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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 201 167 it is the complementary color RGB 212 54 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 201 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 43 201 167: RGB 48 201 162, RGB 65 219 181, RGB 82 237 200, RGB 99 255 219 and RGB 116 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 201 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 43 201 167: RGB 43 201 167, RGB 26 183 148, RGB 9 165 129, RGB 0 147 110 and RGB 0 129 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

Complementary color

CMYK 0 / 75 / 58 / 17

HEX #D43658

RGB 212 54 88

HSL 347.09, 0.65%, 0.52%

LAB 48.69, 62.49, 18.42

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A2

RGB 48 201 162

HSL 164.71, 0.61%, 0.49%

LAB 72.9, -48.03, 8.43

 

CMYK 70 / 0 / 17 / 14

HEX #41DBB5

RGB 65 219 181

HSL 165.19, 0.68%, 0.56%

LAB 79.11, -48.7, 7.19

 

CMYK 65 / 0 / 16 / 7

HEX #52EDC8

RGB 82 237 200

HSL 165.68, 0.81%, 0.63%

LAB 85.27, -49.15, 6.06

 

CMYK 61 / 0 / 14 / 0

HEX #63FFDB

RGB 99 255 219

HSL 166.15, 1%, 0.69%

LAB 91.36, -49.45, 5.02

 

CMYK 55 / 0 / 7 / 0

HEX #74FFEE

RGB 116 255 238

HSL 172.66, 1%, 0.73%

LAB 92.31, -41.8, -3.37

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 86 / 0 / 19 / 28

HEX #1AB794

RGB 26 183 148

HSL 166.62, 0.75%, 0.41%

LAB 66.69, -46.19, 7.13

 

CMYK 95 / 0 / 22 / 35

HEX #09A581

RGB 9 165 129

HSL 166.15, 0.9%, 0.34%

LAB 60.39, -44.64, 8.65

 

CMYK 100 / 0 / 25 / 42

HEX #00936E

RGB 0 147 110

HSL 164.9, 1%, 0.29%

LAB 54.02, -42.57, 10.35

 

CMYK 100 / 0 / 29 / 49

HEX #00815B

RGB 0 129 91

HSL 162.33, 1%, 0.25%

LAB 47.57, -40.03, 12.24

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 79 / 0 / 3 / 21

HEX #2AC9C2

RGB 42 201 194

HSL 177.36, 0.65%, 0.48%

LAB 73.65, -40.12, -7.82

 

CMYK 79 / 9 / 0 / 21

HEX #2AB7C9

RGB 42 183 201

HSL 186.79, 0.65%, 0.48%

LAB 68.44, -29.59, -19.47

 

CMYK 79 / 22 / 0 / 21

HEX #2A9CC9

RGB 42 156 201

HSL 196.98, 0.65%, 0.48%

LAB 60.33, -15.68, -31.94

 

CMYK 79 / 35 / 0 / 21

HEX #2A82C9

RGB 42 130 201

HSL 206.79, 0.65%, 0.48%

LAB 52.59, -0.86, -44.07

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 79 / 0 / 17 / 1

HEX #36FCD1

RGB 54 252 209

HSL 166.97, 0.97%, 0.6%

LAB 89.4, -56.57, 7.25

 

CMYK 79 / 0 / 17 / 81

HEX #0A3028

RGB 10 48 40

HSL 167.37, 0.66%, 0.11%

LAB 17.14, -15.64, 1.26

 

CMYK 79 / 0 / 17 / 61

HEX #156352

RGB 21 99 82

HSL 166.92, 0.65%, 0.24%

LAB 37.28, -27.39, 3.1

 

CMYK 79 / 0 / 17 / 41

HEX #20967D

RGB 32 150 125

HSL 167.29, 0.65%, 0.36%

LAB 55.69, -37.57, 4.22

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 79 / 78 / 0 / 21

HEX #2A2DC9

RGB 42 45 201

HSL 238.87, 0.65%, 0.48%

LAB 30.85, 51.91, -79.35

 

CMYK 0 / 49 / 79 / 21

HEX #C9672A

RGB 201 103 42

HSL 23.02, 0.65%, 0.48%

LAB 54.33, 34.84, 49.9

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 17 / 79 / 0 / 21

HEX #A72AC9

RGB 167 42 201

HSL 287.17, 0.65%, 0.48%

LAB 44.36, 69.75, -56.68

 

CMYK 0 / 17 / 79 / 21

HEX #C9A72A

RGB 201 167 42

HSL 47.17, 0.65%, 0.48%

LAB 69.63, 0.3, 64.1

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 79 / 78 / 0 / 21

HEX #2A2DC9

RGB 42 45 201

HSL 238.87, 0.65%, 0.48%

LAB 30.85, 51.91, -79.35

 

CMYK 0 / 79 / 62 / 21

HEX #C92A4D

RGB 201 42 77

HSL 346.79, 0.65%, 0.48%

LAB 45.09, 62.29, 20

 

CMYK 0 / 1 / 79 / 21

HEX #C9C72A

RGB 201 199 42

HSL 59.25, 0.65%, 0.48%

LAB 78.13, -16.24, 71.65

 

CMYK 79 / 0 / 17 / 21

HEX #2BC9A7

RGB 43 201 167

HSL 167.09, 0.65%, 0.48%

LAB 72.94, -47.32, 5.78

 

CMYK 57 / 79 / 0 / 21

HEX #572AC9

RGB 87 42 201

HSL 256.98, 0.65%, 0.48%

LAB 33.77, 57.46, -74.4

 

CMYK 0 / 79 / 62 / 21

HEX #C92A4D

RGB 201 42 77

HSL 346.79, 0.65%, 0.48%

LAB 45.09, 62.29, 20

 

CMYK 22 / 0 / 79 / 21

HEX #9CC92A

RGB 156 201 42

HSL 76.98, 0.65%, 0.48%

LAB 75.46, -35.78, 68.04

 

Description

Color code: RGB 43 201 167 | qconv.com Color code: RGB 43 201 167 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 201 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 201 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 17% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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