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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 120 153 it is the complementary color RGB 44 135 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 120 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 120 153: RGB 216 120 148, RGB 233 138 167, RGB 250 156 186, RGB 255 174 205 and RGB 255 192 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 120 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 120 153: RGB 211 120 153, RGB 194 102 134, RGB 177 84 115, RGB 160 66 96 and RGB 143 48 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

Complementary color

CMYK 67 / 0 / 24 / 47

HEX #2C8766

RGB 44 135 102

HSL 158.24, 0.51%, 0.35%

LAB 50.48, -35.01, 10.04

 

CMYK 0 / 44 / 31 / 15

HEX #D87894

RGB 216 120 148

HSL 342.5, 0.55%, 0.66%

LAB 61.8, 40.53, 1.57

 

CMYK 0 / 41 / 28 / 9

HEX #E98AA7

RGB 233 138 167

HSL 341.68, 0.68%, 0.73%

LAB 68.23, 39.65, 0.42

 

CMYK 0 / 38 / 26 / 2

HEX #FA9CBA

RGB 250 156 186

HSL 340.85, 0.9%, 0.8%

LAB 74.6, 38.81, -0.6

 

CMYK 0 / 32 / 20 / 0

HEX #FFAECD

RGB 255 174 205

HSL 337.04, 1%, 0.84%

LAB 79.58, 33.88, -3.61

 

CMYK 0 / 25 / 12 / 0

HEX #FFC0E0

RGB 255 192 224

HSL 329.52, 1%, 0.88%

LAB 84.14, 27.38, -7.1

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 0 / 47 / 31 / 24

HEX #C26686

RGB 194 102 134

HSL 339.13, 0.43%, 0.58%

LAB 54.76, 40.31, -0.94

 

CMYK 0 / 53 / 35 / 31

HEX #B15473

RGB 177 84 115

HSL 340, 0.37%, 0.51%

LAB 48.17, 41.18, 0.46

 

CMYK 0 / 59 / 40 / 37

HEX #A04260

RGB 160 66 96

HSL 340.85, 0.42%, 0.44%

LAB 41.56, 41.98, 2.17

 

CMYK 0 / 66 / 46 / 44

HEX #8F304D

RGB 143 48 77

HSL 341.68, 0.5%, 0.37%

LAB 34.98, 42.56, 4.36

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 0 / 43 / 35 / 17

HEX #D3788A

RGB 211 120 138

HSL 348.13, 0.51%, 0.65%

LAB 60.88, 37.49, 5.9

 

CMYK 0 / 43 / 42 / 17

HEX #D3787B

RGB 211 120 123

HSL 358.02, 0.51%, 0.65%

LAB 60.53, 35.74, 14.01

 

CMYK 0 / 37 / 43 / 17

HEX #D38478

RGB 211 132 120

HSL 7.91, 0.51%, 0.65%

LAB 63.1, 29.02, 19.27

 

CMYK 0 / 30 / 43 / 17

HEX #D39378

RGB 211 147 120

HSL 17.8, 0.51%, 0.65%

LAB 66.58, 20.9, 23.98

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 0 / 43 / 29 / 97

HEX #070405

RGB 7 4 5

HSL 340, 0.27%, 0.02%

LAB 1.29, 0.92, -0.1

 

CMYK 0 / 43 / 28 / 77

HEX #3A212A

RGB 58 33 42

HSL 338.4, 0.27%, 0.18%

LAB 16.28, 13.56, -0.92

 

CMYK 0 / 43 / 28 / 57

HEX #6D3E4F

RGB 109 62 79

HSL 338.3, 0.27%, 0.34%

LAB 32.39, 22.96, -1.37

 

CMYK 0 / 43 / 28 / 37

HEX #A05B74

RGB 160 91 116

HSL 338.26, 0.27%, 0.49%

LAB 47.26, 31.47, -1.76

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 0 / 7 / 43 / 17

HEX #D3C478

RGB 211 196 120

HSL 50.11, 0.51%, 0.65%

LAB 78.86, -5.27, 39.97

 

CMYK 43 / 10 / 0 / 17

HEX #78BED3

RGB 120 190 211

HSL 193.85, 0.51%, 0.65%

LAB 73.24, -16.56, -17.45

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 27 / 0 / 43 / 17

HEX #99D378

RGB 153 211 120

HSL 98.24, 0.51%, 0.65%

LAB 78.88, -34.82, 39.13

 

CMYK 43 / 27 / 0 / 17

HEX #7899D3

RGB 120 153 211

HSL 218.24, 0.51%, 0.65%

LAB 62.91, 3.66, -33.27

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 0 / 7 / 43 / 17

HEX #D3C478

RGB 211 196 120

HSL 50.11, 0.51%, 0.65%

LAB 78.86, -5.27, 39.97

 

CMYK 43 / 0 / 16 / 17

HEX #78D3B1

RGB 120 211 177

HSL 157.58, 0.51%, 0.65%

LAB 78.32, -35.08, 8.4

 

CMYK 43 / 36 / 0 / 17

HEX #7887D3

RGB 120 135 211

HSL 230.11, 0.51%, 0.65%

LAB 58.06, 14.13, -40.86

 

CMYK 0 / 43 / 27 / 17

HEX #D37899

RGB 211 120 153

HSL 338.24, 0.51%, 0.65%

LAB 61.29, 39.44, -2.12

 

CMYK 6 / 0 / 43 / 17

HEX #C7D378

RGB 199 211 120

HSL 67.91, 0.51%, 0.65%

LAB 81.89, -17.65, 43.55

 

CMYK 43 / 0 / 16 / 17

HEX #78D3B1

RGB 120 211 177

HSL 157.58, 0.51%, 0.65%

LAB 78.32, -35.08, 8.4

 

CMYK 37 / 43 / 0 / 17

HEX #8478D3

RGB 132 120 211

HSL 247.91, 0.51%, 0.65%

LAB 55.12, 26.12, -45.44

 

Description

Color code: RGB 211 120 153 | qconv.com Color code: RGB 211 120 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 120 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 120 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 27 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 27% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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