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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 23 240 it is the complementary color RGB 214 232 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 23 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 41 23 240: RGB 46 23 235, RGB 63 41 254, RGB 80 59 255, RGB 97 77 255 and RGB 114 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 23 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 41 23 240: RGB 41 23 240, RGB 24 5 221, RGB 7 0 202, RGB 0 0 183 and RGB 0 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

Complementary color

CMYK 8 / 0 / 94 / 9

HEX #D6E80F

RGB 214 232 15

HSL 64.98, 0.88%, 0.48%

LAB 87.99, -27.39, 85.11

 

CMYK 80 / 90 / 0 / 8

HEX #2E17EB

RGB 46 23 235

HSL 246.51, 0.84%, 0.51%

LAB 32.24, 70.59, -96.63

 

CMYK 75 / 84 / 0 / 0

HEX #3F29FE

RGB 63 41 254

HSL 246.2, 0.99%, 0.58%

LAB 37.48, 70.47, -98.61

 

CMYK 69 / 77 / 0 / 0

HEX #503BFF

RGB 80 59 255

HSL 246.43, 1%, 0.62%

LAB 41.3, 64.24, -92.8

 

CMYK 62 / 70 / 0 / 0

HEX #614DFF

RGB 97 77 255

HSL 246.74, 1%, 0.65%

LAB 45.73, 56.97, -85.46

 

CMYK 55 / 63 / 0 / 0

HEX #725FFF

RGB 114 95 255

HSL 247.13, 1%, 0.69%

LAB 50.67, 49.57, -77.33

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 89 / 98 / 0 / 13

HEX #1805DD

RGB 24 5 221

HSL 245.28, 0.96%, 0.44%

LAB 28.18, 70.35, -95.42

 

CMYK 97 / 100 / 0 / 21

HEX #0700CA

RGB 7 0 202

HSL 242.08, 1%, 0.4%

LAB 24.67, 66.49, -90.26

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 69 / 90 / 0 / 6

HEX #4B18F0

RGB 75 24 240

HSL 254.17, 0.88%, 0.52%

LAB 34.88, 72.8, -95.02

 

CMYK 54 / 90 / 0 / 6

HEX #6F18F0

RGB 111 24 240

HSL 264.17, 0.88%, 0.52%

LAB 38.42, 75.25, -89.05

 

CMYK 39 / 90 / 0 / 6

HEX #9218F0

RGB 146 24 240

HSL 273.89, 0.88%, 0.52%

LAB 42.85, 78.68, -81.6

 

CMYK 24 / 90 / 0 / 6

HEX #B618F0

RGB 182 24 240

HSL 283.89, 0.88%, 0.52%

LAB 48.12, 83.18, -72.76

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 83 / 92 / 0 / 86

HEX #060324

RGB 6 3 36

HSL 245.45, 0.85%, 0.08%

LAB 2.09, 8.45, -18.71

 

CMYK 83 / 91 / 0 / 66

HEX #0F0857

RGB 15 8 87

HSL 245.32, 0.83%, 0.19%

LAB 8.68, 31.74, -44.88

 

CMYK 83 / 91 / 0 / 46

HEX #180D8A

RGB 24 13 138

HSL 245.28, 0.83%, 0.3%

LAB 17.07, 46.14, -64.17

 

CMYK 83 / 90 / 0 / 26

HEX #2012BD

RGB 32 18 189

HSL 244.91, 0.83%, 0.41%

LAB 24.99, 59.32, -82.03

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 0 / 90 / 24 / 6

HEX #F018B6

RGB 240 24 182

HSL 316.11, 0.88%, 0.52%

LAB 54.61, 84.48, -28.6

 

CMYK 60 / 0 / 90 / 6

HEX #60F018

RGB 96 240 24

HSL 100, 0.88%, 0.52%

LAB 84.42, -70.58, 78.65

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 0 / 84 / 90 / 6

HEX #F02718

RGB 240 39 24

HSL 4.17, 0.88%, 0.52%

LAB 51.88, 71.9, 58.07

 

CMYK 90 / 0 / 84 / 6

HEX #18F027

RGB 24 240 39

HSL 124.17, 0.88%, 0.52%

LAB 83.26, -80.38, 74.38

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 0 / 90 / 24 / 6

HEX #F018B6

RGB 240 24 182

HSL 316.11, 0.88%, 0.52%

LAB 54.61, 84.48, -28.6

 

CMYK 6 / 0 / 90 / 6

HEX #E1F018

RGB 225 240 24

HSL 64.17, 0.88%, 0.52%

LAB 90.96, -26.52, 86.67

 

CMYK 90 / 0 / 66 / 6

HEX #18F052

RGB 24 240 82

HSL 136.11, 0.88%, 0.52%

LAB 83.51, -77.28, 60.94

 

CMYK 83 / 90 / 0 / 6

HEX #2917F0

RGB 41 23 240

HSL 244.98, 0.88%, 0.52%

LAB 32.65, 71.75, -98.8

 

CMYK 0 / 90 / 51 / 6

HEX #F01876

RGB 240 24 118

HSL 333.89, 0.88%, 0.52%

LAB 52.38, 78.47, 6.12

 

CMYK 6 / 0 / 90 / 6

HEX #E1F018

RGB 225 240 24

HSL 64.17, 0.88%, 0.52%

LAB 90.96, -26.52, 86.67

 

CMYK 90 / 0 / 39 / 6

HEX #18F092

RGB 24 240 146

HSL 153.89, 0.88%, 0.52%

LAB 84.27, -68.03, 32.41

 

Description

Color code: RGB 41 23 240 | qconv.com Color code: RGB 41 23 240 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 23 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 23 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 90 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 90% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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