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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 48 152 178 it is the complementary color RGB 207 103 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 48 152 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 48 152 178: RGB 53 152 173, RGB 70 170 192, RGB 87 188 211, RGB 104 206 230 and RGB 121 224 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 48 152 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 48 152 178: RGB 48 152 178, RGB 31 134 159, RGB 14 116 140, RGB 0 98 121 and RGB 0 80 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

Complementary color

CMYK 0 / 50 / 63 / 19

HEX #CF674D

RGB 207 103 77

HSL 12, 0.58%, 0.56%

LAB 55.59, 38.99, 33.57

 

CMYK 69 / 12 / 0 / 32

HEX #3598AD

RGB 53 152 173

HSL 190.5, 0.53%, 0.44%

LAB 58.26, -21.49, -19.31

 

CMYK 64 / 11 / 0 / 25

HEX #46AAC0

RGB 70 170 192

HSL 190.82, 0.49%, 0.51%

LAB 64.85, -22.2, -19.9

 

CMYK 59 / 11 / 0 / 17

HEX #57BCD3

RGB 87 188 211

HSL 191.13, 0.58%, 0.58%

LAB 71.35, -22.71, -20.43

 

CMYK 55 / 10 / 0 / 10

HEX #68CEE6

RGB 104 206 230

HSL 191.43, 0.72%, 0.65%

LAB 77.76, -23.09, -20.93

 

CMYK 51 / 10 / 0 / 2

HEX #79E0F9

RGB 121 224 249

HSL 191.72, 0.91%, 0.73%

LAB 84.08, -23.38, -21.4

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 81 / 16 / 0 / 38

HEX #1F869F

RGB 31 134 159

HSL 191.72, 0.67%, 0.37%

LAB 51.66, -19.37, -21.41

 

CMYK 90 / 17 / 0 / 45

HEX #0E748C

RGB 14 116 140

HSL 191.43, 0.82%, 0.3%

LAB 44.91, -17.71, -20.66

 

CMYK 100 / 19 / 0 / 53

HEX #006279

RGB 0 98 121

HSL 191.4, 1%, 0.24%

LAB 38.05, -15.52, -19.79

 

CMYK 100 / 22 / 0 / 60

HEX #005066

RGB 0 80 102

HSL 192.94, 1%, 0.2%

LAB 31.11, -12.42, -18.72

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 73 / 27 / 0 / 31

HEX #2F81B1

RGB 47 129 177

HSL 202.15, 0.58%, 0.44%

LAB 51.24, -8.36, -32.44

 

CMYK 73 / 40 / 0 / 31

HEX #2F6BB1

RGB 47 107 177

HSL 212.31, 0.58%, 0.44%

LAB 44.65, 4.91, -42.84

 

CMYK 73 / 51 / 0 / 31

HEX #2F56B1

RGB 47 86 177

HSL 222, 0.58%, 0.44%

LAB 38.61, 18.44, -52.53

 

CMYK 73 / 64 / 0 / 31

HEX #2F40B1

RGB 47 64 177

HSL 232.15, 0.58%, 0.44%

LAB 32.8, 32.88, -61.97

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 73 / 14 / 0 / 10

HEX #3EC4E5

RGB 62 196 229

HSL 191.86, 0.76%, 0.57%

LAB 73.65, -25.1, -26.76

 

CMYK 72 / 16 / 0 / 90

HEX #071519

RGB 7 21 25

HSL 193.33, 0.56%, 0.06%

LAB 5.89, -3.61, -4.39

 

CMYK 74 / 14 / 0 / 70

HEX #14414C

RGB 20 65 76

HSL 191.79, 0.58%, 0.19%

LAB 25.11, -11.12, -11.15

 

CMYK 73 / 15 / 0 / 50

HEX #226C7F

RGB 34 108 127

HSL 192.26, 0.58%, 0.32%

LAB 42.15, -15.77, -17.08

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 44 / 73 / 0 / 31

HEX #632FB1

RGB 99 47 177

HSL 264, 0.58%, 0.44%

LAB 33.69, 50.49, -60.34

 

CMYK 0 / 15 / 73 / 31

HEX #B1972F

RGB 177 151 47

HSL 48, 0.58%, 0.44%

LAB 63.08, -1.53, 55.33

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 0 / 73 / 15 / 31

HEX #B12F97

RGB 177 47 151

HSL 312, 0.58%, 0.44%

LAB 43.67, 62, -28.12

 

CMYK 15 / 0 / 73 / 31

HEX #97B12F

RGB 151 177 47

HSL 72, 0.58%, 0.44%

LAB 68.19, -26.29, 59.54

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 44 / 73 / 0 / 31

HEX #632FB1

RGB 99 47 177

HSL 264, 0.58%, 0.44%

LAB 33.69, 50.49, -60.34

 

CMYK 0 / 59 / 73 / 31

HEX #B1492F

RGB 177 73 47

HSL 12, 0.58%, 0.44%

LAB 44.68, 40.83, 36.29

 

CMYK 29 / 0 / 73 / 31

HEX #7DB12F

RGB 125 177 47

HSL 84, 0.58%, 0.44%

LAB 66.53, -36.68, 57.36

 

CMYK 73 / 15 / 0 / 30

HEX #3098B2

RGB 48 152 178

HSL 192, 0.58%, 0.44%

LAB 58.32, -20.57, -22.06

 

CMYK 22 / 73 / 0 / 31

HEX #8A2FB1

RGB 138 47 177

HSL 282, 0.58%, 0.44%

LAB 38.92, 57.85, -51.62

 

CMYK 0 / 59 / 73 / 31

HEX #B1492F

RGB 177 73 47

HSL 12, 0.58%, 0.44%

LAB 44.68, 40.83, 36.29

 

CMYK 51 / 0 / 73 / 31

HEX #56B12F

RGB 86 177 47

HSL 102, 0.58%, 0.44%

LAB 64.67, -49.94, 54.89

 

Description

Color code: RGB 48 152 178 | qconv.com Color code: RGB 48 152 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 152 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 152 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 15 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 15% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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