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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 202 68 it is the complementary color RGB 208 53 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 202 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 47 202 68: RGB 52 202 63, RGB 69 220 82, RGB 86 238 101, RGB 103 255 120 and RGB 120 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 202 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 47 202 68: RGB 47 202 68, RGB 30 184 49, RGB 13 166 30, RGB 0 148 11 and RGB 0 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

Complementary color

CMYK 0 / 75 / 10 / 18

HEX #D035BB

RGB 208 53 187

HSL 308.13, 0.62%, 0.51%

LAB 51.32, 72.45, -37.07

 

CMYK 74 / 0 / 69 / 21

HEX #34CA3F

RGB 52 202 63

HSL 124.4, 0.59%, 0.5%

LAB 71.78, -64.83, 55.9

 

CMYK 69 / 0 / 63 / 14

HEX #45DC52

RGB 69 220 82

HSL 125.17, 0.68%, 0.57%

LAB 77.91, -65.99, 54.93

 

CMYK 64 / 0 / 58 / 7

HEX #56EE65

RGB 86 238 101

HSL 125.92, 0.82%, 0.64%

LAB 84, -66.74, 53.75

 

CMYK 60 / 0 / 53 / 0

HEX #67FF78

RGB 103 255 120

HSL 126.71, 1%, 0.7%

LAB 89.75, -66.85, 52.13

 

CMYK 53 / 0 / 45 / 0

HEX #78FF8B

RGB 120 255 139

HSL 128.44, 1%, 0.74%

LAB 90.49, -60.4, 44.27

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 84 / 0 / 73 / 28

HEX #1EB831

RGB 30 184 49

HSL 127.4, 0.72%, 0.42%

LAB 65.58, -63.27, 54.65

 

CMYK 92 / 0 / 82 / 35

HEX #0DA61E

RGB 13 166 30

HSL 126.67, 0.85%, 0.35%

LAB 59.39, -60.67, 54.79

 

CMYK 100 / 0 / 93 / 42

HEX #00940B

RGB 0 148 11

HSL 124.46, 1%, 0.29%

LAB 53.17, -57.1, 53.63

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 77 / 0 / 54 / 21

HEX #2FCA5D

RGB 47 202 93

HSL 137.81, 0.62%, 0.49%

LAB 71.98, -62.04, 42.96

 

CMYK 77 / 0 / 41 / 21

HEX #2FCA77

RGB 47 202 119

HSL 147.87, 0.62%, 0.49%

LAB 72.35, -57.81, 30.46

 

CMYK 77 / 0 / 28 / 21

HEX #2FCA91

RGB 47 202 145

HSL 157.94, 0.62%, 0.49%

LAB 72.82, -52.53, 17.44

 

CMYK 77 / 0 / 15 / 21

HEX #2FCAAB

RGB 47 202 171

HSL 168, 0.62%, 0.49%

LAB 73.41, -46.29, 4.29

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 77 / 0 / 66 / 1

HEX #3BFD55

RGB 59 253 85

HSL 128.04, 0.98%, 0.61%

LAB 87.89, -77.63, 64.63

 

CMYK 78 / 0 / 67 / 81

HEX #0B3110

RGB 11 49 16

HSL 127.89, 0.63%, 0.12%

LAB 17.01, -21.82, 16.96

 

CMYK 77 / 0 / 66 / 61

HEX #176422

RGB 23 100 34

HSL 128.57, 0.63%, 0.24%

LAB 36.77, -37.63, 30.2

 

CMYK 77 / 0 / 66 / 41

HEX #239733

RGB 35 151 51

HSL 128.28, 0.62%, 0.36%

LAB 54.79, -51.84, 42.44

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 77 / 26 / 0 / 21

HEX #2F96CA

RGB 47 150 202

HSL 200.13, 0.62%, 0.49%

LAB 58.68, -11.49, -35.06

 

CMYK 0 / 77 / 56 / 21

HEX #CA2F58

RGB 202 47 88

HSL 344.13, 0.62%, 0.49%

LAB 46.03, 61.84, 14.51

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 66 / 77 / 0 / 21

HEX #442FCA

RGB 68 47 202

HSL 248.13, 0.62%, 0.49%

LAB 32.98, 53.34, -76.36

 

CMYK 0 / 66 / 77 / 21

HEX #CA442F

RGB 202 68 47

HSL 8.13, 0.62%, 0.49%

LAB 48.13, 52.01, 41.26

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 77 / 26 / 0 / 21

HEX #2F96CA

RGB 47 150 202

HSL 200.13, 0.62%, 0.49%

LAB 58.68, -11.49, -35.06

 

CMYK 0 / 77 / 10 / 21

HEX #CA2FB5

RGB 202 47 181

HSL 308.13, 0.62%, 0.49%

LAB 49.41, 72.02, -36.65

 

CMYK 0 / 51 / 77 / 21

HEX #CA632F

RGB 202 99 47

HSL 20.13, 0.62%, 0.49%

LAB 53.69, 37.49, 47

 

CMYK 77 / 0 / 66 / 21

HEX #2FCA44

RGB 47 202 68

HSL 128.13, 0.62%, 0.49%

LAB 71.73, -65.07, 53.83

 

CMYK 77 / 49 / 0 / 21

HEX #2F68CA

RGB 47 104 202

HSL 217.94, 0.62%, 0.49%

LAB 45.32, 16.22, -56.26

 

CMYK 0 / 77 / 10 / 21

HEX #CA2FB5

RGB 202 47 181

HSL 308.13, 0.62%, 0.49%

LAB 49.41, 72.02, -36.65

 

CMYK 0 / 28 / 77 / 21

HEX #CA912F

RGB 202 145 47

HSL 37.94, 0.62%, 0.49%

LAB 64.17, 12.8, 57.29

 

Description

Color code: RGB 47 202 68 | qconv.com Color code: RGB 47 202 68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 202 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 202 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 66 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 66% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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