEX #369F31

RGB 54 159 49

HSL 117.27, 0.53%, 0.41%

LAB 57.85, -51.31, 46.74

 

CMYK 70 / 52 / 0 / 37

HEX #314DA1

RGB 49 77 161

HSL 225, 0.53%, 0.41%

LAB 35.07, 18.66, -48.71

 

CMYK 0 / 69 / 17 / 38

HEX #9F3184

RGB 159 49 132

HSL 314.73, 0.53%, 0.41%

LAB 39.97, 53.95, -22.55

 

CMYK 0 / 17 / 69 / 38

HEX #9F8431

RGB 159 132 49

HSL 45.27, 0.53%, 0.41%

LAB 56.18, 0.91, 46.94

 

CMYK 69 / 0 / 52 / 38

HEX #319F4C

RGB 49 159 76

HSL 134.73, 0.53%, 0.41%

LAB 58.01, -48.99, 34.28

 

Description

Color code: RGB 49 77 161 | qconv.com Color code: RGB 49 77 161 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 77 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 77 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 52 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 52% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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