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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 73 104 it is the complementary color RGB 208 182 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 73 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 47 73 104: RGB 52 73 99, RGB 69 91 118, RGB 86 109 137, RGB 103 127 156 and RGB 120 145 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 73 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 47 73 104: RGB 47 73 104, RGB 30 55 85, RGB 13 37 66, RGB 0 19 47 and RGB 0 1 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

Complementary color

CMYK 0 / 13 / 27 / 18

HEX #D0B697

RGB 208 182 151

HSL 32.63, 0.38%, 0.7%

LAB 75.51, 4.62, 19.22

 

CMYK 47 / 26 / 0 / 61

HEX #344963

RGB 52 73 99

HSL 213.19, 0.31%, 0.3%

LAB 30.39, -0.31, -17.79

 

CMYK 42 / 23 / 0 / 54

HEX #455B76

RGB 69 91 118

HSL 213.06, 0.26%, 0.37%

LAB 37.94, -0.75, -17.93

 

CMYK 37 / 20 / 0 / 46

HEX #566D89

RGB 86 109 137

HSL 212.94, 0.23%, 0.44%

LAB 45.25, -1.08, -18.12

 

CMYK 34 / 19 / 0 / 39

HEX #677F9C

RGB 103 127 156

HSL 212.83, 0.21%, 0.51%

LAB 52.36, -1.35, -18.35

 

CMYK 31 / 17 / 0 / 31

HEX #7891AF

RGB 120 145 175

HSL 212.73, 0.26%, 0.58%

LAB 59.29, -1.57, -18.6

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 65 / 35 / 0 / 67

HEX #1E3755

RGB 30 55 85

HSL 212.73, 0.48%, 0.23%

LAB 22.53, 0.92, -21.06

 

CMYK 80 / 44 / 0 / 74

HEX #0D2542

RGB 13 37 66

HSL 212.83, 0.67%, 0.15%

LAB 14.41, 2.46, -21.08

 

CMYK 100 / 60 / 0 / 82

HEX #00132F

RGB 0 19 47

HSL 215.74, 1%, 0.09%

LAB 6.06, 4.43, -20.85

 

CMYK 100 / 96 / 0 / 89

HEX #00011C

RGB 0 1 28

HSL 237.86, 1%, 0.05%

LAB 0.95, 4.92, -14.1

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 55 / 39 / 0 / 59

HEX #2F4069

RGB 47 64 105

HSL 222.41, 0.38%, 0.3%

LAB 27.55, 6.33, -26.09

 

CMYK 55 / 48 / 0 / 59

HEX #2F3769

RGB 47 55 105

HSL 231.72, 0.38%, 0.3%

LAB 24.82, 12.51, -30.42

 

CMYK 53 / 55 / 0 / 59

HEX #312F69

RGB 49 47 105

HSL 242.07, 0.38%, 0.3%

LAB 22.67, 18.54, -33.84

 

CMYK 44 / 55 / 0 / 59

HEX #3B2F69

RGB 59 47 105

HSL 252.41, 0.38%, 0.3%

LAB 23.61, 21.11, -32.28

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 55 / 30 / 0 / 39

HEX #466D9B

RGB 70 109 155

HSL 212.47, 0.38%, 0.44%

LAB 45.09, 0.18, -29.15

 

CMYK 55 / 30 / 0 / 19

HEX #5D91CE

RGB 93 145 206

HSL 212.39, 0.54%, 0.59%

LAB 59.01, 0.36, -36.67

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 55 / 30 / 0 / 79

HEX #182535

RGB 24 37 53

HSL 213.1, 0.38%, 0.15%

LAB 14.26, -0.15, -12.16

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 14 / 55 / 0 / 59

HEX #5A2F69

RGB 90 47 105

HSL 284.48, 0.38%, 0.3%

LAB 27.37, 30.18, -26.08

 

CMYK 8 / 0 / 55 / 59

HEX #61692F

RGB 97 105 47

HSL 68.28, 0.38%, 0.3%

LAB 42.54, -12.44, 31.18

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 0 / 55 / 30 / 59

HEX #692F4A

RGB 105 47 74

HSL 332.07, 0.38%, 0.3%

LAB 28.2, 29.33, -4.38

 

CMYK 30 / 0 / 55 / 59

HEX #4A692F

RGB 74 105 47

HSL 92.07, 0.38%, 0.3%

LAB 40.84, -22.38, 28.76

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 14 / 55 / 0 / 59

HEX #5A2F69

RGB 90 47 105

HSL 284.48, 0.38%, 0.3%

LAB 27.37, 30.18, -26.08

 

CMYK 0 / 26 / 55 / 59

HEX #694E2F

RGB 105 78 47

HSL 32.07, 0.38%, 0.3%

LAB 35.32, 7.24, 22.65

 

CMYK 41 / 0 / 55 / 59

HEX #3E692F

RGB 62 105 47

HSL 104.48, 0.38%, 0.3%

LAB 40.13, -27.01, 27.75

 

CMYK 55 / 30 / 0 / 59

HEX #2F4968

RGB 47 73 104

HSL 212.63, 0.38%, 0.3%

LAB 30.32, 0, -21.09

 

CMYK 0 / 55 / 2 / 59

HEX #692F67

RGB 105 47 103

HSL 302.07, 0.38%, 0.3%

LAB 29.45, 34.41, -21.37

 

CMYK 0 / 26 / 55 / 59

HEX #694E2F

RGB 105 78 47

HSL 32.07, 0.38%, 0.3%

LAB 35.32, 7.24, 22.65

 

CMYK 55 / 0 / 53 / 59

HEX #2F6931

RGB 47 105 49

HSL 122.07, 0.38%, 0.3%

LAB 39.46, -31.71, 25.67

 

Description

Color code: RGB 47 73 104 | qconv.com Color code: RGB 47 73 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 73 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 73 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 30 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 30% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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