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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 12 171 it is the complementary color RGB 210 243 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 12 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 45 12 171: RGB 50 12 166, RGB 67 30 185, RGB 84 48 204, RGB 101 66 223 and RGB 118 84 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 12 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 45 12 171: RGB 45 12 171, RGB 28 0 152, RGB 11 0 133, RGB 0 0 114 and RGB 0 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

Complementary color

CMYK 14 / 0 / 65 / 5

HEX #D2F354

RGB 210 243 84

HSL 72.45, 0.87%, 0.64%

LAB 90.98, -31.66, 70.09

 

CMYK 70 / 93 / 0 / 35

HEX #320CA6

RGB 50 12 166

HSL 254.81, 0.87%, 0.35%

LAB 22.63, 55.57, -72.13

 

CMYK 64 / 84 / 0 / 27

HEX #431EB9

RGB 67 30 185

HSL 254.32, 0.72%, 0.42%

LAB 28.44, 55.98, -73.85

 

CMYK 59 / 76 / 0 / 20

HEX #5430CC

RGB 84 48 204

HSL 253.85, 0.62%, 0.49%

LAB 34.72, 55.21, -74.6

 

CMYK 55 / 70 / 0 / 13

HEX #6542DF

RGB 101 66 223

HSL 253.38, 0.71%, 0.57%

LAB 41.2, 53.95, -74.84

 

CMYK 51 / 65 / 0 / 5

HEX #7654F2

RGB 118 84 242

HSL 252.91, 0.86%, 0.64%

LAB 47.76, 52.52, -74.81

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 82 / 100 / 0 / 40

HEX #1C0098

RGB 28 0 152

HSL 251.05, 1%, 0.3%

LAB 17.98, 54.22, -71.36

 

CMYK 92 / 100 / 0 / 48

HEX #0B0085

RGB 11 0 133

HSL 244.96, 1%, 0.26%

LAB 14.2, 48.97, -65.82

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 59 / 94 / 0 / 33

HEX #460BAB

RGB 70 11 171

HSL 262.13, 0.88%, 0.36%

LAB 25.2, 58.41, -70.83

 

CMYK 43 / 94 / 0 / 33

HEX #610BAB

RGB 97 11 171

HSL 272.25, 0.88%, 0.36%

LAB 28.7, 60.93, -64.95

 

CMYK 28 / 94 / 0 / 33

HEX #7B0BAB

RGB 123 11 171

HSL 282, 0.88%, 0.36%

LAB 32.68, 64.16, -58.26

 

CMYK 12 / 94 / 0 / 33

HEX #960BAB

RGB 150 11 171

HSL 292.13, 0.88%, 0.36%

LAB 37.23, 68.19, -50.66

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 74 / 93 / 0 / 13

HEX #3A10DE

RGB 58 16 222

HSL 252.23, 0.87%, 0.47%

LAB 30.75, 69.4, -91.67

 

CMYK 72 / 94 / 0 / 93

HEX #050112

RGB 5 1 18

HSL 254.12, 0.89%, 0.04%

LAB 0.88, 3.68, -6.8

 

CMYK 74 / 93 / 0 / 73

HEX #120545

RGB 18 5 69

HSL 252.19, 0.86%, 0.15%

LAB 6.02, 26.99, -36.79

 

CMYK 73 / 93 / 0 / 53

HEX #200878

RGB 32 8 120

HSL 252.86, 0.88%, 0.25%

LAB 14.61, 43.04, -56.81

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 0 / 94 / 37 / 33

HEX #AB0B6B

RGB 171 11 107

HSL 324, 0.88%, 0.36%

LAB 37.77, 63.48, -10.13

 

CMYK 75 / 0 / 94 / 33

HEX #2BAB0B

RGB 43 171 11

HSL 108, 0.88%, 0.36%

LAB 61.36, -59.59, 60.73

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 0 / 75 / 94 / 33

HEX #AB2B0B

RGB 171 43 11

HSL 12, 0.88%, 0.36%

LAB 38.57, 50.42, 47.32

 

CMYK 94 / 0 / 75 / 33

HEX #0BAB2B

RGB 11 171 43

HSL 132, 0.88%, 0.36%

LAB 61.11, -61.34, 52.23

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 0 / 94 / 37 / 33

HEX #AB0B6B

RGB 171 11 107

HSL 324, 0.88%, 0.36%

LAB 37.77, 63.48, -10.13

 

CMYK 19 / 0 / 94 / 33

HEX #8BAB0B

RGB 139 171 11

HSL 72, 0.88%, 0.36%

LAB 65.47, -29.64, 65.77

 

CMYK 94 / 0 / 56 / 33

HEX #0BAB4B

RGB 11 171 75

HSL 144, 0.88%, 0.36%

LAB 61.4, -57.71, 38.77

 

CMYK 74 / 93 / 0 / 33

HEX #2D0CAB

RGB 45 12 171

HSL 252.45, 0.87%, 0.36%

LAB 22.87, 56.64, -74.79

 

CMYK 0 / 94 / 65 / 33

HEX #AB0B3B

RGB 171 11 59

HSL 342, 0.88%, 0.36%

LAB 36.39, 59.72, 18.79

 

CMYK 19 / 0 / 94 / 33

HEX #8BAB0B

RGB 139 171 11

HSL 72, 0.88%, 0.36%

LAB 65.47, -29.64, 65.77

 

CMYK 94 / 0 / 28 / 33

HEX #0BAB7B

RGB 11 171 123

HSL 162, 0.88%, 0.36%

LAB 62.19, -48.44, 14.53

 

Description

Color code: RGB 45 12 171 | qconv.com Color code: RGB 45 12 171 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 12 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 12 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 93 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 93% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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