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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 208 220 it is the complementary color RGB 211 47 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 208 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 44 208 220: RGB 49 208 215, RGB 66 226 234, RGB 83 244 253, RGB 100 255 255 and RGB 117 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 208 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 44 208 220: RGB 44 208 220, RGB 27 190 201, RGB 10 172 182, RGB 0 154 163 and RGB 0 136 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

Complementary color

CMYK 0 / 78 / 83 / 17

HEX #D32F23

RGB 211 47 35

HSL 4.09, 0.72%, 0.48%

LAB 46.98, 61.96, 46.91

 

CMYK 77 / 3 / 0 / 16

HEX #31D0D7

RGB 49 208 215

HSL 182.53, 0.67%, 0.52%

LAB 76.48, -36.56, -14.93

 

CMYK 72 / 3 / 0 / 8

HEX #42E2EA

RGB 66 226 234

HSL 182.86, 0.8%, 0.59%

LAB 82.64, -37.53, -15.78

 

CMYK 67 / 4 / 0 / 1

HEX #53F4FD

RGB 83 244 253

HSL 183.18, 0.98%, 0.66%

LAB 88.75, -38.29, -16.56

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 87 / 5 / 0 / 21

HEX #1BBEC9

RGB 27 190 201

HSL 183.79, 0.76%, 0.45%

LAB 70.37, -34.1, -16.57

 

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

CMYK 100 / 6 / 0 / 36

HEX #009AA3

RGB 0 154 163

HSL 183.31, 1%, 0.32%

LAB 57.8, -30.11, -14.38

 

CMYK 100 / 6 / 0 / 44

HEX #008890

RGB 0 136 144

HSL 183.33, 1%, 0.28%

LAB 51.41, -27.51, -13.11

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 80 / 19 / 0 / 14

HEX #2CB3DC

RGB 44 179 220

HSL 193.98, 0.72%, 0.52%

LAB 67.98, -21.25, -30.61

 

CMYK 80 / 32 / 0 / 14

HEX #2C96DC

RGB 44 150 220

HSL 203.86, 0.72%, 0.52%

LAB 59.45, -5.43, -43.93

 

CMYK 80 / 45 / 0 / 14

HEX #2C78DC

RGB 44 120 220

HSL 214.09, 0.72%, 0.52%

LAB 50.85, 12.57, -57.62

 

CMYK 80 / 59 / 0 / 14

HEX #2C5BDC

RGB 44 91 220

HSL 223.98, 0.72%, 0.52%

LAB 43.04, 31.03, -70.26

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 81 / 6 / 0 / 94

HEX #030F10

RGB 3 15 16

HSL 184.62, 0.68%, 0.04%

LAB 3.6, -3.15, -1.68

 

CMYK 81 / 6 / 0 / 74

HEX #0D3F43

RGB 13 63 67

HSL 184.44, 0.68%, 0.16%

LAB 23.82, -14.4, -7.17

 

CMYK 80 / 5 / 0 / 54

HEX #187076

RGB 24 112 118

HSL 183.83, 0.66%, 0.28%

LAB 42.9, -22.32, -10.54

 

CMYK 80 / 5 / 0 / 34

HEX #22A0A9

RGB 34 160 169

HSL 184, 0.67%, 0.4%

LAB 60.2, -29.12, -14.13

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 59 / 80 / 0 / 14

HEX #5B2CDC

RGB 91 44 220

HSL 256.02, 0.72%, 0.52%

LAB 36.35, 62.18, -81.13

 

CMYK 0 / 27 / 80 / 14

HEX #DCA12C

RGB 220 161 44

HSL 39.89, 0.72%, 0.52%

LAB 70.1, 11.88, 64.59

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 0 / 80 / 5 / 14

HEX #DC2CD0

RGB 220 44 208

HSL 304.09, 0.72%, 0.52%

LAB 53.57, 80.37, -45.5

 

CMYK 5 / 0 / 80 / 14

HEX #D0DC2C

RGB 208 220 44

HSL 64.09, 0.72%, 0.52%

LAB 84.37, -23.53, 76.78

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 59 / 80 / 0 / 14

HEX #5B2CDC

RGB 91 44 220

HSL 256.02, 0.72%, 0.52%

LAB 36.35, 62.18, -81.13

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 21 / 0 / 80 / 14

HEX #ADDC2C

RGB 173 220 44

HSL 76.02, 0.72%, 0.52%

LAB 81.98, -37.63, 73.75

 

CMYK 80 / 5 / 0 / 14

HEX #2CD0DC

RGB 44 208 220

HSL 184.09, 0.72%, 0.52%

LAB 76.57, -35.52, -17.5

 

CMYK 35 / 80 / 0 / 14

HEX #902CDC

RGB 144 44 220

HSL 274.09, 0.72%, 0.52%

LAB 42.61, 69.1, -70.63

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 45 / 0 / 80 / 14

HEX #78DC2C

RGB 120 220 44

HSL 94.09, 0.72%, 0.52%

LAB 79.25, -56.34, 70.27

 

Description

Color code: RGB 44 208 220 | qconv.com Color code: RGB 44 208 220 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 208 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 208 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 5 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 5% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to CMYK

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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