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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 188 33 it is the complementary color RGB 214 67 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 188 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 41 188 33: RGB 46 188 28, RGB 63 206 47, RGB 80 224 66, RGB 97 242 85 and RGB 114 255 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 188 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 41 188 33: RGB 41 188 33, RGB 24 170 14, RGB 7 152 0, RGB 0 134 0 and RGB 0 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

Complementary color

CMYK 4 / 70 / 0 / 13

HEX #D643DE

RGB 214 67 222

HSL 296.9, 0.7%, 0.57%

LAB 55.67, 74.69, -50.19

 

CMYK 76 / 0 / 85 / 26

HEX #2EBC1C

RGB 46 188 28

HSL 113.25, 0.74%, 0.42%

LAB 67, -63.77, 62.41

 

CMYK 69 / 0 / 77 / 19

HEX #3FCE2F

RGB 63 206 47

HSL 113.96, 0.63%, 0.5%

LAB 73.16, -65.51, 63.02

 

CMYK 64 / 0 / 71 / 12

HEX #50E042

RGB 80 224 66

HSL 114.68, 0.72%, 0.57%

LAB 79.28, -66.7, 62.8

 

CMYK 60 / 0 / 65 / 5

HEX #61F255

RGB 97 242 85

HSL 115.41, 0.86%, 0.64%

LAB 85.35, -67.49, 62.11

 

CMYK 55 / 0 / 59 / 0

HEX #72FF68

RGB 114 255 104

HSL 116.03, 1%, 0.7%

LAB 89.9, -66.22, 59.47

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 86 / 0 / 92 / 33

HEX #18AA0E

RGB 24 170 14

HSL 116.15, 0.85%, 0.36%

LAB 60.76, -61.68, 59.66

 

CMYK 95 / 0 / 100 / 40

HEX #079800

RGB 7 152 0

HSL 117.24, 1%, 0.3%

LAB 54.56, -58.15, 56.59

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 83 / 0 / 74 / 27

HEX #20BA30

RGB 32 186 48

HSL 126.23, 0.71%, 0.43%

LAB 66.24, -63.75, 55.69

 

CMYK 83 / 0 / 61 / 27

HEX #20BA49

RGB 32 186 73

HSL 135.97, 0.71%, 0.43%

LAB 66.45, -61.21, 45.7

 

CMYK 83 / 0 / 47 / 27

HEX #20BA63

RGB 32 186 99

HSL 146.1, 0.71%, 0.43%

LAB 66.77, -57.36, 33.47

 

CMYK 83 / 0 / 33 / 27

HEX #20BA7D

RGB 32 186 125

HSL 156.23, 0.71%, 0.43%

LAB 67.21, -52.32, 20.38

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 78 / 0 / 82 / 6

HEX #34EF2A

RGB 52 239 42

HSL 116.95, 0.86%, 0.55%

LAB 83.25, -77.44, 73.77

 

CMYK 77 / 0 / 83 / 86

HEX #082306

RGB 8 35 6

HSL 115.86, 0.71%, 0.08%

LAB 11.04, -17.52, 13.63

 

CMYK 78 / 0 / 83 / 66

HEX #13560F

RGB 19 86 15

HSL 116.62, 0.7%, 0.2%

LAB 31.41, -35.18, 33.01

 

CMYK 78 / 0 / 82 / 46

HEX #1E8918

RGB 30 137 24

HSL 116.81, 0.7%, 0.32%

LAB 49.78, -50.3, 47.62

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 83 / 11 / 0 / 27

HEX #20A5BA

RGB 32 165 186

HSL 188.18, 0.71%, 0.43%

LAB 62.31, -26.34, -20.5

 

CMYK 0 / 83 / 44 / 27

HEX #BA2068

RGB 186 32 104

HSL 331.95, 0.71%, 0.43%

LAB 41.96, 62.96, -1.68

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 83 / 77 / 0 / 27

HEX #202BBA

RGB 32 43 186

HSL 235.71, 0.71%, 0.43%

LAB 28.33, 47.49, -74.71

 

CMYK 0 / 83 / 77 / 27

HEX #BA202B

RGB 186 32 43

HSL 355.71, 0.71%, 0.43%

LAB 40.65, 59.06, 34.59

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 83 / 11 / 0 / 27

HEX #20A5BA

RGB 32 165 186

HSL 188.18, 0.71%, 0.43%

LAB 62.31, -26.34, -20.5

 

CMYK 5 / 83 / 0 / 27

HEX #B020BA

RGB 176 32 186

HSL 296.1, 0.71%, 0.43%

LAB 43.96, 71.4, -48.5

 

CMYK 0 / 72 / 83 / 27

HEX #BA3520

RGB 186 53 32

HSL 8.18, 0.71%, 0.43%

LAB 42.9, 52.11, 42.9

 

CMYK 78 / 0 / 82 / 26

HEX #29BC21

RGB 41 188 33

HSL 116.9, 0.7%, 0.43%

LAB 66.94, -64.25, 61.07

 

CMYK 83 / 36 / 0 / 27

HEX #2077BA

RGB 32 119 186

HSL 206.1, 0.71%, 0.43%

LAB 48.32, -0.84, -42.27

 

CMYK 5 / 83 / 0 / 27

HEX #B020BA

RGB 176 32 186

HSL 296.1, 0.71%, 0.43%

LAB 43.96, 71.4, -48.5

 

CMYK 0 / 47 / 83 / 27

HEX #BA6320

RGB 186 99 32

HSL 26.1, 0.71%, 0.43%

LAB 51.23, 30.46, 50.51

 

Description

Color code: RGB 41 188 33 | qconv.com Color code: RGB 41 188 33 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 188 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 188 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 82 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 82% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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