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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 53 152 it is the complementary color RGB 207 202 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 53 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 48 53 152 shade: RGB 53 53 147, RGB 70 71 166, RGB 87 89 185, RGB 104 107 204 and RGB 121 125 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 53 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 48 53 152 shade: RGB 48 53 152, RGB 31 35 133, RGB 14 17 114, RGB 0 0 95 and RGB 0 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 48 53 152 shade: RGB 48 53 151, RGB 71 48 151, RGB 99 48 151, RGB 126 48 151 and RGB 151 48 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 48 53 152 shade: RGB 48 53 151 and RGB 48 48 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 48 53 152 shade matches the following richer shades: RGB 48 53 151, RGB 32 38 167 and RGB 16 24 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 48 53 152 shade: RGB 48 53 151, RGB 64 67 135, RGB 80 82 119, RGB 96 96 103 and RGB 112 111 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 48 53 152 shade: RGB 48 108 151, RGB 48 80 151, RGB 48 53 151, RGB 70 48 151 and RGB 98 48 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 48 53 152 shade: RGB 28 31 88, RGB 38 42 120, RGB 48 53 151, RGB 58 64 183 and RGB 81 87 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 48 53 152 shade: RGB 48 53 152, RGB 151 48 136 and RGB 94 151 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 48 53 152 shade: RGB 48 53 152, RGB 151 48 53 and RGB 53 151 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 48 53 152 shade: RGB 48 53 152, RGB 151 48 136, RGB 151 146 48 and RGB 48 151 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 48 53 152 shade: RGB 48 53 152, RGB 151 48 105, RGB 151 146 48 and RGB 48 151 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 65 / 0 / 40

HEX #303598

RGB 48 53 152

HSL 237.12, 0.52%, 0.39%

LAB 27.96, 31.1, -54.82

 

Complementary color

CMYK 0 / 2 / 50 / 19

HEX #CFCA67

RGB 207 202 103

HSL 57.12, 0.52%, 0.61%

LAB 79.89, -11.58, 49.52

 

CMYK 64 / 64 / 0 / 42

HEX #353593

RGB 53 53 147

HSL 240, 0.47%, 0.39%

LAB 27.87, 30.09, -51.88

 

CMYK 58 / 57 / 0 / 35

HEX #4647A6

RGB 70 71 166

HSL 239.38, 0.41%, 0.46%

LAB 35.13, 28.08, -51.56

 

CMYK 53 / 52 / 0 / 27

HEX #5759B9

RGB 87 89 185

HSL 238.78, 0.41%, 0.53%

LAB 42.27, 26.41, -51.21

 

CMYK 49 / 48 / 0 / 20

HEX #686BCC

RGB 104 107 204

HSL 238.2, 0.5%, 0.6%

LAB 49.27, 25.01, -50.89

 

CMYK 46 / 44 / 0 / 13

HEX #797DDF

RGB 121 125 223

HSL 237.65, 0.61%, 0.67%

LAB 56.15, 23.83, -50.61

 

CMYK 68 / 65 / 0 / 40

HEX #303598

RGB 48 53 152

HSL 237.12, 0.52%, 0.39%

LAB 27.96, 31.1, -54.82

 

CMYK 77 / 74 / 0 / 48

HEX #1F2385

RGB 31 35 133

HSL 237.65, 0.62%, 0.32%

LAB 20.78, 33.69, -54.87

 

CMYK 88 / 85 / 0 / 55

HEX #0E1172

RGB 14 17 114

HSL 238.2, 0.78%, 0.25%

LAB 13.88, 36.26, -54.17

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 53 / 68 / 0 / 41

HEX #473097

RGB 71 48 151

HSL 253.4, 0.52%, 0.39%

LAB 28.61, 37.63, -53.07

 

CMYK 34 / 68 / 0 / 41

HEX #633097

RGB 99 48 151

HSL 269.71, 0.52%, 0.39%

LAB 31.81, 43.28, -47.72

 

CMYK 17 / 68 / 0 / 41

HEX #7E3097

RGB 126 48 151

HSL 285.44, 0.52%, 0.39%

LAB 35.56, 49.41, -41.48

 

CMYK 0 / 68 / 2 / 41

HEX #973094

RGB 151 48 148

HSL 301.75, 0.52%, 0.39%

LAB 39.29, 54.86, -33.49

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 68 / 68 / 0 / 41

HEX #303097

RGB 48 48 151

HSL 240, 0.52%, 0.39%

LAB 26.67, 33.94, -56.32

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 81 / 77 / 0 / 35

HEX #2026A7

RGB 32 38 167

HSL 237.33, 0.68%, 0.39%

LAB 25.21, 43.88, -68.5

 

CMYK 91 / 87 / 0 / 28

HEX #1018B7

RGB 16 24 183

HSL 237.13, 0.84%, 0.39%

LAB 24.27, 55.08, -79.69

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 53 / 50 / 0 / 47

HEX #404387

RGB 64 67 135

HSL 237.46, 0.36%, 0.39%

LAB 31.47, 18.93, -38.62

 

CMYK 33 / 31 / 0 / 53

HEX #505277

RGB 80 82 119

HSL 236.92, 0.2%, 0.39%

LAB 36.12, 8.63, -21.29

 

CMYK 7 / 7 / 0 / 60

HEX #606067

RGB 96 96 103

HSL 240, 0.04%, 0.39%

LAB 40.95, 1.51, -3.98

 

CMYK 0 / 1 / 22 / 56

HEX #706F57

RGB 112 111 87

HSL 57.6, 0.13%, 0.39%

LAB 46.31, -3.99, 13.54

 

CMYK 68 / 28 / 0 / 41

HEX #306C97

RGB 48 108 151

HSL 205.05, 0.52%, 0.39%

LAB 43.64, -5.06, -29.12

 

CMYK 68 / 47 / 0 / 41

HEX #305097

RGB 48 80 151

HSL 221.36, 0.52%, 0.39%

LAB 35.2, 12.74, -42.48

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 54 / 68 / 0 / 41

HEX #463097

RGB 70 48 151

HSL 252.82, 0.52%, 0.39%

LAB 28.51, 37.45, -53.23

 

CMYK 35 / 68 / 0 / 41

HEX #623097

RGB 98 48 151

HSL 269.13, 0.52%, 0.39%

LAB 31.68, 43.06, -47.94

 

CMYK 68 / 65 / 0 / 65

HEX #1C1F58

RGB 28 31 88

HSL 237, 0.52%, 0.23%

LAB 15.12, 18.98, -34.92

 

CMYK 68 / 65 / 0 / 53

HEX #262A78

RGB 38 42 120

HSL 237.07, 0.52%, 0.31%

LAB 21.67, 25.2, -45.16

 

CMYK 68 / 65 / 0 / 41

HEX #303597

RGB 48 53 151

HSL 237.09, 0.52%, 0.39%

LAB 27.87, 30.74, -54.35

 

CMYK 68 / 65 / 0 / 28

HEX #3A40B7

RGB 58 64 183

HSL 237.12, 0.52%, 0.47%

LAB 33.95, 36.39, -63.62

 

CMYK 60 / 57 / 0 / 22

HEX #5157C8

RGB 81 87 200

HSL 236.97, 0.52%, 0.55%

LAB 42.36, 31.4, -59.8

 

CMYK 68 / 65 / 0 / 40

HEX #303598

RGB 48 53 152

HSL 237.12, 0.52%, 0.39%

LAB 27.96, 31.1, -54.82

 

CMYK 0 / 68 / 10 / 41

HEX #973088

RGB 151 48 136

HSL 308.74, 0.52%, 0.39%

LAB 38.67, 52.86, -27.13

 

CMYK 38 / 0 / 68 / 41

HEX #5E9730

RGB 94 151 48

HSL 93.2, 0.52%, 0.39%

LAB 56.81, -36.51, 46.52

 

CMYK 68 / 65 / 0 / 40

HEX #303598

RGB 48 53 152

HSL 237.12, 0.52%, 0.39%

LAB 27.96, 31.1, -54.82

 

CMYK 0 / 68 / 65 / 41

HEX #973035

RGB 151 48 53

HSL 357.09, 0.52%, 0.39%

LAB 35.89, 43.28, 21.18

 

CMYK 65 / 0 / 68 / 41

HEX #359730

RGB 53 151 48

HSL 117.09, 0.52%, 0.39%

LAB 55.18, -48.74, 44.29

 

CMYK 68 / 65 / 0 / 40

HEX #303598

RGB 48 53 152

HSL 237.12, 0.52%, 0.39%

LAB 27.96, 31.1, -54.82

 

CMYK 0 / 68 / 10 / 41

HEX #973088

RGB 151 48 136

HSL 308.74, 0.52%, 0.39%

LAB 38.67, 52.86, -27.13

 

CMYK 0 / 3 / 68 / 41

HEX #979230

RGB 151 146 48

HSL 57.09, 0.52%, 0.39%

LAB 59.3, -10.41, 50.35

 

CMYK 68 / 0 / 58 / 41

HEX #30973F

RGB 48 151 63

HSL 128.74, 0.52%, 0.39%

LAB 55.2, -48.06, 37.37

 

CMYK 68 / 65 / 0 / 40

HEX #303598

RGB 48 53 152

HSL 237.12, 0.52%, 0.39%

LAB 27.96, 31.1, -54.82

 

CMYK 0 / 68 / 30 / 41

HEX #973069

RGB 151 48 105

HSL 326.8, 0.52%, 0.39%

LAB 37.32, 48.35, -9.91

 

CMYK 0 / 3 / 68 / 41

HEX #979230

RGB 151 146 48

HSL 57.09, 0.52%, 0.39%

LAB 59.3, -10.41, 50.35

 

CMYK 68 / 0 / 38 / 41

HEX #30975E

RGB 48 151 94

HSL 146.8, 0.52%, 0.39%

LAB 55.65, -42.89, 21.68

 

Description

Color code: RGB 48 53 152 | qconv.com Color code: RGB 48 53 152 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 53 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 53 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 65 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 65% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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