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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 93 91 it is the complementary color RGB 207 162 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 93 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 48 93 91: RGB 53 93 86, RGB 70 111 105, RGB 87 129 124, RGB 104 147 143 and RGB 121 165 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 93 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 48 93 91: RGB 48 93 91, RGB 31 75 72, RGB 14 57 53, RGB 0 39 34 and RGB 0 21 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

Complementary color

CMYK 0 / 22 / 21 / 19

HEX #CFA2A4

RGB 207 162 164

HSL 357.33, 0.32%, 0.72%

LAB 70.72, 16.91, 5.34

 

CMYK 43 / 0 / 8 / 64

HEX #355D56

RGB 53 93 86

HSL 169.5, 0.27%, 0.29%

LAB 36.48, -15.98, -0.41

 

CMYK 37 / 0 / 5 / 56

HEX #466F69

RGB 70 111 105

HSL 171.22, 0.23%, 0.35%

LAB 43.79, -15.82, -1.21

 

CMYK 33 / 0 / 4 / 49

HEX #57817C

RGB 87 129 124

HSL 172.86, 0.19%, 0.42%

LAB 50.9, -15.67, -1.94

 

CMYK 29 / 0 / 3 / 42

HEX #68938F

RGB 104 147 143

HSL 174.42, 0.17%, 0.49%

LAB 57.84, -15.53, -2.62

 

CMYK 27 / 0 / 2 / 35

HEX #79A5A2

RGB 121 165 162

HSL 175.91, 0.2%, 0.56%

LAB 64.63, -15.4, -3.26

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 59 / 0 / 4 / 71

HEX #1F4B48

RGB 31 75 72

HSL 175.91, 0.42%, 0.21%

LAB 28.88, -15.97, -2.84

 

CMYK 75 / 0 / 7 / 78

HEX #0E3935

RGB 14 57 53

HSL 174.42, 0.61%, 0.14%

LAB 21.12, -15.65, -1.82

 

CMYK 100 / 0 / 13 / 85

HEX #002722

RGB 0 39 34

HSL 172.31, 1%, 0.08%

LAB 13.02, -15.03, -0.55

 

CMYK 100 / 0 / 29 / 92

HEX #00150F

RGB 0 21 15

HSL 162.86, 1%, 0.04%

LAB 5.16, -7.71, 1.12

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 49 / 6 / 0 / 63

HEX #30585E

RGB 48 88 94

HSL 187.83, 0.32%, 0.28%

LAB 34.83, -12.27, -7.87

 

CMYK 49 / 14 / 0 / 63

HEX #30515E

RGB 48 81 94

HSL 196.96, 0.32%, 0.28%

LAB 32.53, -8.09, -11.35

 

CMYK 49 / 22 / 0 / 63

HEX #30495E

RGB 48 73 94

HSL 207.39, 0.32%, 0.28%

LAB 29.92, -3.1, -15.35

 

CMYK 49 / 30 / 0 / 63

HEX #30425E

RGB 48 66 94

HSL 216.52, 0.32%, 0.28%

LAB 27.66, 1.46, -18.83

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 49 / 0 / 2 / 44

HEX #4A908D

RGB 74 144 141

HSL 177.43, 0.32%, 0.43%

LAB 55.41, -22.77, -5.23

 

CMYK 48 / 0 / 2 / 24

HEX #65C3BF

RGB 101 195 191

HSL 177.45, 0.44%, 0.58%

LAB 73.26, -28.81, -6.61

 

CMYK 48 / 0 / 2 / 4

HEX #7FF6F1

RGB 127 246 241

HSL 177.48, 0.87%, 0.73%

LAB 90.22, -34.75, -7.98

 

CMYK 48 / 0 / 2 / 84

HEX #162A29

RGB 22 42 41

HSL 177, 0.31%, 0.13%

LAB 15.42, -8.38, -1.9

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 41 / 49 / 0 / 63

HEX #37305E

RGB 55 48 94

HSL 249.13, 0.32%, 0.28%

LAB 22.77, 15.78, -26.48

 

CMYK 0 / 22 / 49 / 63

HEX #5E4930

RGB 94 73 48

HSL 32.61, 0.32%, 0.28%

LAB 32.61, 5.24, 18.34

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 3 / 49 / 0 / 63

HEX #5B305E

RGB 91 48 94

HSL 296.09, 0.32%, 0.28%

LAB 27.15, 27.44, -19.3

 

CMYK 0 / 3 / 49 / 63

HEX #5E5B30

RGB 94 91 48

HSL 56.09, 0.32%, 0.28%

LAB 37.98, -5.69, 25.1

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 41 / 49 / 0 / 63

HEX #37305E

RGB 55 48 94

HSL 249.13, 0.32%, 0.28%

LAB 22.77, 15.78, -26.48

 

CMYK 0 / 49 / 47 / 63

HEX #5E3032

RGB 94 48 50

HSL 357.39, 0.32%, 0.28%

LAB 25.93, 21.05, 8.11

 

CMYK 7 / 0 / 49 / 63

HEX #575E30

RGB 87 94 48

HSL 69.13, 0.32%, 0.28%

LAB 38.28, -10.66, 25.33

 

CMYK 48 / 0 / 2 / 64

HEX #305D5B

RGB 48 93 91

HSL 177.33, 0.32%, 0.28%

LAB 36.39, -16.02, -3.68

 

CMYK 27 / 49 / 0 / 63

HEX #45305E

RGB 69 48 94

HSL 267.39, 0.32%, 0.28%

LAB 24.28, 20.14, -24

 

CMYK 0 / 49 / 47 / 63

HEX #5E3032

RGB 94 48 50

HSL 357.39, 0.32%, 0.28%

LAB 25.93, 21.05, 8.11

 

CMYK 22 / 0 / 49 / 63

HEX #495E30

RGB 73 94 48

HSL 87.39, 0.32%, 0.28%

LAB 37.18, -16.84, 23.73

 

Description

Color code: RGB 48 93 91 | qconv.com Color code: RGB 48 93 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 93 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 93 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 2 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 2% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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