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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 226 94 it is the complementary color RGB 212 29 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 226 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 43 226 94: RGB 48 226 89, RGB 65 244 108, RGB 82 255 127, RGB 99 255 146 and RGB 116 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 226 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 43 226 94: RGB 43 226 94, RGB 26 208 75, RGB 9 190 56, RGB 0 172 37 and RGB 0 154 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

Complementary color

CMYK 0 / 86 / 24 / 17

HEX #D41DA1

RGB 212 29 161

HSL 316.72, 0.76%, 0.47%

LAB 48.82, 75.62, -25.62

 

CMYK 79 / 0 / 61 / 11

HEX #30E259

RGB 48 226 89

HSL 133.82, 0.75%, 0.54%

LAB 79.47, -70.24, 53.59

 

CMYK 73 / 0 / 56 / 4

HEX #41F46C

RGB 65 244 108

HSL 134.41, 0.89%, 0.61%

LAB 85.46, -71.45, 52.23

 

CMYK 68 / 0 / 50 / 0

HEX #52FF7F

RGB 82 255 127

HSL 135.61, 1%, 0.66%

LAB 89.32, -69.92, 48.26

 

CMYK 61 / 0 / 43 / 0

HEX #63FF92

RGB 99 255 146

HSL 138.08, 1%, 0.69%

LAB 89.97, -63.96, 40.1

 

CMYK 55 / 0 / 35 / 0

HEX #74FFA5

RGB 116 255 165

HSL 141.15, 1%, 0.73%

LAB 90.76, -57.19, 31.83

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 88 / 0 / 64 / 18

HEX #1AD04B

RGB 26 208 75

HSL 136.15, 0.78%, 0.46%

LAB 73.44, -68.39, 52.72

 

CMYK 95 / 0 / 71 / 25

HEX #09BE38

RGB 9 190 56

HSL 135.58, 0.91%, 0.39%

LAB 67.4, -65.92, 53.86

 

CMYK 100 / 0 / 78 / 33

HEX #00AC25

RGB 0 172 37

HSL 132.91, 1%, 0.34%

LAB 61.34, -62.65, 54.48

 

CMYK 100 / 0 / 88 / 40

HEX #009A12

RGB 0 154 18

HSL 127.01, 1%, 0.3%

LAB 55.23, -58.56, 54.04

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 81 / 0 / 46 / 11

HEX #2CE27B

RGB 44 226 123

HSL 146.04, 0.76%, 0.53%

LAB 79.82, -65.86, 38.11

 

CMYK 81 / 0 / 32 / 11

HEX #2CE299

RGB 44 226 153

HSL 155.93, 0.76%, 0.53%

LAB 80.31, -60.24, 23.54

 

CMYK 81 / 0 / 19 / 11

HEX #2CE2B7

RGB 44 226 183

HSL 165.82, 0.76%, 0.53%

LAB 80.93, -53.44, 8.69

 

CMYK 81 / 0 / 5 / 11

HEX #2CE2D6

RGB 44 226 214

HSL 176.04, 0.76%, 0.53%

LAB 81.72, -45.35, -6.59

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 82 / 0 / 59 / 91

HEX #041609

RGB 4 22 9

HSL 136.67, 0.69%, 0.05%

LAB 5.59, -8.29, 4.53

 

CMYK 81 / 0 / 59 / 71

HEX #0E491E

RGB 14 73 30

HSL 136.27, 0.68%, 0.17%

LAB 26.6, -29.23, 20.35

 

CMYK 81 / 0 / 58 / 51

HEX #187C34

RGB 24 124 52

HSL 136.8, 0.68%, 0.29%

LAB 45.44, -43.85, 31.18

 

CMYK 81 / 0 / 58 / 31

HEX #21AF49

RGB 33 175 73

HSL 136.9, 0.68%, 0.41%

LAB 62.9, -57.48, 41.57

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 81 / 38 / 0 / 11

HEX #2C8DE2

RGB 44 141 226

HSL 208.02, 0.76%, 0.53%

LAB 57.15, 2, -50.91

 

CMYK 0 / 81 / 70 / 11

HEX #E22C44

RGB 226 44 68

HSL 352.09, 0.76%, 0.53%

LAB 49.96, 68.19, 32.62

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 59 / 81 / 0 / 11

HEX #5C2CE2

RGB 92 44 226

HSL 255.82, 0.76%, 0.53%

LAB 37.06, 63.88, -83.41

 

CMYK 0 / 59 / 81 / 11

HEX #E25C2C

RGB 226 92 44

HSL 15.82, 0.76%, 0.53%

LAB 56.09, 49.83, 52.03

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 81 / 38 / 0 / 11

HEX #2C8DE2

RGB 44 141 226

HSL 208.02, 0.76%, 0.53%

LAB 57.15, 2, -50.91

 

CMYK 0 / 81 / 22 / 11

HEX #E22CB1

RGB 226 44 177

HSL 316.15, 0.76%, 0.53%

LAB 53.11, 77.44, -28.22

 

CMYK 0 / 43 / 81 / 11

HEX #E2812C

RGB 226 129 44

HSL 28.02, 0.76%, 0.53%

LAB 63.39, 31.48, 58.79

 

CMYK 81 / 0 / 58 / 11

HEX #2BE25E

RGB 43 226 94

HSL 136.72, 0.76%, 0.53%

LAB 79.45, -70.19, 51.35

 

CMYK 81 / 62 / 0 / 11

HEX #2C56E2

RGB 44 86 226

HSL 226.15, 0.76%, 0.53%

LAB 42.28, 36.42, -74.92

 

CMYK 0 / 81 / 22 / 11

HEX #E22CB1

RGB 226 44 177

HSL 316.15, 0.76%, 0.53%

LAB 53.11, 77.44, -28.22

 

CMYK 0 / 19 / 81 / 11

HEX #E2B72C

RGB 226 183 44

HSL 45.82, 0.76%, 0.53%

LAB 76.2, 2.82, 70.24

 

Description

Color code: RGB 43 226 94 | qconv.com Color code: RGB 43 226 94 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 226 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 226 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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