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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 44 94 it is the complementary color RGB 213 211 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 44 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 42 44 94: RGB 47 44 89, RGB 64 62 108, RGB 81 80 127, RGB 98 98 146 and RGB 115 116 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 44 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 42 44 94: RGB 42 44 94, RGB 25 26 75, RGB 8 8 56, RGB 0 0 37 and RGB 0 0 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

Complementary color

CMYK 0 / 1 / 24 / 16

HEX #D5D3A1

RGB 213 211 161

HSL 57.69, 0.38%, 0.73%

LAB 83.6, -7.27, 25.08

 

CMYK 47 / 51 / 0 / 65

HEX #2F2C59

RGB 47 44 89

HSL 244, 0.34%, 0.26%

LAB 20.55, 14.58, -26.77

 

CMYK 41 / 43 / 0 / 58

HEX #403E6C

RGB 64 62 108

HSL 242.61, 0.27%, 0.33%

LAB 28.43, 13.43, -26.53

 

CMYK 36 / 37 / 0 / 50

HEX #51507F

RGB 81 80 127

HSL 241.28, 0.23%, 0.41%

LAB 36.02, 12.54, -26.39

 

CMYK 33 / 33 / 0 / 43

HEX #626292

RGB 98 98 146

HSL 240, 0.2%, 0.48%

LAB 43.37, 11.83, -26.34

 

CMYK 30 / 30 / 0 / 35

HEX #7374A5

RGB 115 116 165

HSL 238.8, 0.22%, 0.55%

LAB 50.51, 11.23, -26.35

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 67 / 65 / 0 / 71

HEX #191A4B

RGB 25 26 75

HSL 238.8, 0.5%, 0.2%

LAB 12.31, 16.94, -30.66

 

CMYK 86 / 86 / 0 / 78

HEX #080838

RGB 8 8 56

HSL 240, 0.75%, 0.13%

LAB 4.61, 16.96, -29.77

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 49 / 56 / 0 / 63

HEX #302A5F

RGB 48 42 95

HSL 246.79, 0.39%, 0.27%

LAB 20.48, 18.29, -30.84

 

CMYK 40 / 56 / 0 / 63

HEX #392A5F

RGB 57 42 95

HSL 256.98, 0.39%, 0.27%

LAB 21.4, 20.74, -29.31

 

CMYK 31 / 56 / 0 / 63

HEX #422A5F

RGB 66 42 95

HSL 267.17, 0.39%, 0.27%

LAB 22.45, 23.37, -27.59

 

CMYK 22 / 56 / 0 / 63

HEX #4A2A5F

RGB 74 42 95

HSL 276.23, 0.39%, 0.27%

LAB 23.47, 25.8, -25.9

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 55 / 53 / 0 / 43

HEX #414491

RGB 65 68 145

HSL 237.75, 0.38%, 0.41%

LAB 32.49, 21.89, -43.14

 

CMYK 55 / 53 / 0 / 23

HEX #585CC4

RGB 88 92 196

HSL 237.78, 0.48%, 0.56%

LAB 43.82, 28.3, -55.1

 

CMYK 55 / 53 / 0 / 3

HEX #6E74F7

RGB 110 116 247

HSL 237.37, 0.9%, 0.7%

LAB 54.58, 34.19, -66.56

 

CMYK 56 / 53 / 0 / 83

HEX #13142B

RGB 19 20 43

HSL 237.5, 0.39%, 0.12%

LAB 7.35, 7.26, -15.76

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 0 / 56 / 8 / 63

HEX #5F2A57

RGB 95 42 87

HSL 309.06, 0.39%, 0.27%

LAB 26.09, 30.8, -16.31

 

CMYK 31 / 0 / 56 / 63

HEX #425F2A

RGB 66 95 42

HSL 92.83, 0.39%, 0.27%

LAB 36.95, -21.1, 26.68

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 0 / 56 / 53 / 63

HEX #5F2A2D

RGB 95 42 45

HSL 356.6, 0.39%, 0.27%

LAB 24.57, 24.44, 9.6

 

CMYK 53 / 0 / 56 / 63

HEX #2D5F2A

RGB 45 95 42

HSL 116.6, 0.39%, 0.27%

LAB 35.81, -28.85, 25.04

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 0 / 56 / 8 / 63

HEX #5F2A57

RGB 95 42 87

HSL 309.06, 0.39%, 0.27%

LAB 26.09, 30.8, -16.31

 

CMYK 0 / 3 / 56 / 63

HEX #5F5C2A

RGB 95 92 42

HSL 56.6, 0.39%, 0.27%

LAB 38.3, -6.44, 28.85

 

CMYK 56 / 0 / 47 / 63

HEX #2A5F32

RGB 42 95 50

HSL 129.06, 0.39%, 0.27%

LAB 35.8, -28.47, 20.48

 

CMYK 55 / 53 / 0 / 63

HEX #2A2C5E

RGB 42 44 94

HSL 237.69, 0.38%, 0.27%

LAB 20.45, 15, -30.26

 

CMYK 0 / 56 / 25 / 63

HEX #5F2A47

RGB 95 42 71

HSL 327.17, 0.39%, 0.27%

LAB 25.39, 27.97, -6.74

 

CMYK 0 / 3 / 56 / 63

HEX #5F5C2A

RGB 95 92 42

HSL 56.6, 0.39%, 0.27%

LAB 38.3, -6.44, 28.85

 

CMYK 56 / 0 / 31 / 63

HEX #2A5F42

RGB 42 95 66

HSL 147.17, 0.39%, 0.27%

LAB 36.12, -25.23, 11.35

 

Description

Color code: RGB 42 44 94 | qconv.com Color code: RGB 42 44 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 44 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 44 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 53 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 53% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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