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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 105 176 it is the complementary color RGB 214 150 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 105 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 41 105 176: RGB 46 105 171, RGB 63 123 190, RGB 80 141 209, RGB 97 159 228 and RGB 114 177 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 105 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 41 105 176: RGB 41 105 176, RGB 24 87 157, RGB 7 69 138, RGB 0 51 119 and RGB 0 33 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

Complementary color

CMYK 0 / 30 / 63 / 16

HEX #D6964F

RGB 214 150 79

HSL 31.56, 0.62%, 0.57%

LAB 67.03, 16.95, 46.31

 

CMYK 73 / 39 / 0 / 33

HEX #2E69AB

RGB 46 105 171

HSL 211.68, 0.58%, 0.43%

LAB 43.69, 3.78, -40.86

 

CMYK 67 / 35 / 0 / 25

HEX #3F7BBE

RGB 63 123 190

HSL 211.65, 0.5%, 0.5%

LAB 50.62, 2.24, -40.87

 

CMYK 62 / 33 / 0 / 18

HEX #508DD1

RGB 80 141 209

HSL 211.63, 0.58%, 0.57%

LAB 57.42, 1.04, -40.88

 

CMYK 57 / 30 / 0 / 11

HEX #619FE4

RGB 97 159 228

HSL 211.6, 0.71%, 0.64%

LAB 64.11, 0.09, -40.91

 

CMYK 54 / 28 / 0 / 3

HEX #72B1F7

RGB 114 177 247

HSL 211.58, 0.89%, 0.71%

LAB 70.69, -0.69, -40.95

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 85 / 45 / 0 / 38

HEX #18579D

RGB 24 87 157

HSL 211.58, 0.73%, 0.35%

LAB 36.83, 7.32, -43.53

 

CMYK 95 / 50 / 0 / 46

HEX #07458A

RGB 7 69 138

HSL 211.6, 0.9%, 0.28%

LAB 29.75, 10.38, -43.37

 

CMYK 100 / 57 / 0 / 53

HEX #003377

RGB 0 51 119

HSL 214.29, 1%, 0.23%

LAB 22.65, 14.46, -42.98

 

CMYK 100 / 67 / 0 / 61

HEX #002164

RGB 0 33 100

HSL 220.2, 1%, 0.2%

LAB 15.53, 19.33, -42.31

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 77 / 53 / 0 / 31

HEX #2954B1

RGB 41 84 177

HSL 221.03, 0.62%, 0.43%

LAB 37.82, 19, -53.82

 

CMYK 77 / 65 / 0 / 31

HEX #293EB1

RGB 41 62 177

HSL 230.74, 0.62%, 0.43%

LAB 32.01, 33.51, -63.28

 

CMYK 76 / 77 / 0 / 31

HEX #2B29B1

RGB 43 41 177

HSL 240.88, 0.62%, 0.43%

LAB 27.5, 46.35, -70.7

 

CMYK 63 / 77 / 0 / 31

HEX #4229B1

RGB 66 41 177

HSL 251.03, 0.62%, 0.43%

LAB 29.21, 48.63, -67.83

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 77 / 41 / 0 / 11

HEX #3587E3

RGB 53 135 227

HSL 211.72, 0.76%, 0.55%

LAB 55.72, 6.9, -53.74

 

CMYK 78 / 39 / 0 / 91

HEX #050E17

RGB 5 14 23

HSL 210, 0.64%, 0.05%

LAB 3.69, -0.56, -6.08

 

CMYK 77 / 41 / 0 / 71

HEX #112C4A

RGB 17 44 74

HSL 211.58, 0.63%, 0.18%

LAB 17.53, 1.51, -21.62

 

CMYK 77 / 40 / 0 / 51

HEX #1D4B7D

RGB 29 75 125

HSL 211.25, 0.62%, 0.3%

LAB 31.29, 2.97, -32.83

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 21 / 77 / 0 / 31

HEX #8B29B1

RGB 139 41 177

HSL 283.24, 0.62%, 0.43%

LAB 38.29, 60.28, -52.63

 

CMYK 9 / 0 / 77 / 31

HEX #A1B129

RGB 161 177 41

HSL 67.06, 0.62%, 0.43%

LAB 68.88, -22.37, 62.46

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 0 / 77 / 40 / 31

HEX #B1296B

RGB 177 41 107

HSL 330.88, 0.62%, 0.43%

LAB 41.21, 58.44, -4.86

 

CMYK 40 / 0 / 77 / 31

HEX #6BB129

RGB 107 177 41

HSL 90.88, 0.62%, 0.43%

LAB 65.54, -43.6, 58.12

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 21 / 77 / 0 / 31

HEX #8B29B1

RGB 139 41 177

HSL 283.24, 0.62%, 0.43%

LAB 38.29, 60.28, -52.63

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 55 / 0 / 77 / 31

HEX #50B129

RGB 80 177 41

HSL 102.79, 0.62%, 0.43%

LAB 64.41, -52.05, 56.64

 

CMYK 77 / 40 / 0 / 31

HEX #2969B0

RGB 41 105 176

HSL 211.56, 0.62%, 0.43%

LAB 43.81, 5, -43.6

 

CMYK 0 / 77 / 1 / 31

HEX #B129AF

RGB 177 41 175

HSL 300.88, 0.62%, 0.43%

LAB 44.27, 67.51, -41.51

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 77 / 0 / 76 / 31

HEX #29B12B

RGB 41 177 43

HSL 120.88, 0.62%, 0.43%

LAB 63.42, -60.2, 54.65

 

Description

Color code: RGB 41 105 176 | qconv.com Color code: RGB 41 105 176 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 105 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 105 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 40 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 40% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

99% - Josh Martin is so ke...
Link: http://www.jm54.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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