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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 64 244 it is the complementary color RGB 210 191 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 64 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 45 64 244: RGB 50 64 239, RGB 67 82 255, RGB 84 100 255, RGB 101 118 255 and RGB 118 136 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 64 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 45 64 244: RGB 45 64 244, RGB 28 46 225, RGB 11 28 206, RGB 0 10 187 and RGB 0 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

Complementary color

CMYK 0 / 9 / 95 / 18

HEX #D2BF0B

RGB 210 191 11

HSL 54.27, 0.9%, 0.43%

LAB 76.67, -8.97, 76.81

 

CMYK 79 / 73 / 0 / 6

HEX #3240EF

RGB 50 64 239

HSL 235.56, 0.86%, 0.57%

LAB 38.86, 54.5, -87.91

 

CMYK 74 / 68 / 0 / 0

HEX #4352FF

RGB 67 82 255

HSL 235.21, 1%, 0.63%

LAB 44.87, 50.93, -86.94

 

CMYK 67 / 61 / 0 / 0

HEX #5464FF

RGB 84 100 255

HSL 234.39, 1%, 0.66%

LAB 49.76, 42.22, -78.89

 

CMYK 60 / 54 / 0 / 0

HEX #6576FF

RGB 101 118 255

HSL 233.38, 1%, 0.7%

LAB 55.01, 33.94, -70.31

 

CMYK 54 / 47 / 0 / 0

HEX #7688FF

RGB 118 136 255

HSL 232.12, 1%, 0.73%

LAB 60.5, 26.33, -61.43

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 88 / 80 / 0 / 12

HEX #1C2EE1

RGB 28 46 225

HSL 234.52, 0.78%, 0.5%

LAB 33.22, 58.34, -89.32

 

CMYK 95 / 86 / 0 / 19

HEX #0B1CCE

RGB 11 28 206

HSL 234.77, 0.9%, 0.43%

LAB 27.73, 60.19, -87.48

 

CMYK 100 / 95 / 0 / 27

HEX #000ABB

RGB 0 10 187

HSL 236.79, 1%, 0.37%

LAB 23.02, 60.38, -84.17

 

CMYK 100 / 100 / 0 / 34

HEX #0000A8

RGB 0 0 168

HSL 240, 1%, 0.33%

LAB 19.34, 57.94, -78.91

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 76 / 81 / 0 / 4

HEX #3B2EF4

RGB 59 46 244

HSL 243.94, 0.9%, 0.57%

LAB 36.77, 65.45, -94.17

 

CMYK 62 / 81 / 0 / 4

HEX #5C2EF4

RGB 92 46 244

HSL 253.94, 0.9%, 0.57%

LAB 39.17, 67.86, -90.12

 

CMYK 49 / 81 / 0 / 4

HEX #7D2EF4

RGB 125 46 244

HSL 263.94, 0.9%, 0.57%

LAB 42.53, 71.3, -84.47

 

CMYK 35 / 81 / 0 / 4

HEX #9E2EF4

RGB 158 46 244

HSL 273.94, 0.9%, 0.57%

LAB 46.65, 75.62, -77.55

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 83 / 75 / 0 / 84

HEX #070A28

RGB 7 10 40

HSL 234.55, 0.7%, 0.09%

LAB 3.75, 7.55, -19.21

 

CMYK 81 / 74 / 0 / 64

HEX #11185B

RGB 17 24 91

HSL 234.32, 0.69%, 0.21%

LAB 12.78, 23.55, -40.8

 

CMYK 82 / 74 / 0 / 44

HEX #1A258E

RGB 26 37 142

HSL 234.31, 0.69%, 0.33%

LAB 21.93, 35.27, -58.61

 

CMYK 81 / 74 / 0 / 24

HEX #2433C1

RGB 36 51 193

HSL 234.27, 0.69%, 0.45%

LAB 30.86, 45.57, -74.64

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 0 / 81 / 8 / 4

HEX #F42EE0

RGB 244 46 224

HSL 306.06, 0.9%, 0.57%

LAB 58.57, 86.82, -46.41

 

CMYK 41 / 0 / 81 / 4

HEX #91F42E

RGB 145 244 46

HSL 90, 0.9%, 0.57%

LAB 87.45, -57.58, 77.58

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 0 / 81 / 73 / 4

HEX #F42E42

RGB 244 46 66

HSL 353.94, 0.9%, 0.57%

LAB 53.58, 72.49, 38.9

 

CMYK 73 / 0 / 81 / 4

HEX #42F42E

RGB 66 244 46

HSL 113.94, 0.9%, 0.57%

LAB 85.03, -76.76, 74.49

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 0 / 81 / 8 / 4

HEX #F42EE0

RGB 244 46 224

HSL 306.06, 0.9%, 0.57%

LAB 58.57, 86.82, -46.41

 

CMYK 0 / 8 / 81 / 4

HEX #F4E02E

RGB 244 224 46

HSL 53.94, 0.9%, 0.57%

LAB 88.32, -10.39, 80.81

 

CMYK 81 / 0 / 73 / 4

HEX #2EF442

RGB 46 244 66

HSL 126.06, 0.9%, 0.57%

LAB 84.83, -78.08, 68.27

 

CMYK 82 / 74 / 0 / 4

HEX #2D40F4

RGB 45 64 244

HSL 234.27, 0.9%, 0.57%

LAB 39.17, 55.81, -90.22

 

CMYK 0 / 81 / 32 / 4

HEX #F42EA5

RGB 244 46 165

HSL 323.94, 0.9%, 0.57%

LAB 55.99, 79.61, -16.48

 

CMYK 0 / 8 / 81 / 4

HEX #F4E02E

RGB 244 224 46

HSL 53.94, 0.9%, 0.57%

LAB 88.32, -10.39, 80.81

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

Description

Color code: RGB 45 64 244 | qconv.com Color code: RGB 45 64 244 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 64 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 64 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 74 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 74% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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