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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 206 138 it is the complementary color RGB 206 49 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 206 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 49 206 138: RGB 54 206 133, RGB 71 224 152, RGB 88 242 171, RGB 105 255 190 and RGB 122 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 206 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 49 206 138: RGB 49 206 138, RGB 32 188 119, RGB 15 170 100, RGB 0 152 81 and RGB 0 134 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

Complementary color

CMYK 0 / 76 / 43 / 19

HEX #CE3175

RGB 206 49 117

HSL 334.01, 0.62%, 0.5%

LAB 47.76, 64.72, -0.78

 

CMYK 74 / 0 / 35 / 19

HEX #36CE85

RGB 54 206 133

HSL 151.18, 0.61%, 0.51%

LAB 73.95, -55.7, 25.34

 

CMYK 68 / 0 / 32 / 12

HEX #47E098

RGB 71 224 152

HSL 151.76, 0.71%, 0.58%

LAB 80.13, -56.25, 23.89

 

CMYK 64 / 0 / 29 / 5

HEX #58F2AB

RGB 88 242 171

HSL 152.34, 0.86%, 0.65%

LAB 86.27, -56.58, 22.56

 

CMYK 59 / 0 / 25 / 0

HEX #69FFBE

RGB 105 255 190

HSL 154, 1%, 0.71%

LAB 90.89, -54.75, 19.3

 

CMYK 52 / 0 / 18 / 0

HEX #7AFFD1

RGB 122 255 209

HSL 159.25, 1%, 0.74%

LAB 91.8, -47.26, 10.9

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 83 / 0 / 37 / 26

HEX #20BC77

RGB 32 188 119

HSL 153.46, 0.71%, 0.43%

LAB 67.73, -54.33, 24.3

 

CMYK 91 / 0 / 41 / 33

HEX #0FAA64

RGB 15 170 100

HSL 152.9, 0.84%, 0.36%

LAB 61.46, -52.86, 26.03

 

CMYK 100 / 0 / 47 / 40

HEX #009851

RGB 0 152 81

HSL 151.97, 1%, 0.3%

LAB 55.12, -50.86, 27.92

 

CMYK 100 / 0 / 54 / 47

HEX #00863E

RGB 0 134 62

HSL 147.76, 1%, 0.26%

LAB 48.76, -47.95, 29.96

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 77 / 0 / 20 / 19

HEX #30CEA4

RGB 48 206 164

HSL 164.05, 0.62%, 0.5%

LAB 74.48, -49.59, 9.6

 

CMYK 77 / 0 / 8 / 19

HEX #30CEBE

RGB 48 206 190

HSL 173.92, 0.62%, 0.5%

LAB 75.13, -42.87, -3.46

 

CMYK 77 / 5 / 0 / 19

HEX #30C4CE

RGB 48 196 206

HSL 183.8, 0.62%, 0.5%

LAB 72.6, -33.72, -15.9

 

CMYK 77 / 18 / 0 / 19

HEX #30A9CE

RGB 48 169 206

HSL 194.05, 0.62%, 0.5%

LAB 64.53, -20.28, -28.21

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 100 / 0 / 50 / 99

HEX #000201

RGB 0 2 1

HSL 150, 1%, 0%

LAB 0.41, -0.66, 0.19

 

CMYK 75 / 0 / 32 / 79

HEX #0D3524

RGB 13 53 36

HSL 154.5, 0.61%, 0.13%

LAB 19.05, -18.87, 6.72

 

CMYK 76 / 0 / 33 / 59

HEX #196846

RGB 25 104 70

HSL 154.18, 0.61%, 0.25%

LAB 38.81, -32.24, 12.55

 

CMYK 76 / 0 / 33 / 39

HEX #259B68

RGB 37 155 104

HSL 154.07, 0.61%, 0.38%

LAB 56.91, -44.19, 17.81

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 77 / 59 / 0 / 19

HEX #3055CE

RGB 48 85 206

HSL 225.95, 0.62%, 0.5%

LAB 40.54, 30.08, -66.3

 

CMYK 0 / 64 / 77 / 19

HEX #CE4A30

RGB 206 74 48

HSL 9.87, 0.62%, 0.5%

LAB 49.78, 50.89, 42.67

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 33 / 77 / 0 / 19

HEX #8A30CE

RGB 138 48 206

HSL 274.18, 0.62%, 0.5%

LAB 41.17, 63.68, -64.94

 

CMYK 0 / 33 / 77 / 19

HEX #CE8A30

RGB 206 138 48

HSL 34.18, 0.62%, 0.5%

LAB 62.94, 18.39, 55.86

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 77 / 59 / 0 / 19

HEX #3055CE

RGB 48 85 206

HSL 225.95, 0.62%, 0.5%

LAB 40.54, 30.08, -66.3

 

CMYK 0 / 77 / 44 / 19

HEX #CE3074

RGB 206 48 116

HSL 334.18, 0.62%, 0.5%

LAB 47.62, 64.93, -0.37

 

CMYK 0 / 18 / 77 / 19

HEX #CEA930

RGB 206 169 48

HSL 45.95, 0.62%, 0.5%

LAB 70.67, 1.66, 63.19

 

CMYK 76 / 0 / 33 / 19

HEX #31CE8A

RGB 49 206 138

HSL 154.01, 0.62%, 0.5%

LAB 73.95, -55.33, 22.71

 

CMYK 72 / 77 / 0 / 19

HEX #3A30CE

RGB 58 48 206

HSL 243.8, 0.62%, 0.5%

LAB 32.85, 53.12, -78.91

 

CMYK 0 / 77 / 44 / 19

HEX #CE3074

RGB 206 48 116

HSL 334.18, 0.62%, 0.5%

LAB 47.62, 64.93, -0.37

 

CMYK 5 / 0 / 77 / 19

HEX #C4CE30

RGB 196 206 48

HSL 63.8, 0.62%, 0.5%

LAB 79.67, -21.59, 71.14

 

Description

Color code: RGB 49 206 138 | qconv.com Color code: RGB 49 206 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 206 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 206 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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