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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 130 177 it is the complementary color RGB 214 125 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 130 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 41 130 177: RGB 46 130 172, RGB 63 148 191, RGB 80 166 210, RGB 97 184 229 and RGB 114 202 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 130 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 41 130 177: RGB 41 130 177, RGB 24 112 158, RGB 7 94 139, RGB 0 76 120 and RGB 0 58 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

Complementary color

CMYK 0 / 42 / 64 / 16

HEX #D67D4E

RGB 214 125 78

HSL 20.74, 0.62%, 0.57%

LAB 61.23, 30.34, 40.06

 

CMYK 73 / 24 / 0 / 33

HEX #2E82AC

RGB 46 130 172

HSL 200, 0.58%, 0.43%

LAB 51.3, -10.83, -29.48

 

CMYK 67 / 23 / 0 / 25

HEX #3F94BF

RGB 63 148 191

HSL 200.16, 0.5%, 0.5%

LAB 58.04, -11.92, -29.82

 

CMYK 62 / 21 / 0 / 18

HEX #50A6D2

RGB 80 166 210

HSL 200.31, 0.59%, 0.57%

LAB 64.67, -12.75, -30.14

 

CMYK 58 / 20 / 0 / 10

HEX #61B8E5

RGB 97 184 229

HSL 200.45, 0.72%, 0.64%

LAB 71.2, -13.39, -30.44

 

CMYK 54 / 19 / 0 / 3

HEX #72CAF8

RGB 114 202 248

HSL 200.6, 0.91%, 0.71%

LAB 77.64, -13.9, -30.73

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 85 / 29 / 0 / 38

HEX #18709E

RGB 24 112 158

HSL 200.6, 0.74%, 0.36%

LAB 44.59, -7.97, -31.81

 

CMYK 95 / 32 / 0 / 45

HEX #075E8B

RGB 7 94 139

HSL 200.45, 0.9%, 0.29%

LAB 37.69, -5.65, -31.32

 

CMYK 100 / 37 / 0 / 53

HEX #004C78

RGB 0 76 120

HSL 202, 1%, 0.24%

LAB 30.7, -2.49, -30.68

 

CMYK 100 / 43 / 0 / 60

HEX #003A65

RGB 0 58 101

HSL 205.54, 1%, 0.2%

LAB 23.56, 1.39, -29.96

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 77 / 38 / 0 / 31

HEX #296DB1

RGB 41 109 177

HSL 210, 0.62%, 0.43%

LAB 45.06, 2.87, -42.2

 

CMYK 77 / 51 / 0 / 31

HEX #2956B1

RGB 41 86 177

HSL 220.15, 0.62%, 0.43%

LAB 38.38, 17.68, -52.91

 

CMYK 77 / 64 / 0 / 31

HEX #2940B1

RGB 41 64 177

HSL 229.85, 0.62%, 0.43%

LAB 32.51, 32.22, -62.46

 

CMYK 77 / 77 / 0 / 31

HEX #2929B1

RGB 41 41 177

HSL 240, 0.62%, 0.43%

LAB 27.38, 46.2, -70.9

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 77 / 27 / 0 / 11

HEX #35A7E4

RGB 53 167 228

HSL 200.91, 0.76%, 0.55%

LAB 64.96, -11.23, -39.69

 

CMYK 75 / 25 / 0 / 91

HEX #061218

RGB 6 18 24

HSL 200, 0.6%, 0.06%

LAB 4.85, -2.23, -5.13

 

CMYK 77 / 27 / 0 / 71

HEX #11374B

RGB 17 55 75

HSL 200.69, 0.63%, 0.18%

LAB 21.43, -5.68, -16.17

 

CMYK 77 / 26 / 0 / 51

HEX #1D5D7E

RGB 29 93 126

HSL 200.41, 0.63%, 0.3%

LAB 37.11, -8.1, -24.28

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 36 / 77 / 0 / 31

HEX #7229B1

RGB 114 41 177

HSL 272.21, 0.62%, 0.43%

LAB 34.68, 55.72, -58.65

 

CMYK 0 / 5 / 77 / 31

HEX #B1A829

RGB 177 168 41

HSL 56.03, 0.62%, 0.43%

LAB 67.66, -10.84, 61.81

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 0 / 77 / 25 / 31

HEX #B12984

RGB 177 41 132

HSL 319.85, 0.62%, 0.43%

LAB 42.15, 61.32, -18.93

 

CMYK 25 / 0 / 77 / 31

HEX #84B129

RGB 132 177 41

HSL 79.85, 0.62%, 0.43%

LAB 66.91, -34.3, 59.9

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 36 / 77 / 0 / 31

HEX #7229B1

RGB 114 41 177

HSL 272.21, 0.62%, 0.43%

LAB 34.68, 55.72, -58.65

 

CMYK 0 / 51 / 77 / 31

HEX #B15629

RGB 177 86 41

HSL 19.85, 0.62%, 0.43%

LAB 47.19, 33.98, 42.1

 

CMYK 41 / 0 / 77 / 31

HEX #69B129

RGB 105 177 41

HSL 91.76, 0.62%, 0.43%

LAB 65.44, -44.29, 57.99

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 13 / 77 / 0 / 31

HEX #9A29B1

RGB 154 41 177

HSL 289.85, 0.62%, 0.43%

LAB 40.62, 63.19, -48.74

 

CMYK 0 / 51 / 77 / 31

HEX #B15629

RGB 177 86 41

HSL 19.85, 0.62%, 0.43%

LAB 47.19, 33.98, 42.1

 

CMYK 64 / 0 / 77 / 31

HEX #40B129

RGB 64 177 41

HSL 109.85, 0.62%, 0.43%

LAB 63.91, -56.07, 55.99

 

Description

Color code: RGB 41 130 177 | qconv.com Color code: RGB 41 130 177 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 130 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 130 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 27 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 27% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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