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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 129 196 it is the complementary color RGB 209 126 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 129 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 46 129 196: RGB 51 129 191, RGB 68 147 210, RGB 85 165 229, RGB 102 183 248 and RGB 119 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 129 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 46 129 196: RGB 46 129 196, RGB 29 111 177, RGB 12 93 158, RGB 0 75 139 and RGB 0 57 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

Complementary color

CMYK 0 / 40 / 72 / 18

HEX #D17E3B

RGB 209 126 59

HSL 26.8, 0.62%, 0.53%

LAB 60.6, 26.66, 48.74

 

CMYK 73 / 32 / 0 / 25

HEX #3381BF

RGB 51 129 191

HSL 206.57, 0.58%, 0.47%

LAB 52.02, -2.82, -39.25

 

CMYK 68 / 30 / 0 / 18

HEX #4493D2

RGB 68 147 210

HSL 206.62, 0.61%, 0.55%

LAB 58.74, -4.17, -39.41

 

CMYK 63 / 28 / 0 / 10

HEX #55A5E5

RGB 85 165 229

HSL 206.67, 0.73%, 0.62%

LAB 65.36, -5.23, -39.55

 

CMYK 59 / 26 / 0 / 3

HEX #66B7F8

RGB 102 183 248

HSL 206.71, 0.91%, 0.69%

LAB 71.87, -6.09, -39.69

 

CMYK 53 / 21 / 0 / 0

HEX #77C9FF

RGB 119 201 255

HSL 203.82, 1%, 0.73%

LAB 77.82, -10.31, -34.16

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 84 / 37 / 0 / 31

HEX #1D6FB1

RGB 29 111 177

HSL 206.76, 0.72%, 0.4%

LAB 45.37, 0.35, -41.73

 

CMYK 92 / 41 / 0 / 38

HEX #0C5D9E

RGB 12 93 158

HSL 206.71, 0.86%, 0.33%

LAB 38.51, 2.95, -41.45

 

CMYK 100 / 46 / 0 / 45

HEX #004B8B

RGB 0 75 139

HSL 207.63, 1%, 0.27%

LAB 31.57, 6.29, -41.07

 

CMYK 100 / 53 / 0 / 53

HEX #003978

RGB 0 57 120

HSL 211.5, 1%, 0.24%

LAB 24.58, 10.57, -40.48

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 77 / 46 / 0 / 24

HEX #2D68C2

RGB 45 104 194

HSL 216.24, 0.62%, 0.47%

LAB 44.74, 12.96, -52.59

 

CMYK 77 / 59 / 0 / 24

HEX #2D50C2

RGB 45 80 194

HSL 225.91, 0.62%, 0.47%

LAB 38.18, 28.54, -63.2

 

CMYK 77 / 72 / 0 / 24

HEX #2D37C2

RGB 45 55 194

HSL 235.97, 0.62%, 0.47%

LAB 32.23, 44.26, -72.97

 

CMYK 69 / 77 / 0 / 24

HEX #3C2DC2

RGB 60 45 194

HSL 246.04, 0.62%, 0.47%

LAB 31.19, 51.13, -74.64

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 77 / 34 / 0 / 3

HEX #3AA3F7

RGB 58 163 247

HSL 206.67, 0.92%, 0.6%

LAB 64.81, -1.83, -50.33

 

CMYK 77 / 35 / 0 / 83

HEX #0A1C2B

RGB 10 28 43

HSL 207.27, 0.62%, 0.1%

LAB 9.56, -1.46, -12.33

 

CMYK 77 / 34 / 0 / 63

HEX #163E5E

RGB 22 62 94

HSL 206.67, 0.62%, 0.23%

LAB 25.03, -1.86, -23.05

 

CMYK 77 / 34 / 0 / 43

HEX #225F91

RGB 34 95 145

HSL 207.03, 0.62%, 0.35%

LAB 38.84, -1.44, -33.09

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 28 / 77 / 0 / 24

HEX #8B2DC2

RGB 139 45 194

HSL 277.85, 0.62%, 0.47%

LAB 40.02, 62.37, -59.84

 

CMYK 3 / 0 / 77 / 24

HEX #BDC22D

RGB 189 194 45

HSL 62.01, 0.62%, 0.47%

LAB 75.82, -18.74, 68.35

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 0 / 77 / 34 / 24

HEX #C22D81

RGB 194 45 129

HSL 326.17, 0.62%, 0.47%

LAB 45.54, 64.03, -11.65

 

CMYK 34 / 0 / 77 / 24

HEX #81C22D

RGB 129 194 45

HSL 86.17, 0.62%, 0.47%

LAB 71.85, -42.77, 63.24

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 28 / 77 / 0 / 24

HEX #8B2DC2

RGB 139 45 194

HSL 277.85, 0.62%, 0.47%

LAB 40.02, 62.37, -59.84

 

CMYK 0 / 44 / 77 / 24

HEX #C26D2D

RGB 194 109 45

HSL 25.77, 0.62%, 0.47%

LAB 54.65, 28.9, 48.53

 

CMYK 48 / 0 / 77 / 24

HEX #64C22D

RGB 100 194 45

HSL 97.85, 0.62%, 0.47%

LAB 70.51, -52.45, 61.49

 

CMYK 77 / 34 / 0 / 23

HEX #2E81C4

RGB 46 129 196

HSL 206.8, 0.62%, 0.47%

LAB 52.14, -1.65, -41.94

 

CMYK 5 / 77 / 0 / 24

HEX #B82DC2

RGB 184 45 194

HSL 295.97, 0.62%, 0.47%

LAB 46.92, 70.87, -48.35

 

CMYK 0 / 44 / 77 / 24

HEX #C26D2D

RGB 194 109 45

HSL 25.77, 0.62%, 0.47%

LAB 54.65, 28.9, 48.53

 

CMYK 72 / 0 / 77 / 24

HEX #37C22D

RGB 55 194 45

HSL 115.97, 0.62%, 0.47%

LAB 69.17, -63.23, 59.73

 

Description

Color code: RGB 46 129 196 | qconv.com Color code: RGB 46 129 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 129 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 129 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 34 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 34% 0% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

64% - KATWorks Games
Link: http://katworksgames.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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