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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 175 91 it is the complementary color RGB 211 80 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 175 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 44 175 91: RGB 49 175 86, RGB 66 193 105, RGB 83 211 124, RGB 100 229 143 and RGB 117 247 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 175 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 44 175 91: RGB 44 175 91, RGB 27 157 72, RGB 10 139 53, RGB 0 121 34 and RGB 0 103 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

Complementary color

CMYK 0 / 62 / 22 / 17

HEX #D350A4

RGB 211 80 164

HSL 321.53, 0.6%, 0.57%

LAB 54.31, 60.16, -18.97

 

CMYK 72 / 0 / 51 / 31

HEX #31AF56

RGB 49 175 86

HSL 137.62, 0.56%, 0.44%

LAB 63.33, -53.35, 35.8

 

CMYK 66 / 0 / 46 / 24

HEX #42C169

RGB 66 193 105

HSL 138.43, 0.51%, 0.51%

LAB 69.7, -53.93, 34.27

 

CMYK 61 / 0 / 41 / 17

HEX #53D37C

RGB 83 211 124

HSL 139.22, 0.59%, 0.58%

LAB 76, -54.23, 32.83

 

CMYK 56 / 0 / 38 / 10

HEX #64E58F

RGB 100 229 143

HSL 140, 0.71%, 0.65%

LAB 82.23, -54.33, 31.47

 

CMYK 53 / 0 / 34 / 3

HEX #75F7A2

RGB 117 247 162

HSL 140.77, 0.89%, 0.71%

LAB 88.41, -54.31, 30.19

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 83 / 0 / 54 / 38

HEX #1B9D48

RGB 27 157 72

HSL 140.77, 0.71%, 0.36%

LAB 56.89, -52.18, 34.85

 

CMYK 93 / 0 / 62 / 45

HEX #0A8B35

RGB 10 139 53

HSL 140, 0.87%, 0.29%

LAB 50.44, -50.32, 36.51

 

CMYK 100 / 0 / 72 / 53

HEX #007922

RGB 0 121 34

HSL 136.86, 1%, 0.24%

LAB 43.93, -47.49, 37.97

 

CMYK 100 / 0 / 85 / 60

HEX #00670F

RGB 0 103 15

HSL 128.74, 1%, 0.2%

LAB 37.36, -43.46, 38.62

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 75 / 0 / 37 / 31

HEX #2BAF6F

RGB 43 175 111

HSL 150.91, 0.61%, 0.43%

LAB 63.61, -49.78, 23.06

 

CMYK 75 / 0 / 24 / 31

HEX #2BAF85

RGB 43 175 133

HSL 160.91, 0.61%, 0.43%

LAB 64.05, -44.91, 11.68

 

CMYK 75 / 0 / 11 / 31

HEX #2BAF9B

RGB 43 175 155

HSL 170.91, 0.61%, 0.43%

LAB 64.6, -39.28, 0.26

 

CMYK 75 / 1 / 0 / 31

HEX #2BADAF

RGB 43 173 175

HSL 180.91, 0.61%, 0.43%

LAB 64.56, -32.63, -10.93

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 75 / 0 / 48 / 11

HEX #39E276

RGB 57 226 118

HSL 141.66, 0.74%, 0.55%

LAB 79.94, -65.13, 40.75

 

CMYK 73 / 0 / 50 / 91

HEX #06160B

RGB 6 22 11

HSL 138.75, 0.57%, 0.05%

LAB 5.75, -7.49, 3.95

 

CMYK 75 / 0 / 48 / 71

HEX #124926

RGB 18 73 38

HSL 141.82, 0.6%, 0.18%

LAB 26.83, -26.92, 15.9

 

CMYK 75 / 0 / 48 / 51

HEX #1F7C40

RGB 31 124 64

HSL 141.29, 0.6%, 0.3%

LAB 45.74, -40.8, 25.19

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 75 / 41 / 0 / 31

HEX #2B67AF

RGB 43 103 175

HSL 212.73, 0.61%, 0.43%

LAB 43.23, 6.14, -43.95

 

CMYK 0 / 75 / 71 / 31

HEX #AF2B32

RGB 175 43 50

HSL 356.82, 0.61%, 0.43%

LAB 39.7, 52.87, 28.75

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 49 / 75 / 0 / 31

HEX #592BAF

RGB 89 43 175

HSL 260.91, 0.61%, 0.43%

LAB 31.69, 50.22, -62.47

 

CMYK 0 / 49 / 75 / 31

HEX #AF592B

RGB 175 89 43

HSL 20.91, 0.61%, 0.43%

LAB 47.54, 31.67, 41.36

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 75 / 41 / 0 / 31

HEX #2B67AF

RGB 43 103 175

HSL 212.73, 0.61%, 0.43%

LAB 43.23, 6.14, -43.95

 

CMYK 0 / 75 / 26 / 31

HEX #AF2B81

RGB 175 43 129

HSL 320.91, 0.61%, 0.43%

LAB 41.89, 59.82, -17.52

 

CMYK 0 / 34 / 75 / 31

HEX #AF742B

RGB 175 116 43

HSL 33.18, 0.61%, 0.43%

LAB 53.79, 16.78, 47.74

 

CMYK 75 / 0 / 48 / 31

HEX #2CAF5B

RGB 44 175 91

HSL 141.53, 0.6%, 0.43%

LAB 63.3, -53.33, 33.2

 

CMYK 75 / 64 / 0 / 31

HEX #2B3FAF

RGB 43 63 175

HSL 230.91, 0.61%, 0.43%

LAB 32.18, 32.34, -61.81

 

CMYK 0 / 75 / 26 / 31

HEX #AF2B81

RGB 175 43 129

HSL 320.91, 0.61%, 0.43%

LAB 41.89, 59.82, -17.52

 

CMYK 0 / 11 / 75 / 31

HEX #AF9B2B

RGB 175 155 43

HSL 50.91, 0.61%, 0.43%

LAB 63.94, -4.77, 57.59

 

Description

Color code: RGB 44 175 91 | qconv.com Color code: RGB 44 175 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 175 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 175 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 48 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 48% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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