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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 255 209 it is the complementary color RGB 207 0 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 255 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 48 255 209: RGB 53 255 204, RGB 70 255 223, RGB 87 255 242, RGB 104 255 255 and RGB 121 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 255 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 48 255 209: RGB 48 255 209, RGB 31 237 190, RGB 14 219 171, RGB 0 201 152 and RGB 0 183 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

Complementary color

CMYK 0 / 100 / 78 / 19

HEX #CF002E

RGB 207 0 46

HSL 346.67, 1%, 0.41%

LAB 43.45, 69.25, 37.14

 

CMYK 79 / 0 / 20 / 0

HEX #35FFCC

RGB 53 255 204

HSL 164.85, 1%, 0.6%

LAB 90.15, -59.04, 10.92

 

CMYK 73 / 0 / 13 / 0

HEX #46FFDF

RGB 70 255 223

HSL 169.62, 1%, 0.64%

LAB 90.85, -52.65, 2.13

 

CMYK 66 / 0 / 5 / 0

HEX #57FFF2

RGB 87 255 242

HSL 175.36, 1%, 0.67%

LAB 91.67, -45.62, -6.48

 

CMYK 59 / 0 / 0 / 0

HEX #68FFFF

RGB 104 255 255

HSL 180, 1%, 0.7%

LAB 92.43, -39.62, -12.03

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 87 / 0 / 20 / 7

HEX #1FEDBE

RGB 31 237 190

HSL 166.31, 0.85%, 0.53%

LAB 84.27, -57.04, 9.76

 

CMYK 94 / 0 / 22 / 14

HEX #0EDBAB

RGB 14 219 171

HSL 165.95, 0.88%, 0.46%

LAB 78.28, -55.46, 11.24

 

CMYK 100 / 0 / 24 / 21

HEX #00C998

RGB 0 201 152

HSL 165.37, 1%, 0.39%

LAB 72.26, -53.55, 12.84

 

CMYK 100 / 0 / 27 / 28

HEX #00B785

RGB 0 183 133

HSL 163.61, 1%, 0.36%

LAB 66.18, -51.16, 14.6

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 82 / 0 / 5 / 0

HEX #2DFFF1

RGB 45 255 241

HSL 176, 1%, 0.59%

LAB 90.98, -50.28, -7.06

 

CMYK 82 / 8 / 0 / 0

HEX #2DEAFF

RGB 45 234 255

HSL 186, 1%, 0.59%

LAB 85.31, -37, -22.86

 

CMYK 82 / 22 / 0 / 0

HEX #2DC7FF

RGB 45 199 255

HSL 196, 1%, 0.59%

LAB 75.22, -19.88, -38.36

 

CMYK 82 / 36 / 0 / 0

HEX #2DA4FF

RGB 45 164 255

HSL 206, 1%, 0.59%

LAB 65.22, -0.79, -54.06

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 80 / 0 / 18 / 80

HEX #0A332A

RGB 10 51 42

HSL 166.83, 0.67%, 0.12%

LAB 18.36, -16.67, 1.64

 

CMYK 81 / 0 / 18 / 60

HEX #136654

RGB 19 102 84

HSL 166.99, 0.69%, 0.24%

LAB 38.34, -28.51, 3.39

 

CMYK 81 / 0 / 18 / 40

HEX #1D997D

RGB 29 153 125

HSL 166.45, 0.68%, 0.36%

LAB 56.61, -39.22, 5.54

 

CMYK 81 / 0 / 18 / 20

HEX #26CCA7

RGB 38 204 167

HSL 166.63, 0.69%, 0.47%

LAB 73.8, -49.03, 7

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 82 / 80 / 0 / 0

HEX #2D34FF

RGB 45 52 255

HSL 238, 1%, 0.59%

LAB 38.26, 65.3, -97.9

 

CMYK 0 / 52 / 82 / 0

HEX #FF7A2D

RGB 255 122 45

HSL 22, 1%, 0.59%

LAB 66.03, 46.43, 62.31

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 19 / 82 / 0 / 0

HEX #CE2DFF

RGB 206 45 255

HSL 286, 1%, 0.59%

LAB 54.26, 85.24, -71.01

 

CMYK 0 / 19 / 82 / 0

HEX #FFCE2D

RGB 255 206 45

HSL 46, 1%, 0.59%

LAB 84.79, 3.32, 78.47

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 82 / 80 / 0 / 0

HEX #2D34FF

RGB 45 52 255

HSL 238, 1%, 0.59%

LAB 38.26, 65.3, -97.9

 

CMYK 0 / 82 / 63 / 0

HEX #FF2D5E

RGB 255 45 94

HSL 346, 1%, 0.59%

LAB 56.03, 76.89, 26.01

 

CMYK 0 / 3 / 82 / 0

HEX #FFF82D

RGB 255 248 45

HSL 58, 1%, 0.59%

LAB 95.41, -17.59, 87.4

 

CMYK 81 / 0 / 18 / 0

HEX #30FFD1

RGB 48 255 209

HSL 166.67, 1%, 0.59%

LAB 90.21, -58.27, 8.41

 

CMYK 60 / 82 / 0 / 0

HEX #652DFF

RGB 101 45 255

HSL 256, 1%, 0.59%

LAB 41, 71.9, -93.25

 

CMYK 0 / 82 / 63 / 0

HEX #FF2D5E

RGB 255 45 94

HSL 346, 1%, 0.59%

LAB 56.03, 76.89, 26.01

 

CMYK 22 / 0 / 82 / 0

HEX #C7FF2D

RGB 199 255 45

HSL 76, 1%, 0.59%

LAB 93.39, -43.08, 84.13

 

Description

Color code: RGB 48 255 209 | qconv.com Color code: RGB 48 255 209 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 255 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 255 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 18 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 18% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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