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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 90.8 250.4 it is the complementary color RGB 215 164.2 4.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 90.8 250.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 90.8 250.4 shade: RGB 45 90.8 245.4, RGB 62 108.8 255, RGB 79 126.8 255, RGB 96 144.8 255 and RGB 113 162.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 90.8 250.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 90.8 250.4 shade: RGB 40 90.8 250.4, RGB 23 72.8 231.4, RGB 6 54.8 212.4, RGB 0 36.8 193.4 and RGB 0 18.8 174.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 90.8 250.4 shade: RGB 40 91 251, RGB 46 40 251, RGB 103 40 251, RGB 160 40 251 and RGB 216 40 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 90.8 250.4 shade: RGB 40 91 251 and RGB 40 40 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 90.8 250.4 shade matches the following richer shades: RGB 40 91 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 90.8 250.4 shade: RGB 40 91 251, RGB 58 100 233, RGB 76 109 215, RGB 93 118 197 and RGB 111 128 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 90.8 250.4 shade: RGB 40 205 251, RGB 40 149 251, RGB 40 93 251, RGB 44 40 251 and RGB 100 40 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 90.8 250.4 shade: RGB 4 52 204, RGB 5 63 244, RGB 40 91 251, RGB 81 122 251 and RGB 121 153 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 90.8 250.4 shade: RGB 40 90.8 250.4, RGB 240 40 251 and RGB 177 251 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 90.8 250.4 shade: RGB 40 90.8 250.4, RGB 251 40 93 and RGB 93 251 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 90.8 250.4 shade: RGB 40 90.8 250.4, RGB 240 40 251, RGB 251 198 40 and RGB 51 251 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 90.8 250.4 shade: RGB 40 90.8 250.4, RGB 251 40 198, RGB 251 198 40 and RGB 40 251 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 64 / 0 / 2

HEX #285AFA

RGB 40 90.8 250.4

HSL 225.51, 0.96%, 0.57%

LAB 45.4, 41.97, -83.55

 

Complementary color

CMYK 0 / 24 / 98 / 16

HEX #D7A404

RGB 215 164.2 4.6

HSL 45.51, 0.96%, 0.43%

LAB 70.23, 7.21, 73.07

 

CMYK 82 / 63 / 0 / 4

HEX #2D5AF5

RGB 45 90.8 245.4

HSL 226.29, 0.91%, 0.57%

LAB 45.11, 40.52, -81.21

 

CMYK 76 / 57 / 0 / 0

HEX #3E6CFF

RGB 62 108.8 255

HSL 225.45, 1%, 0.62%

LAB 50.85, 34.27, -77.16

 

CMYK 69 / 50 / 0 / 0

HEX #4F7EFF

RGB 79 126.8 255

HSL 223.7, 1%, 0.65%

LAB 56.1, 25.22, -68.61

 

CMYK 62 / 43 / 0 / 0

HEX #6090FF

RGB 96 144.8 255

HSL 221.58, 1%, 0.69%

LAB 61.56, 16.98, -59.79

 

CMYK 56 / 36 / 0 / 0

HEX #71A2FF

RGB 113 162.8 255

HSL 218.96, 1%, 0.72%

LAB 67.17, 9.61, -50.83

 

CMYK 84 / 64 / 0 / 2

HEX #285AFA

RGB 40 90.8 250.4

HSL 225.51, 0.96%, 0.57%

LAB 45.4, 41.97, -83.55

 

CMYK 90 / 69 / 0 / 9

HEX #1748E7

RGB 23 72.8 231.4

HSL 225.66, 0.82%, 0.5%

LAB 39.09, 45.36, -83.24

 

CMYK 97 / 74 / 0 / 17

HEX #0636D4

RGB 6 54.8 212.4

HSL 225.81, 0.95%, 0.43%

LAB 32.98, 48.91, -82.48

 

CMYK 100 / 81 / 0 / 24

HEX #0024C1

RGB 0 36.8 193.4

HSL 228.58, 1%, 0.38%

LAB 27.24, 52.21, -80.92

 

CMYK 100 / 89 / 0 / 32

HEX #0012AE

RGB 0 18.8 174.4

HSL 233.53, 1%, 0.34%

LAB 22.05, 54.26, -78.24

 

CMYK 84 / 64 / 0 / 2

HEX #285BFB

RGB 40 91 251

HSL 225.5, 0.96%, 0.57%

LAB 45.49, 42.07, -83.72

 

CMYK 82 / 84 / 0 / 2

HEX #2E28FB

RGB 46 40 251

HSL 241.71, 0.96%, 0.57%

LAB 36.11, 69.28, -99.24

 

CMYK 59 / 84 / 0 / 2

HEX #6728FB

RGB 103 40 251

HSL 257.91, 0.96%, 0.57%

LAB 40.19, 72.79, -92.34

 

CMYK 36 / 84 / 0 / 2

HEX #A028FB

RGB 160 40 251

HSL 274.12, 0.96%, 0.57%

LAB 46.92, 79.05, -81.03

 

CMYK 14 / 84 / 0 / 2

HEX #D828FB

RGB 216 40 251

HSL 290.05, 0.96%, 0.57%

LAB 55.16, 87.25, -67.26

 

CMYK 84 / 64 / 0 / 2

HEX #285BFB

RGB 40 91 251

HSL 225.5, 0.96%, 0.57%

LAB 45.49, 42.07, -83.72

 

CMYK 84 / 84 / 0 / 2

HEX #2828FB

RGB 40 40 251

HSL 240, 0.96%, 0.57%

LAB 35.86, 69.07, -99.66

 

CMYK 84 / 64 / 0 / 2

HEX #285BFB

RGB 40 91 251

HSL 225.5, 0.96%, 0.57%

LAB 45.49, 42.07, -83.72

 

CMYK 84 / 64 / 0 / 2

HEX #285BFB

RGB 40 91 251

HSL 225.5, 0.96%, 0.57%

LAB 45.49, 42.07, -83.72

 

CMYK 75 / 57 / 0 / 9

HEX #3A64E9

RGB 58 100 233

HSL 225.6, 0.8%, 0.57%

LAB 46.84, 31.46, -71.41

 

CMYK 65 / 49 / 0 / 16

HEX #4C6DD7

RGB 76 109 215

HSL 225.76, 0.63%, 0.57%

LAB 48.74, 21.87, -58.12

 

CMYK 53 / 40 / 0 / 23

HEX #5D76C5

RGB 93 118 197

HSL 225.58, 0.47%, 0.57%

LAB 51.05, 13.58, -44.1

 

CMYK 38 / 29 / 0 / 29

HEX #6F80B4

RGB 111 128 180

HSL 225.22, 0.32%, 0.57%

LAB 54.15, 7.01, -29.41

 

CMYK 84 / 18 / 0 / 2

HEX #28CDFB

RGB 40 205 251

HSL 193.08, 0.96%, 0.57%

LAB 76.73, -24.62, -33.89

 

CMYK 84 / 41 / 0 / 2

HEX #2895FB

RGB 40 149 251

HSL 209, 0.96%, 0.57%

LAB 60.7, 6.13, -59.08

 

CMYK 84 / 63 / 0 / 2

HEX #285DFB

RGB 40 93 251

HSL 224.93, 0.96%, 0.57%

LAB 45.97, 40.83, -82.95

 

CMYK 82 / 84 / 0 / 2

HEX #2C28FB

RGB 44 40 251

HSL 241.14, 0.96%, 0.57%

LAB 36.02, 69.21, -99.39

 

CMYK 60 / 84 / 0 / 2

HEX #6428FB

RGB 100 40 251

HSL 257.06, 0.96%, 0.57%

LAB 39.9, 72.54, -92.83

 

CMYK 98 / 75 / 0 / 20

HEX #0434CC

RGB 4 52 204

HSL 225.6, 0.96%, 0.41%

LAB 31.44, 47.56, -80.15

 

CMYK 98 / 74 / 0 / 4

HEX #053FF4

RGB 5 63 244

HSL 225.44, 0.96%, 0.49%

LAB 38.06, 55.03, -92.09

 

CMYK 84 / 64 / 0 / 2

HEX #285BFB

RGB 40 91 251

HSL 225.5, 0.96%, 0.57%

LAB 45.49, 42.07, -83.72

 

CMYK 68 / 51 / 0 / 2

HEX #517AFB

RGB 81 122 251

HSL 225.53, 0.96%, 0.65%

LAB 54.69, 27.05, -68.67

 

CMYK 52 / 39 / 0 / 1

HEX #7999FC

RGB 121 153 252

HSL 225.34, 0.96%, 0.73%

LAB 64.86, 16.03, -52.82

 

CMYK 84 / 64 / 0 / 2

HEX #285AFA

RGB 40 90.8 250.4

HSL 225.51, 0.96%, 0.57%

LAB 45.4, 41.97, -83.55

 

CMYK 4 / 84 / 0 / 2

HEX #F028FB

RGB 240 40 251

HSL 296.87, 0.96%, 0.57%

LAB 58.98, 91.19, -60.91

 

CMYK 29 / 0 / 84 / 2

HEX #B1FB28

RGB 177 251 40

HSL 81.04, 0.96%, 0.57%

LAB 91.01, -49.66, 82.68

 

CMYK 84 / 64 / 0 / 2

HEX #285AFA

RGB 40 90.8 250.4

HSL 225.51, 0.96%, 0.57%

LAB 45.4, 41.97, -83.55

 

CMYK 0 / 84 / 63 / 2

HEX #FB285D

RGB 251 40 93

HSL 344.93, 0.96%, 0.57%

LAB 54.88, 76.87, 24.96

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 84 / 64 / 0 / 2

HEX #285AFA

RGB 40 90.8 250.4

HSL 225.51, 0.96%, 0.57%

LAB 45.4, 41.97, -83.55

 

CMYK 4 / 84 / 0 / 2

HEX #F028FB

RGB 240 40 251

HSL 296.87, 0.96%, 0.57%

LAB 58.98, 91.19, -60.91

 

CMYK 0 / 21 / 84 / 2

HEX #FBC628

RGB 251 198 40

HSL 44.93, 0.96%, 0.57%

LAB 82.41, 5.61, 77.63

 

CMYK 80 / 0 / 84 / 2

HEX #33FB28

RGB 51 251 40

HSL 116.87, 0.96%, 0.57%

LAB 86.92, -81.05, 77.53

 

CMYK 84 / 64 / 0 / 2

HEX #285AFA

RGB 40 90.8 250.4

HSL 225.51, 0.96%, 0.57%

LAB 45.4, 41.97, -83.55

 

CMYK 0 / 84 / 21 / 2

HEX #FB28C6

RGB 251 40 198

HSL 315.07, 0.96%, 0.57%

LAB 58.14, 86.05, -32.22

 

CMYK 0 / 21 / 84 / 2

HEX #FBC628

RGB 251 198 40

HSL 44.93, 0.96%, 0.57%

LAB 82.41, 5.61, 77.63

 

CMYK 84 / 0 / 63 / 2

HEX #28FB5D

RGB 40 251 93

HSL 135.07, 0.96%, 0.57%

LAB 87.11, -78.23, 60.52

 

Description

Color code: RGB 40 90.8 250.4 | qconv.com Color code: RGB 40 90.8 250.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 90.8 green and 250.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 90.8 250.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 64 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 64% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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