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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 155 131 it is the complementary color RGB 206 100 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 155 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 49 155 131: RGB 54 155 126, RGB 71 173 145, RGB 88 191 164, RGB 105 209 183 and RGB 122 227 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 155 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 49 155 131: RGB 49 155 131, RGB 32 137 112, RGB 15 119 93, RGB 0 101 74 and RGB 0 83 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

Complementary color

CMYK 0 / 51 / 40 / 19

HEX #CE647C

RGB 206 100 124

HSL 346.42, 0.52%, 0.6%

LAB 55.78, 44.32, 6.63

 

CMYK 65 / 0 / 19 / 39

HEX #369B7E

RGB 54 155 126

HSL 162.77, 0.48%, 0.41%

LAB 57.78, -36.27, 6.72

 

CMYK 59 / 0 / 16 / 32

HEX #47AD91

RGB 71 173 145

HSL 163.53, 0.42%, 0.48%

LAB 64.38, -36.46, 5.59

 

CMYK 54 / 0 / 14 / 25

HEX #58BFA4

RGB 88 191 164

HSL 164.27, 0.45%, 0.55%

LAB 70.88, -36.51, 4.57

 

CMYK 50 / 0 / 12 / 18

HEX #69D1B7

RGB 105 209 183

HSL 165, 0.53%, 0.62%

LAB 77.29, -36.48, 3.64

 

CMYK 46 / 0 / 11 / 11

HEX #7AE3CA

RGB 122 227 202

HSL 165.71, 0.65%, 0.68%

LAB 83.62, -36.39, 2.78

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 77 / 0 / 18 / 46

HEX #208970

RGB 32 137 112

HSL 165.71, 0.62%, 0.33%

LAB 51.12, -35.25, 5.12

 

CMYK 87 / 0 / 22 / 53

HEX #0F775D

RGB 15 119 93

HSL 165, 0.78%, 0.26%

LAB 44.36, -34.22, 6.57

 

CMYK 100 / 0 / 27 / 60

HEX #00654A

RGB 0 101 74

HSL 163.96, 1%, 0.2%

LAB 37.48, -32.68, 8.24

 

CMYK 100 / 0 / 34 / 67

HEX #005337

RGB 0 83 55

HSL 159.76, 1%, 0.16%

LAB 30.55, -29.94, 10.29

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 69 / 0 / 5 / 39

HEX #309B93

RGB 48 155 147

HSL 175.51, 0.53%, 0.4%

LAB 58.21, -31.62, -4.61

 

CMYK 69 / 7 / 0 / 39

HEX #30909B

RGB 48 144 155

HSL 186.17, 0.53%, 0.4%

LAB 55.01, -23.77, -13.96

 

CMYK 69 / 19 / 0 / 39

HEX #307E9B

RGB 48 126 155

HSL 196.26, 0.53%, 0.4%

LAB 49.39, -14.12, -22.54

 

CMYK 69 / 30 / 0 / 39

HEX #306D9B

RGB 48 109 155

HSL 205.79, 0.53%, 0.4%

LAB 44.14, -4.23, -30.71

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 68 / 0 / 16 / 19

HEX #41CEAE

RGB 65 206 174

HSL 166.38, 0.59%, 0.53%

LAB 75.03, -44.92, 5.06

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 68 / 0 / 15 / 79

HEX #11352D

RGB 17 53 45

HSL 166.67, 0.51%, 0.14%

LAB 19.45, -15.29, 1.2

 

CMYK 68 / 0 / 15 / 59

HEX #216858

RGB 33 104 88

HSL 166.48, 0.52%, 0.27%

LAB 39.46, -26.14, 2.6

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 69 / 66 / 0 / 39

HEX #30349B

RGB 48 52 155

HSL 237.76, 0.53%, 0.4%

LAB 27.98, 32.81, -56.61

 

CMYK 0 / 44 / 69 / 39

HEX #9B5730

RGB 155 87 48

HSL 21.87, 0.53%, 0.4%

LAB 44.23, 24.61, 34.3

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 16 / 69 / 0 / 39

HEX #82309B

RGB 130 48 155

HSL 285.98, 0.53%, 0.4%

LAB 36.42, 51.17, -42.51

 

CMYK 0 / 16 / 69 / 39

HEX #9B8230

RGB 155 130 48

HSL 45.98, 0.53%, 0.4%

LAB 55.22, 0.15, 46.26

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 69 / 66 / 0 / 39

HEX #30349B

RGB 48 52 155

HSL 237.76, 0.53%, 0.4%

LAB 27.98, 32.81, -56.61

 

CMYK 0 / 69 / 53 / 39

HEX #9B3049

RGB 155 48 73

HSL 345.98, 0.53%, 0.4%

LAB 37.05, 46.14, 10.15

 

CMYK 0 / 3 / 69 / 39

HEX #9B9730

RGB 155 151 48

HSL 57.76, 0.53%, 0.4%

LAB 61.06, -11.29, 52.24

 

CMYK 68 / 0 / 15 / 39

HEX #319B83

RGB 49 155 131

HSL 166.42, 0.52%, 0.4%

LAB 57.78, -35.85, 3.87

 

CMYK 50 / 69 / 0 / 39

HEX #4D309B

RGB 77 48 155

HSL 256.26, 0.53%, 0.4%

LAB 29.56, 39.93, -53.94

 

CMYK 0 / 69 / 53 / 39

HEX #9B3049

RGB 155 48 73

HSL 345.98, 0.53%, 0.4%

LAB 37.05, 46.14, 10.15

 

CMYK 19 / 0 / 69 / 39

HEX #7E9B30

RGB 126 155 48

HSL 76.26, 0.53%, 0.4%

LAB 59.97, -25.87, 50.41

 

Description

Color code: RGB 49 155 131 | qconv.com Color code: RGB 49 155 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 155 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 155 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 15 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 15% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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