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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 52 64 it is the complementary color RGB 214 203 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 52 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 41 52 64: RGB 46 52 59, RGB 63 70 78, RGB 80 88 97, RGB 97 106 116 and RGB 114 124 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 52 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 41 52 64: RGB 41 52 64, RGB 24 34 45, RGB 7 16 26, RGB 0 0 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

Complementary color

CMYK 0 / 5 / 11 / 16

HEX #D6CBBF

RGB 214 203 191

HSL 31.3, 0.22%, 0.79%

LAB 82.25, 1.78, 7.34

 

CMYK 22 / 12 / 0 / 77

HEX #2E343B

RGB 46 52 59

HSL 212.31, 0.12%, 0.21%

LAB 21.4, -0.72, -5.26

 

CMYK 19 / 10 / 0 / 69

HEX #3F464E

RGB 63 70 78

HSL 212, 0.11%, 0.28%

LAB 29.38, -0.87, -5.76

 

CMYK 18 / 9 / 0 / 62

HEX #505861

RGB 80 88 97

HSL 211.76, 0.1%, 0.35%

LAB 37.02, -1.01, -6.26

 

CMYK 16 / 9 / 0 / 55

HEX #616A74

RGB 97 106 116

HSL 211.58, 0.09%, 0.42%

LAB 44.39, -1.14, -6.75

 

CMYK 16 / 8 / 0 / 47

HEX #727C87

RGB 114 124 135

HSL 211.43, 0.08%, 0.49%

LAB 51.54, -1.27, -7.24

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 47 / 24 / 0 / 82

HEX #18222D

RGB 24 34 45

HSL 211.43, 0.3%, 0.14%

LAB 12.78, -0.85, -8.71

 

CMYK 73 / 38 / 0 / 90

HEX #07101A

RGB 7 16 26

HSL 211.58, 0.58%, 0.06%

LAB 4.43, -0.27, -7.32

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 37 / 25 / 0 / 75

HEX #293141

RGB 41 49 65

HSL 220, 0.23%, 0.21%

LAB 20.24, 1.22, -11.15

 

CMYK 37 / 31 / 0 / 75

HEX #292D41

RGB 41 45 65

HSL 230, 0.23%, 0.21%

LAB 18.93, 4, -13.17

 

CMYK 35 / 37 / 0 / 75

HEX #2A2941

RGB 42 41 65

HSL 242.5, 0.23%, 0.21%

LAB 17.74, 7.19, -15.01

 

CMYK 29 / 37 / 0 / 75

HEX #2E2941

RGB 46 41 65

HSL 252.5, 0.23%, 0.21%

LAB 18.14, 8.63, -14.36

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 36 / 19 / 0 / 55

HEX #4A5D73

RGB 74 93 115

HSL 212.2, 0.22%, 0.37%

LAB 38.76, -1.33, -14.8

 

CMYK 36 / 19 / 0 / 35

HEX #6A87A6

RGB 106 135 166

HSL 211, 0.25%, 0.53%

LAB 55.22, -2.38, -19.74

 

CMYK 36 / 19 / 0 / 15

HEX #8BB0D9

RGB 139 176 217

HSL 211.54, 0.51%, 0.7%

LAB 70.56, -2.52, -24.7

 

CMYK 38 / 15 / 0 / 95

HEX #080B0D

RGB 8 11 13

HSL 204, 0.24%, 0.04%

LAB 2.89, -0.48, -1.13

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 11 / 37 / 0 / 75

HEX #3A2941

RGB 58 41 65

HSL 282.5, 0.23%, 0.21%

LAB 19.5, 13.19, -12.13

 

CMYK 5 / 0 / 37 / 75

HEX #3E4129

RGB 62 65 41

HSL 67.5, 0.23%, 0.21%

LAB 26.63, -5.92, 14.26

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 0 / 37 / 18 / 75

HEX #412935

RGB 65 41 53

HSL 330, 0.23%, 0.21%

LAB 19.91, 13.37, -3.16

 

CMYK 18 / 0 / 37 / 75

HEX #354129

RGB 53 65 41

HSL 90, 0.23%, 0.21%

LAB 25.86, -10.06, 13.09

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 11 / 37 / 0 / 75

HEX #3A2941

RGB 58 41 65

HSL 282.5, 0.23%, 0.21%

LAB 19.5, 13.19, -12.13

 

CMYK 0 / 18 / 37 / 75

HEX #413529

RGB 65 53 41

HSL 30, 0.23%, 0.21%

LAB 23.1, 3.22, 9.57

 

CMYK 26 / 0 / 37 / 75

HEX #304129

RGB 48 65 41

HSL 102.5, 0.23%, 0.21%

LAB 25.47, -12.25, 12.5

 

CMYK 36 / 19 / 0 / 75

HEX #293440

RGB 41 52 64

HSL 211.3, 0.22%, 0.21%

LAB 21.2, -1.14, -9.01

 

CMYK 0 / 37 / 2 / 75

HEX #412940

RGB 65 41 64

HSL 302.5, 0.23%, 0.21%

LAB 20.36, 15.7, -10.05

 

CMYK 0 / 18 / 37 / 75

HEX #413529

RGB 65 53 41

HSL 30, 0.23%, 0.21%

LAB 23.1, 3.22, 9.57

 

CMYK 37 / 0 / 35 / 75

HEX #29412A

RGB 41 65 42

HSL 122.5, 0.23%, 0.21%

LAB 25.01, -14.94, 11.16

 

Description

Color code: RGB 41 52 64 | qconv.com Color code: RGB 41 52 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 52 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 52 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 19 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 19% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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