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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 192 159 it is the complementary color RGB 209 63 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 192 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 46 192 159: RGB 51 192 154, RGB 68 210 173, RGB 85 228 192, RGB 102 246 211 and RGB 119 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 192 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 46 192 159: RGB 46 192 159, RGB 29 174 140, RGB 12 156 121, RGB 0 138 102 and RGB 0 120 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

Complementary color

CMYK 0 / 70 / 54 / 18

HEX #D13F60

RGB 209 63 96

HSL 346.44, 0.61%, 0.53%

LAB 49.44, 59.05, 14.5

 

CMYK 73 / 0 / 20 / 25

HEX #33C09A

RGB 51 192 154

HSL 163.83, 0.58%, 0.48%

LAB 69.99, -45.88, 8.62

 

CMYK 68 / 0 / 18 / 18

HEX #44D2AD

RGB 68 210 173

HSL 164.37, 0.61%, 0.55%

LAB 76.28, -46.42, 7.4

 

CMYK 63 / 0 / 16 / 11

HEX #55E4C0

RGB 85 228 192

HSL 164.9, 0.73%, 0.61%

LAB 82.5, -46.76, 6.29

 

CMYK 59 / 0 / 14 / 4

HEX #66F6D3

RGB 102 246 211

HSL 165.42, 0.89%, 0.68%

LAB 88.66, -46.96, 5.27

 

CMYK 53 / 0 / 10 / 0

HEX #77FFE6

RGB 119 255 230

HSL 168.97, 1%, 0.73%

LAB 92.2, -43.14, 0.62

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 83 / 0 / 20 / 32

HEX #1DAE8C

RGB 29 174 140

HSL 165.93, 0.71%, 0.4%

LAB 63.69, -44.26, 7.27

 

CMYK 92 / 0 / 22 / 39

HEX #0C9C79

RGB 12 156 121

HSL 165.42, 0.86%, 0.33%

LAB 57.3, -42.85, 8.77

 

CMYK 100 / 0 / 26 / 46

HEX #008A66

RGB 0 138 102

HSL 164.35, 1%, 0.27%

LAB 50.85, -40.93, 10.47

 

CMYK 100 / 0 / 31 / 53

HEX #007853

RGB 0 120 83

HSL 161.5, 1%, 0.24%

LAB 44.32, -38.35, 12.39

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 76 / 0 / 5 / 25

HEX #2EC0B7

RGB 46 192 183

HSL 176.3, 0.61%, 0.47%

LAB 70.66, -38.79, -6.25

 

CMYK 76 / 7 / 0 / 25

HEX #2EB2C0

RGB 46 178 192

HSL 185.75, 0.61%, 0.47%

LAB 66.69, -29.54, -17.15

 

CMYK 76 / 20 / 0 / 25

HEX #2E99C0

RGB 46 153 192

HSL 196.03, 0.61%, 0.47%

LAB 59.13, -16.69, -28.73

 

CMYK 76 / 33 / 0 / 25

HEX #2E81C0

RGB 46 129 192

HSL 205.89, 0.61%, 0.47%

LAB 51.94, -3.1, -39.97

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 76 / 0 / 17 / 5

HEX #3AF3C9

RGB 58 243 201

HSL 166.38, 0.89%, 0.59%

LAB 86.61, -54.51, 7.41

 

CMYK 77 / 0 / 18 / 85

HEX #092720

RGB 9 39 32

HSL 166, 0.63%, 0.09%

LAB 13.31, -13.28, 1.35

 

CMYK 76 / 0 / 17 / 65

HEX #165A4B

RGB 22 90 75

HSL 166.76, 0.61%, 0.22%

LAB 33.96, -24.86, 2.65

 

CMYK 76 / 0 / 17 / 45

HEX #228D75

RGB 34 141 117

HSL 166.54, 0.61%, 0.34%

LAB 52.59, -35.45, 4.36

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 76 / 73 / 0 / 25

HEX #2E33C0

RGB 46 51 192

HSL 237.95, 0.61%, 0.47%

LAB 31.24, 45.98, -73.41

 

CMYK 0 / 48 / 76 / 25

HEX #C0642E

RGB 192 100 46

HSL 22.19, 0.61%, 0.47%

LAB 52.42, 32.92, 45.71

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 18 / 76 / 0 / 25

HEX #9E2EC0

RGB 158 46 192

HSL 286.03, 0.61%, 0.47%

LAB 42.81, 65.13, -54.02

 

CMYK 0 / 18 / 76 / 25

HEX #C09E2E

RGB 192 158 46

HSL 46.03, 0.61%, 0.47%

LAB 66.41, 1.3, 59.42

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 76 / 73 / 0 / 25

HEX #2E33C0

RGB 46 51 192

HSL 237.95, 0.61%, 0.47%

LAB 31.24, 45.98, -73.41

 

CMYK 0 / 76 / 58 / 25

HEX #C02E50

RGB 192 46 80

HSL 346.03, 0.61%, 0.47%

LAB 43.86, 58.74, 16.18

 

CMYK 0 / 2 / 76 / 25

HEX #C0BC2E

RGB 192 188 46

HSL 58.36, 0.61%, 0.47%

LAB 74.43, -14.4, 66.86

 

CMYK 76 / 0 / 17 / 25

HEX #2EC09F

RGB 46 192 159

HSL 166.44, 0.61%, 0.47%

LAB 70.02, -45.25, 5.93

 

CMYK 56 / 76 / 0 / 25

HEX #552EC0

RGB 85 46 192

HSL 256.03, 0.61%, 0.47%

LAB 33.33, 52.91, -69.86

 

CMYK 0 / 76 / 58 / 25

HEX #C02E50

RGB 192 46 80

HSL 346.03, 0.61%, 0.47%

LAB 43.86, 58.74, 16.18

 

CMYK 20 / 0 / 76 / 25

HEX #99C02E

RGB 153 192 46

HSL 76.03, 0.61%, 0.47%

LAB 72.67, -32.65, 64.2

 

Description

Color code: RGB 46 192 159 | qconv.com Color code: RGB 46 192 159 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 192 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 192 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 17 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 17% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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