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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 217 106 it is the complementary color RGB 211 38 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 217 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 44 217 106: RGB 49 217 101, RGB 66 235 120, RGB 83 253 139, RGB 100 255 158 and RGB 117 255 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 217 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 44 217 106: RGB 44 217 106, RGB 27 199 87, RGB 10 181 68, RGB 0 163 49 and RGB 0 145 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

Complementary color

CMYK 0 / 82 / 29 / 17

HEX #D32695

RGB 211 38 149

HSL 321.5, 0.69%, 0.49%

LAB 48.77, 72.19, -18.56

 

CMYK 77 / 0 / 53 / 15

HEX #31D965

RGB 49 217 101

HSL 138.57, 0.69%, 0.52%

LAB 76.81, -65.67, 45.02

 

CMYK 72 / 0 / 49 / 8

HEX #42EB78

RGB 66 235 120

HSL 139.17, 0.81%, 0.59%

LAB 82.88, -66.64, 43.51

 

CMYK 67 / 0 / 45 / 1

HEX #53FD8B

RGB 83 253 139

HSL 139.76, 0.98%, 0.66%

LAB 88.9, -67.27, 42.04

 

CMYK 61 / 0 / 38 / 0

HEX #64FF9E

RGB 100 255 158

HSL 142.45, 1%, 0.7%

LAB 90.18, -61.77, 34.47

 

CMYK 54 / 0 / 31 / 0

HEX #75FFB1

RGB 117 255 177

HSL 146.09, 1%, 0.73%

LAB 91, -54.81, 26.12

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 86 / 0 / 56 / 22

HEX #1BC757

RGB 27 199 87

HSL 140.93, 0.76%, 0.44%

LAB 70.71, -64.01, 44.21

 

CMYK 94 / 0 / 62 / 29

HEX #0AB544

RGB 10 181 68

HSL 140.35, 0.9%, 0.37%

LAB 64.59, -61.87, 45.77

 

CMYK 100 / 0 / 70 / 36

HEX #00A331

RGB 0 163 49

HSL 138.04, 1%, 0.32%

LAB 58.43, -58.97, 47.13

 

CMYK 100 / 0 / 79 / 43

HEX #00911E

RGB 0 145 30

HSL 132.41, 1%, 0.28%

LAB 52.22, -55.23, 47.93

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 80 / 0 / 39 / 15

HEX #2BD884

RGB 43 216 132

HSL 150.87, 0.69%, 0.51%

LAB 76.86, -60.88, 29.72

 

CMYK 80 / 0 / 25 / 15

HEX #2BD8A1

RGB 43 216 161

HSL 160.92, 0.69%, 0.51%

LAB 77.4, -54.8, 15.32

 

CMYK 80 / 0 / 12 / 15

HEX #2BD8BE

RGB 43 216 190

HSL 170.98, 0.69%, 0.51%

LAB 78.08, -47.65, 0.85

 

CMYK 80 / 1 / 0 / 15

HEX #2BD5D8

RGB 43 213 216

HSL 181.04, 0.69%, 0.51%

LAB 77.91, -39.1, -13.33

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 77 / 0 / 54 / 95

HEX #030D06

RGB 3 13 6

HSL 138, 0.63%, 0.03%

LAB 2.89, -3.69, 1.8

 

CMYK 80 / 0 / 52 / 75

HEX #0D401F

RGB 13 64 31

HSL 141.18, 0.66%, 0.15%

LAB 23.17, -25.36, 15.47

 

CMYK 80 / 0 / 51 / 55

HEX #177338

RGB 23 115 56

HSL 141.52, 0.67%, 0.27%

LAB 42.35, -39.98, 25.27

 

CMYK 80 / 0 / 51 / 35

HEX #22A651

RGB 34 166 81

HSL 141.36, 0.66%, 0.39%

LAB 60.07, -53.1, 34.23

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 80 / 44 / 0 / 15

HEX #2B79D8

RGB 43 121 216

HSL 212.95, 0.69%, 0.51%

LAB 50.86, 10.34, -55.34

 

CMYK 0 / 80 / 76 / 15

HEX #D82B34

RGB 216 43 52

HSL 356.88, 0.69%, 0.51%

LAB 47.72, 65.03, 38.83

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 52 / 80 / 0 / 15

HEX #682BD8

RGB 104 43 216

HSL 261.16, 0.69%, 0.51%

LAB 37.17, 63.02, -77.44

 

CMYK 0 / 52 / 80 / 15

HEX #D8682B

RGB 216 104 43

HSL 21.16, 0.69%, 0.51%

LAB 56.76, 40.3, 52.55

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 80 / 44 / 0 / 15

HEX #2B79D8

RGB 43 121 216

HSL 212.95, 0.69%, 0.51%

LAB 50.86, 10.34, -55.34

 

CMYK 0 / 80 / 28 / 15

HEX #D82B9B

RGB 216 43 155

HSL 321.16, 0.69%, 0.51%

LAB 50.33, 72.83, -19.67

 

CMYK 0 / 36 / 80 / 15

HEX #D88A2B

RGB 216 138 43

HSL 32.95, 0.69%, 0.51%

LAB 64.12, 22.49, 59.37

 

CMYK 80 / 0 / 51 / 15

HEX #2CD96A

RGB 44 217 106

HSL 141.5, 0.69%, 0.51%

LAB 76.8, -65.53, 42.61

 

CMYK 80 / 68 / 0 / 15

HEX #2B45D8

RGB 43 69 216

HSL 230.98, 0.69%, 0.51%

LAB 37.35, 43.33, -77.3

 

CMYK 0 / 80 / 28 / 15

HEX #D82B9B

RGB 216 43 155

HSL 321.16, 0.69%, 0.51%

LAB 50.33, 72.83, -19.67

 

CMYK 0 / 12 / 80 / 15

HEX #D8BE2B

RGB 216 190 43

HSL 50.98, 0.69%, 0.51%

LAB 77.04, -5.18, 70.91

 

Description

Color code: RGB 44 217 106 | qconv.com Color code: RGB 44 217 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 217 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 217 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 51 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 51% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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