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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 203 118 it is the complementary color RGB 208 52 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 203 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 47 203 118: RGB 52 203 113, RGB 69 221 132, RGB 86 239 151, RGB 103 255 170 and RGB 120 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 203 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 47 203 118: RGB 47 203 118, RGB 30 185 99, RGB 13 167 80, RGB 0 149 61 and RGB 0 131 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

Complementary color

CMYK 0 / 75 / 34 / 18

HEX #D03489

RGB 208 52 137

HSL 327.31, 0.62%, 0.51%

LAB 49.1, 66.36, -10.89

 

CMYK 74 / 0 / 44 / 20

HEX #34CB71

RGB 52 203 113

HSL 144.24, 0.59%, 0.5%

LAB 72.65, -58.57, 33.94

 

CMYK 69 / 0 / 40 / 13

HEX #45DD84

RGB 69 221 132

HSL 144.87, 0.69%, 0.57%

LAB 78.84, -59.22, 32.41

 

CMYK 64 / 0 / 37 / 6

HEX #56EF97

RGB 86 239 151

HSL 145.49, 0.83%, 0.64%

LAB 84.97, -59.61, 30.98

 

CMYK 60 / 0 / 33 / 0

HEX #67FFAA

RGB 103 255 170

HSL 146.45, 1%, 0.7%

LAB 90.46, -59.04, 28.86

 

CMYK 53 / 0 / 26 / 0

HEX #78FFBD

RGB 120 255 189

HSL 150.67, 1%, 0.74%

LAB 91.32, -51.84, 20.47

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 84 / 0 / 46 / 27

HEX #1EB963

RGB 30 185 99

HSL 146.71, 0.72%, 0.42%

LAB 66.42, -57.21, 33.02

 

CMYK 92 / 0 / 52 / 35

HEX #0DA750

RGB 13 167 80

HSL 146.1, 0.86%, 0.35%

LAB 60.16, -55.5, 34.79

 

CMYK 100 / 0 / 59 / 42

HEX #00953D

RGB 0 149 61

HSL 144.56, 1%, 0.29%

LAB 53.85, -53.13, 36.6

 

CMYK 100 / 0 / 68 / 49

HEX #00832A

RGB 0 131 42

HSL 139.24, 1%, 0.26%

LAB 47.49, -49.79, 38.3

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 77 / 0 / 29 / 21

HEX #2FCA8F

RGB 47 202 143

HSL 157.16, 0.62%, 0.49%

LAB 72.78, -52.97, 18.45

 

CMYK 77 / 0 / 17 / 21

HEX #2FCAA8

RGB 47 202 168

HSL 166.84, 0.62%, 0.49%

LAB 73.33, -47.06, 5.81

 

CMYK 77 / 0 / 4 / 21

HEX #2FCAC2

RGB 47 202 194

HSL 176.9, 0.62%, 0.49%

LAB 74.02, -40.09, -7.26

 

CMYK 77 / 9 / 0 / 21

HEX #2FB8CA

RGB 47 184 202

HSL 186.97, 0.62%, 0.49%

LAB 68.86, -29.27, -19.38

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 77 / 0 / 42 / 0

HEX #3BFE94

RGB 59 254 148

HSL 147.38, 0.99%, 0.61%

LAB 88.9, -69.54, 37.57

 

CMYK 76 / 0 / 42 / 80

HEX #0C321D

RGB 12 50 29

HSL 146.84, 0.61%, 0.12%

LAB 17.68, -19.38, 9.55

 

CMYK 77 / 0 / 42 / 60

HEX #17653B

RGB 23 101 59

HSL 147.69, 0.63%, 0.24%

LAB 37.49, -33.75, 17.3

 

CMYK 77 / 0 / 42 / 40

HEX #239858

RGB 35 152 88

HSL 147.18, 0.63%, 0.37%

LAB 55.6, -46.58, 24.84

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 77 / 50 / 0 / 21

HEX #2F65CA

RGB 47 101 202

HSL 219.1, 0.62%, 0.49%

LAB 44.48, 18.14, -57.6

 

CMYK 0 / 73 / 77 / 21

HEX #CA372F

RGB 202 55 47

HSL 3.1, 0.62%, 0.49%

LAB 46.3, 57.01, 39.33

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 42 / 77 / 0 / 21

HEX #752FCA

RGB 117 47 202

HSL 267.1, 0.62%, 0.49%

LAB 37.98, 59.73, -67.94

 

CMYK 0 / 42 / 77 / 21

HEX #CA752F

RGB 202 117 47

HSL 27.1, 0.62%, 0.49%

LAB 57.54, 28.03, 50.85

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 77 / 50 / 0 / 21

HEX #2F65CA

RGB 47 101 202

HSL 219.1, 0.62%, 0.49%

LAB 44.48, 18.14, -57.6

 

CMYK 0 / 77 / 35 / 21

HEX #CA2F84

RGB 202 47 132

HSL 327.1, 0.62%, 0.49%

LAB 47.31, 65.8, -10.66

 

CMYK 0 / 27 / 77 / 21

HEX #CA942F

RGB 202 148 47

HSL 39.1, 0.62%, 0.49%

LAB 64.92, 11.17, 58

 

CMYK 77 / 0 / 42 / 20

HEX #2FCB76

RGB 47 203 118

HSL 147.31, 0.62%, 0.49%

LAB 72.64, -58.35, 31.36

 

CMYK 77 / 73 / 0 / 21

HEX #2F37CA

RGB 47 55 202

HSL 236.9, 0.62%, 0.49%

LAB 33.14, 47.12, -76.14

 

CMYK 0 / 77 / 35 / 21

HEX #CA2F84

RGB 202 47 132

HSL 327.1, 0.62%, 0.49%

LAB 47.31, 65.8, -10.66

 

CMYK 0 / 4 / 77 / 21

HEX #CAC22F

RGB 202 194 47

HSL 56.9, 0.62%, 0.49%

LAB 76.89, -13.11, 69.1

 

Description

Color code: RGB 47 203 118 | qconv.com Color code: RGB 47 203 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 203 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 203 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 42 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 42% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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