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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 135 102 it is the complementary color RGB 211 120 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 135 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 135 102 shade: RGB 49 135 97, RGB 66 153 116, RGB 83 171 135, RGB 100 189 154 and RGB 117 207 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 135 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 27 117 83, RGB 10 99 64, RGB 0 81 45 and RGB 0 63 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 44 135 77, RGB 44 135 53, RGB 59 135 44 and RGB 84 135 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 44 135 126, RGB 44 119 135, RGB 44 94 135 and RGB 44 70 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 135 102 shade matches the following richer shades: RGB 44 135 102, RGB 29 149 106, RGB 15 164 110 and RGB 0 178 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 58 120 98, RGB 73 106 94, RGB 87 91 90 and RGB 101 77 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 135 102 shade: RGB 44 135 53, RGB 44 135 77, RGB 44 135 101, RGB 44 135 126 and RGB 44 120 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 135 102 shade: RGB 24 72 55, RGB 34 104 78, RGB 44 135 102, RGB 54 166 125 and RGB 67 194 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 44 59 135 and RGB 135 65 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 101 44 135 and RGB 135 101 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 44 59 135, RGB 135 44 77 and RGB 135 120 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 135 102 shade: RGB 44 135 102, RGB 56 44 135, RGB 135 44 77 and RGB 123 135 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

Complementary color

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 64 / 0 / 28 / 47

HEX #318761

RGB 49 135 97

HSL 153.49, 0.47%, 0.36%

LAB 50.5, -35.21, 12.98

 

CMYK 57 / 0 / 24 / 40

HEX #429974

RGB 66 153 116

HSL 154.48, 0.4%, 0.43%

LAB 57.27, -35.27, 11.7

 

CMYK 51 / 0 / 21 / 33

HEX #53AB87

RGB 83 171 135

HSL 155.45, 0.35%, 0.5%

LAB 63.93, -35.2, 10.55

 

CMYK 47 / 0 / 19 / 26

HEX #64BD9A

RGB 100 189 154

HSL 156.4, 0.4%, 0.57%

LAB 70.48, -35.06, 9.51

 

CMYK 43 / 0 / 16 / 19

HEX #75CFAD

RGB 117 207 173

HSL 157.33, 0.48%, 0.64%

LAB 76.94, -34.87, 8.55

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 77 / 0 / 29 / 54

HEX #1B7553

RGB 27 117 83

HSL 157.33, 0.63%, 0.28%

LAB 43.62, -34.51, 11.49

 

CMYK 90 / 0 / 35 / 61

HEX #0A6340

RGB 10 99 64

HSL 156.4, 0.82%, 0.21%

LAB 36.67, -33.47, 13.18

 

CMYK 100 / 0 / 44 / 68

HEX #00512D

RGB 0 81 45

HSL 153.33, 1%, 0.16%

LAB 29.6, -31.54, 15.18

 

CMYK 100 / 0 / 59 / 75

HEX #003F1A

RGB 0 63 26

HSL 144.76, 1%, 0.12%

LAB 22.41, -28.34, 17.49

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 67 / 0 / 43 / 47

HEX #2C874D

RGB 44 135 77

HSL 141.76, 0.51%, 0.35%

LAB 49.98, -40.41, 23.55

 

CMYK 67 / 0 / 61 / 47

HEX #2C8735

RGB 44 135 53

HSL 125.93, 0.51%, 0.35%

LAB 49.64, -44.21, 35.74

 

CMYK 56 / 0 / 67 / 47

HEX #3B872C

RGB 59 135 44

HSL 110.11, 0.51%, 0.35%

LAB 50.03, -41.5, 40.51

 

CMYK 38 / 0 / 67 / 47

HEX #54872C

RGB 84 135 44

HSL 93.63, 0.51%, 0.35%

LAB 51.15, -33.3, 42.05

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 67 / 0 / 7 / 47

HEX #2C877E

RGB 44 135 126

HSL 174.07, 0.51%, 0.35%

LAB 51.12, -28.62, -2.99

 

CMYK 67 / 12 / 0 / 47

HEX #2C7787

RGB 44 119 135

HSL 190.55, 0.51%, 0.35%

LAB 46.28, -17.57, -15.53

 

CMYK 67 / 30 / 0 / 47

HEX #2C5E87

RGB 44 94 135

HSL 207.03, 0.51%, 0.35%

LAB 38.36, -2.96, -27.78

 

CMYK 67 / 48 / 0 / 47

HEX #2C4687

RGB 44 70 135

HSL 222.86, 0.51%, 0.35%

LAB 31.03, 12.7, -39.4

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 81 / 0 / 29 / 42

HEX #1D956A

RGB 29 149 106

HSL 158.5, 0.67%, 0.35%

LAB 54.86, -42.29, 13.84

 

CMYK 91 / 0 / 33 / 36

HEX #0FA46E

RGB 15 164 110

HSL 158.26, 0.83%, 0.35%

LAB 59.69, -48.52, 18.24

 

CMYK 100 / 0 / 36 / 30

HEX #00B272

RGB 0 178 114

HSL 158.43, 1%, 0.35%

LAB 64.21, -53.58, 22.18

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 52 / 0 / 18 / 53

HEX #3A7862

RGB 58 120 98

HSL 158.71, 0.35%, 0.35%

LAB 45.93, -25.75, 5.99

 

CMYK 31 / 0 / 11 / 58

HEX #496A5E

RGB 73 106 94

HSL 158.18, 0.18%, 0.35%

LAB 42.05, -14.79, 2.92

 

CMYK 4 / 0 / 1 / 64

HEX #575B5A

RGB 87 91 90

HSL 165, 0.02%, 0.35%

LAB 38.28, -1.79, 0.02

 

CMYK 0 / 24 / 15 / 60

HEX #654D56

RGB 101 77 86

HSL 337.5, 0.13%, 0.35%

LAB 35.49, 11.72, -1.4

 

CMYK 67 / 0 / 61 / 47

HEX #2C8735

RGB 44 135 53

HSL 125.93, 0.51%, 0.35%

LAB 49.64, -44.21, 35.74

 

CMYK 67 / 0 / 43 / 47

HEX #2C874D

RGB 44 135 77

HSL 141.76, 0.51%, 0.35%

LAB 49.98, -40.41, 23.55

 

CMYK 67 / 0 / 25 / 47

HEX #2C8765

RGB 44 135 101

HSL 157.58, 0.51%, 0.35%

LAB 50.46, -35.26, 10.59

 

CMYK 67 / 0 / 7 / 47

HEX #2C877E

RGB 44 135 126

HSL 174.07, 0.51%, 0.35%

LAB 51.12, -28.62, -2.99

 

CMYK 67 / 11 / 0 / 47

HEX #2C7887

RGB 44 120 135

HSL 189.89, 0.51%, 0.35%

LAB 46.6, -18.11, -15.05

 

CMYK 67 / 0 / 24 / 72

HEX #184837

RGB 24 72 55

HSL 158.75, 0.5%, 0.19%

LAB 27.03, -21, 5.45

 

CMYK 67 / 0 / 25 / 59

HEX #22684E

RGB 34 104 78

HSL 157.71, 0.51%, 0.27%

LAB 39.23, -28.61, 8.35

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 67 / 0 / 25 / 35

HEX #36A67D

RGB 54 166 125

HSL 158.04, 0.51%, 0.43%

LAB 61.25, -41.36, 12.2

 

CMYK 65 / 0 / 24 / 24

HEX #43C294

RGB 67 194 148

HSL 158.27, 0.51%, 0.51%

LAB 70.81, -45.7, 13.08

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 67 / 56 / 0 / 47

HEX #2C3B87

RGB 44 59 135

HSL 230.11, 0.51%, 0.35%

LAB 27.88, 20.21, -44.48

 

CMYK 0 / 52 / 67 / 47

HEX #87412C

RGB 135 65 44

HSL 13.85, 0.51%, 0.35%

LAB 36.2, 28.15, 26.46

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 25 / 67 / 0 / 47

HEX #652C87

RGB 101 44 135

HSL 277.58, 0.51%, 0.35%

LAB 30.2, 41.84, -40.45

 

CMYK 0 / 25 / 67 / 47

HEX #87652C

RGB 135 101 44

HSL 37.58, 0.51%, 0.35%

LAB 45.14, 7.28, 36.71

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 67 / 56 / 0 / 47

HEX #2C3B87

RGB 44 59 135

HSL 230.11, 0.51%, 0.35%

LAB 27.88, 20.21, -44.48

 

CMYK 0 / 67 / 43 / 47

HEX #872C4D

RGB 135 44 77

HSL 338.24, 0.51%, 0.35%

LAB 32.89, 41.69, 1.16

 

CMYK 0 / 11 / 67 / 47

HEX #87782C

RGB 135 120 44

HSL 50.11, 0.51%, 0.35%

LAB 50.41, -3.65, 42.41

 

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 59 / 67 / 0 / 47

HEX #382C87

RGB 56 44 135

HSL 247.91, 0.51%, 0.35%

LAB 24.93, 32.23, -49.25

 

CMYK 0 / 67 / 43 / 47

HEX #872C4D

RGB 135 44 77

HSL 338.24, 0.51%, 0.35%

LAB 32.89, 41.69, 1.16

 

CMYK 9 / 0 / 67 / 47

HEX #7B872C

RGB 123 135 44

HSL 67.91, 0.51%, 0.35%

LAB 53.73, -17.27, 45.56

 

Description

Color code: RGB 44 135 102 | qconv.com Color code: RGB 44 135 102 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 135 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 135 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 24 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 24% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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