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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 73 81 it is the complementary color RGB 210 182 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 73 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 45 73 81: RGB 50 73 76, RGB 67 91 95, RGB 84 109 114, RGB 101 127 133 and RGB 118 145 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 73 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 45 73 81: RGB 45 73 81, RGB 28 55 62, RGB 11 37 43, RGB 0 19 24 and RGB 0 1 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

Complementary color

CMYK 0 / 13 / 17 / 18

HEX #D2B6AE

RGB 210 182 174

HSL 13.33, 0.29%, 0.75%

LAB 76.2, 8.74, 7.76

 

CMYK 34 / 4 / 0 / 70

HEX #32494C

RGB 50 73 76

HSL 186.92, 0.21%, 0.25%

LAB 29.32, -7.98, -4.65

 

CMYK 29 / 4 / 0 / 63

HEX #435B5F

RGB 67 91 95

HSL 188.57, 0.17%, 0.32%

LAB 36.93, -7.93, -5.24

 

CMYK 26 / 4 / 0 / 55

HEX #546D72

RGB 84 109 114

HSL 190, 0.15%, 0.39%

LAB 44.29, -7.9, -5.8

 

CMYK 24 / 5 / 0 / 48

HEX #657F85

RGB 101 127 133

HSL 191.25, 0.14%, 0.46%

LAB 51.43, -7.87, -6.34

 

CMYK 22 / 5 / 0 / 40

HEX #769198

RGB 118 145 152

HSL 192.35, 0.14%, 0.53%

LAB 58.39, -7.86, -6.86

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 55 / 11 / 0 / 76

HEX #1C373E

RGB 28 55 62

HSL 192.35, 0.38%, 0.18%

LAB 21.31, -7.98, -7.56

 

CMYK 74 / 14 / 0 / 83

HEX #0B252B

RGB 11 37 43

HSL 191.25, 0.59%, 0.11%

LAB 13.04, -7.6, -6.95

 

CMYK 100 / 21 / 0 / 91

HEX #001318

RGB 0 19 24

HSL 192.5, 1%, 0.05%

LAB 4.8, -4.41, -5.25

 

CMYK 100 / 80 / 0 / 98

HEX #000105

RGB 0 1 5

HSL 228, 1%, 0.01%

LAB 0.3, 0.29, -1.61

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 45 / 17 / 0 / 68

HEX #2D4452

RGB 45 68 82

HSL 202.7, 0.29%, 0.25%

LAB 27.58, -4.67, -11.21

 

CMYK 45 / 26 / 0 / 68

HEX #2D3D52

RGB 45 61 82

HSL 214.05, 0.29%, 0.25%

LAB 25.27, -0.1, -14.74

 

CMYK 45 / 33 / 0 / 68

HEX #2D3752

RGB 45 55 82

HSL 223.78, 0.29%, 0.25%

LAB 23.34, 3.95, -17.74

 

CMYK 45 / 40 / 0 / 68

HEX #2D3152

RGB 45 49 82

HSL 233.51, 0.29%, 0.25%

LAB 21.45, 8.11, -20.7

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 45 / 10 / 0 / 48

HEX #497784

RGB 73 119 132

HSL 193.22, 0.29%, 0.4%

LAB 47.33, -12.06, -12.05

 

CMYK 44 / 10 / 0 / 28

HEX #66A5B7

RGB 102 165 183

HSL 193.33, 0.36%, 0.56%

LAB 64.29, -15.43, -15.62

 

CMYK 44 / 10 / 0 / 8

HEX #82D3EA

RGB 130 211 234

HSL 193.27, 0.71%, 0.71%

LAB 80.33, -18.86, -19.07

 

CMYK 43 / 10 / 0 / 88

HEX #111B1E

RGB 17 27 30

HSL 193.85, 0.28%, 0.09%

LAB 8.96, -3.52, -3.54

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 27 / 45 / 0 / 68

HEX #3C2D52

RGB 60 45 82

HSL 264.32, 0.29%, 0.25%

LAB 21.75, 15.79, -20.12

 

CMYK 0 / 9 / 45 / 68

HEX #524B2D

RGB 82 75 45

HSL 48.65, 0.29%, 0.25%

LAB 31.84, -2.07, 18.92

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 0 / 45 / 10 / 68

HEX #522D4A

RGB 82 45 74

HSL 312.97, 0.29%, 0.25%

LAB 24.21, 21.87, -10.73

 

CMYK 10 / 0 / 45 / 68

HEX #4A522D

RGB 74 82 45

HSL 72.97, 0.29%, 0.25%

LAB 33.31, -10.02, 20.63

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 27 / 45 / 0 / 68

HEX #3C2D52

RGB 60 45 82

HSL 264.32, 0.29%, 0.25%

LAB 21.75, 15.79, -20.12

 

CMYK 0 / 35 / 45 / 68

HEX #52352D

RGB 82 53 45

HSL 12.97, 0.29%, 0.25%

LAB 25.35, 11.9, 10.34

 

CMYK 20 / 0 / 45 / 68

HEX #42522D

RGB 66 82 45

HSL 85.95, 0.29%, 0.25%

LAB 32.66, -13.61, 19.68

 

CMYK 44 / 10 / 0 / 68

HEX #2D4951

RGB 45 73 81

HSL 193.33, 0.29%, 0.25%

LAB 29.2, -8.12, -8.09

 

CMYK 13 / 45 / 0 / 68

HEX #472D52

RGB 71 45 82

HSL 282.16, 0.29%, 0.25%

LAB 23.09, 19.62, -17.93

 

CMYK 0 / 35 / 45 / 68

HEX #52352D

RGB 82 53 45

HSL 12.97, 0.29%, 0.25%

LAB 25.35, 11.9, 10.34

 

CMYK 33 / 0 / 45 / 68

HEX #37522D

RGB 55 82 45

HSL 103.78, 0.29%, 0.25%

LAB 31.89, -18.25, 18.53

 

Description

Color code: RGB 45 73 81 | qconv.com Color code: RGB 45 73 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 73 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 73 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 10 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 10% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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