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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 241 164 it is the complementary color RGB 207 14 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 241 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 48 241 164: RGB 53 241 159, RGB 70 255 178, RGB 87 255 197, RGB 104 255 216 and RGB 121 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 241 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 48 241 164: RGB 48 241 164, RGB 31 223 145, RGB 14 205 126, RGB 0 187 107 and RGB 0 169 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

Complementary color

CMYK 0 / 93 / 56 / 19

HEX #CF0E5B

RGB 207 14 91

HSL 336.06, 0.87%, 0.43%

LAB 44.71, 70.13, 10.96

 

CMYK 78 / 0 / 34 / 5

HEX #35F19F

RGB 53 241 159

HSL 153.83, 0.87%, 0.58%

LAB 85.08, -63.58, 26.97

 

CMYK 73 / 0 / 30 / 0

HEX #46FFB2

RGB 70 255 178

HSL 155.03, 1%, 0.64%

LAB 89.88, -62.89, 23.89

 

CMYK 66 / 0 / 23 / 0

HEX #57FFC5

RGB 87 255 197

HSL 159.29, 1%, 0.67%

LAB 90.59, -56.42, 15.22

 

CMYK 59 / 0 / 15 / 0

HEX #68FFD8

RGB 104 255 216

HSL 164.5, 1%, 0.7%

LAB 91.42, -49.27, 6.68

 

CMYK 53 / 0 / 8 / 0

HEX #79FFEB

RGB 121 255 235

HSL 171.04, 1%, 0.74%

LAB 92.39, -41.55, -1.68

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 86 / 0 / 35 / 13

HEX #1FDF91

RGB 31 223 145

HSL 155.63, 0.76%, 0.5%

LAB 79.11, -61.87, 26.02

 

CMYK 93 / 0 / 39 / 20

HEX #0ECD7E

RGB 14 205 126

HSL 155.18, 0.87%, 0.43%

LAB 73.06, -60.25, 27.73

 

CMYK 100 / 0 / 43 / 27

HEX #00BB6B

RGB 0 187 107

HSL 154.33, 1%, 0.37%

LAB 66.98, -58.18, 29.57

 

CMYK 100 / 0 / 48 / 34

HEX #00A958

RGB 0 169 88

HSL 151.24, 1%, 0.33%

LAB 60.85, -55.48, 31.55

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 80 / 0 / 18 / 6

HEX #31F0C4

RGB 49 240 196

HSL 166.18, 0.86%, 0.57%

LAB 85.48, -55.41, 8.39

 

CMYK 80 / 0 / 5 / 6

HEX #31F0E4

RGB 49 240 228

HSL 176.23, 0.86%, 0.57%

LAB 86.29, -47.13, -7.2

 

CMYK 80 / 8 / 0 / 6

HEX #31DDF0

RGB 49 221 240

HSL 185.97, 0.86%, 0.57%

LAB 81.1, -35.15, -21.32

 

CMYK 80 / 21 / 0 / 6

HEX #31BDF0

RGB 49 189 240

HSL 196.02, 0.86%, 0.57%

LAB 71.78, -19.34, -35.61

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 81 / 0 / 32 / 85

HEX #072519

RGB 7 37 25

HSL 156, 0.68%, 0.09%

LAB 12.21, -14.86, 4.78

 

CMYK 80 / 0 / 32 / 65

HEX #12583C

RGB 18 88 60

HSL 156, 0.66%, 0.21%

LAB 32.78, -28.63, 10.3

 

CMYK 80 / 0 / 32 / 45

HEX #1C8B5F

RGB 28 139 95

HSL 156.22, 0.66%, 0.33%

LAB 51.31, -40.86, 15.16

 

CMYK 80 / 0 / 32 / 25

HEX #26BE81

RGB 38 190 129

HSL 155.92, 0.67%, 0.45%

LAB 68.62, -52.39, 20.19

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 80 / 63 / 0 / 6

HEX #3158F0

RGB 49 88 240

HSL 227.75, 0.86%, 0.57%

LAB 44.12, 40.63, -79.8

 

CMYK 0 / 63 / 80 / 6

HEX #F05831

RGB 240 88 49

HSL 12.25, 0.86%, 0.57%

LAB 57.78, 56.63, 52.1

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 32 / 80 / 0 / 6

HEX #A431F0

RGB 164 49 240

HSL 276.13, 0.86%, 0.57%

LAB 47.47, 74.75, -73.93

 

CMYK 0 / 32 / 80 / 6

HEX #F0A431

RGB 240 164 49

HSL 36.13, 0.86%, 0.57%

LAB 73.09, 19, 66.39

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 80 / 63 / 0 / 6

HEX #3158F0

RGB 49 88 240

HSL 227.75, 0.86%, 0.57%

LAB 44.12, 40.63, -79.8

 

CMYK 0 / 80 / 48 / 6

HEX #F0317E

RGB 240 49 126

HSL 335.81, 0.86%, 0.57%

LAB 54.27, 74.29, 4.01

 

CMYK 0 / 16 / 80 / 6

HEX #F0CA31

RGB 240 202 49

HSL 48.06, 0.86%, 0.57%

LAB 82.37, -0.87, 74.68

 

CMYK 80 / 0 / 32 / 5

HEX #30F1A4

RGB 48 241 164

HSL 156.06, 0.87%, 0.57%

LAB 85.11, -63.08, 24.44

 

CMYK 71 / 80 / 0 / 6

HEX #4531F0

RGB 69 49 240

HSL 246.28, 0.86%, 0.57%

LAB 37.4, 63.63, -90.86

 

CMYK 0 / 80 / 48 / 6

HEX #F0317E

RGB 240 49 126

HSL 335.81, 0.86%, 0.57%

LAB 54.27, 74.29, 4.01

 

CMYK 8 / 0 / 80 / 6

HEX #DDF031

RGB 221 240 49

HSL 65.97, 0.86%, 0.57%

LAB 90.74, -27.55, 81.43

 

Description

Color code: RGB 48 241 164 | qconv.com Color code: RGB 48 241 164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 241 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 241 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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